Why would a cemetery need a clock tower? The dead cannot tell time, right? Why were some beautifully kept up and others abandoned? Why did some have guards with guns at the gate? I started to read up on histories and any other information on cemeteries I could get my hands on. A general search for any and all cemeteries began. Dead men may not tell tales, but the symbols on their tombstones do. What religion were they? What club did they belong to? What was their occupation? All and more can be found on monuments. Don't be afraid, open the gate and come in.
Mass murder is committed in one of the Emperor's own villas - can Claudia hunt down the perpetrator? The Song of the Gladiator is the second dramatic historical novel from Paul Doherty, set in the turbulence of Roman society, to feature imperial secret agent Claudia. Perfect for fans of Lindsey Davis and Steven Saylor. 313AD, and tempers are rising in Rome. The Emperor Constantine and his mother Helena are trying to make sense of the new Christian religion which is spreading through the Empire - but the Christians can't agree among themselves. Scholars are locked in a bitter struggle over whether Christ really was the son of God, and Constantine invites delegates from both sides to debate before him at his villa. Now strange things start to happen. Envoys from both sides are found murdered in a most macabre way. The villa is secretly attacked, and the Holy Sword is stolen. Helena calls on the help of her secret agent Claudia - that shrewd, unobtrusive detective - to untangle the dangerous web of intrigue. As she sets to work, the spy is also facing a crisis in her own life... What readers are saying about Paul Doherty: 'Paul Doherty's books are a joy to read' 'The sounds and smells of the period seem to waft from the pages of [Paul Doherty's] books' 'A great read - I recommend to anyone who loves a good mystery'
The New York Times bestseller “The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly (Editor's Choice) “One gorgeous read.” —Stephen King Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets--an epic story of murder, madness, and doomed love.
*NATIONAL BESTSELLER* *WINNER OF THE 2023 WRITERS' TRUST ATWOOD GIBSON PRIZE* SHORTLISTED FOR THE GOVERNER GENERAL'S AWARD FOR FICTION SHORTLISTED FOR THE AMAZON CANADA FIRST NOVEL AWARD SHORTLISTED FOR THE KOBO EMERGING WRITER PRIZE LONGLISTED FOR THE 2024 WALTER SCOTT HISTORICAL FICTION AWARD The fates of two unforgettable women—one just beginning a journey of reckoning and self-discovery and the other completing her life's last vital act—intertwine in this sweeping, deeply researched debut set in the Black communities of Ontario that were the last stop on the Underground Railroad. Young Lensinda Martin is a protegee of a crusading Black journalist in mid-18th century southwestern Ontario, finding a home in a community founded by refugees from the slave-owning states of the American south—whose agents do not always stay on their side of the border. One night, a neighbouring farmer summons Lensinda after a slave hunter is shot dead on his land by an old woman recently arrived via the Underground Railroad. When the old woman, whose name is Cash, refuses to flee before the authorities arrive, the farmer urges Lensinda to gather testimony from her before Cash is condemned. But Cash doesn't want to confess. Instead she proposes a barter: a story for a story. And so begins an extraordinary exchange of tales that reveal the interwoven history of Canada and the United States; of Indigenous peoples from a wide swath of what is called North America and of the Black men and women brought here into slavery and their free descendents on both sides of the border. As Cash's time runs out, Lensinda realizes she knows far less than she believed not only about the complicated tapestry of her nation, but also of her own family history. And it seems that Cash may carry a secret that could shape Lensinda's destiny. Sweeping along the path of the Underground Railroad from the southern States to Canada, through the lands of Indigenous nations around the Great Lakes, to the Black communities of southern Ontario, In the Upper Country weaves together unlikely stories of love, survival, and familial upheaval that map the interconnected history of the peoples of North America in an entirely new and resonant way.
