The national bestselling hit hailed by the New York Times as a "vibrant medieval mystery...[it] outdoes the competition." In medieval Cambridge, England, Adelia, a female forensics expert, is summoned by King Henry II to investigate a series of gruesome murders that has wrongly implicated the Jewish population, yielding even more tragic results. As Adelia's investigation takes her behind the closed doors of the country's churches, the killer prepares to strike again.
When the bodies of two people are discovered in the remains of an arson fire that destroyed Glastonbury Abbey, Adelia Aguilar, Mistress of the Art of Death, is ordered by Henry II to determine if one of the sets of bones belongs to the legendary Celtic savior Arthur.
A large-scale investigation into grave goods (c. 4000 BC-AD 43), enabling a new level of understanding of mortuary practice, material culture, technological innovation and social transformation.
The exotic and impressive grave goods from burials of the ÔWessex CultureÕ in Early Bronze Age Britain are well known and have inspired influential social and economic hypotheses, invoking the former existence of chiefs, warriors and merchants and high-ranking pastoralists. Alternative theories have sought to explain the how display of such objects was related to religious and ritual activity rather than to economic status, and that groups of artefacts found in certain graves may have belonged to religious specialists. This volume is the result of a major research that aimed to investigate Chalcolithic and Early Bronze Age grave goods in relation to their possible use as special dress accessories or as equipment employed within ritual activities and ceremonies. Many items of adornment can be shown to have formed elements of elaborate costumes, probably worn by individuals, both male and female, who held important ritual roles within society. Furthermore, the analysis has shown that various categories of object long interpreted as mundane types of tool were in fact items of bodily adornment or implements used in ritual contexts, or in the special embellishment of the human body. Although never intended to form a complete catalogue of all the relevant artefacts from England the volume provides an extensive, and intensively illustrated, overview of a large proportion of the grave goods from English burial sites.
The Early Anglo-Saxon Period is characterized archaeologically by the regular deposition of artefacts in human graves in England. The scope for dating these objects and graves has long been studied, but it has typically proved easier to identify and enumerate the chronological problems of the material than to solve them. Prior to the work of the project reported on here, therefore, there was no comprehensive chronological framework for Early Anglo-Saxon Archaeology, and the level of detail and precision in dates that could be suggested was low. The evidence has now been studied afresh using a co-ordinated suite of dating techniques, both traditional and new: a review and revision of artefact-typology; seriation of grave-assemblages using correspondence analysis; high-precision radiocarbon dating of selected bone samples; and Bayesian modelling using the results of all of these. These were focussed primarily on the later part of the Early Anglo-Saxon Period, starting in the 6th century. This research has produced a new chronological framework, consisting of sequences of phases that are separate for male and female burials but nevertheless mutually consistent and coordinated. These will allow archaeologists to assign grave-assemblages and a wide range of individual artefact-types to defined phases that are associated with calendrical date-ranges whose limits are expressed to a specific degree of probability. Important unresolved issues include a precise adjustment for dietary effects on radiocarbon dates from human skeletal material. Nonetheless the results of this project suggest the cessation of regular burial with grave goods in Anglo-Saxon England two decades or even more before the end of the seventh century. That creates a limited but important discrepancy with the current numismatic chronology of early English sceattas. The wider implications of the results for key topics in Anglo-Saxon archaeology and social, economic and religious history are discussed to conclude the report.
Throughout northern Europe, thousands of burial mounds were erected in the third millennium BCE. Starting in the Corded Ware culture, individual people were being buried underneath these mounds, often equipped with an almost rigid set of grave goods. This practice continued in the second half of the third millennium BCE with the start of the Bell Beaker phenomenon. In large parts of Europe, a 'typical' set of objects was placed in graves, known as the 'Bell Beaker package'.This book focusses on the significance and meaning of these Late Neolithic graves. Why were people buried in a seemingly standardized manner, what did this signify and what does this reveal about these individuals, their role in society, their cultural identity and the people that buried them?By performing in-depth analyses of all the individual grave goods from Dutch graves, which includes use-wear analysis and experiments, the biography of grave goods is explored. How were they made, used and discarded? Subsequently the nature of these graves themselves are explored as contexts of deposition, and how these are part of a much wider 'sacrificial landscape'.A novel and comprehensive interpretation is presented that shows how the objects from graves were connected with travel, drinking ceremonies and maintaining long-distance relationships.
This study comprises a descriptive analysis of the entire range of Anglo-Saxon grave goods and an exploration of their causes and meanings from the 7th and 8th centuries, a time when kingdoms went through far-reaching changes in their ideologies, trade relationships and social structures. The first half of the book consists of discussion of identification of the data, the grave-goods types, the cultural affliations of grave-goods and interpretation of the data. The second half consists of a gazetteer of conversion-period Anglo-Saxon burial sites, numerous maps and pages of figures illustrating the artefacts. Geake concludes that the grave-goods from this period expressed a `pan-English neo-classical' identity, an Anglo-Saxon imperial ideology, drawing heavily on Roman prototypes and that this identity was promoted by the church and the state to legitimise the power of their hierarchies.
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
Fragmenting the Chieftain presents the results of an in-depth, practice-based archaeological analysis of the Dutch and Belgian elite graves and the burial practice through which they were created.
