In her sixties, George Sand delighted in spinning tales that entertained and educated her two adored granddaughters, Aurore and Gabrielle. Fortunately, she also published thirteen of them for the rest of us to enjoy.The Castle of Pictures presents four of these stories, three of which have never before been translated into English. Both girls and boys are depicted in these stories as empowered by curiosity, hard work, persistence, and honesty. They successfully protect themselves from danger by using their ingenuity and remaining faithful to their own consciences. In the title story a girl becomes an artist through the persistent nurturance of her own talent despite opposition from her father, himself a painter. "What Flowers Say" is a wickedly funny satire of class snobbery as played out among chrysanthemums, poppies, numerous varieties of roses, and other denizens of the garden. "The Bug-Eyed Fairy" investigates wonders of the insect world invisible to the normal human eye. In "The Talking Oak", an outcast orphan boy learns to relyon hard work and a strong sense of right and wrong to make his way first through the natural world, with the help of The Talking Oak who becomes his first friend, and then through the compexities of the world of grown-ups. Sand never talked down to her granddaughters. Her astonishingly deep knowledge of subjects ranging from botany and lepidopterology to art history, her subtle understanding of the human heart and the creative spirit, and her sense of wonder at the world's beauty and mystery are available here for children of all ages.
"It is not too much to compare Mr. Narayan to Chekhov." -The New York Times There is no better introduction to R.K. Narayan than this remarkable collection of stories celebrating work that spans five decades. Characters include a storyteller whose magical source of tales dries up, a love-stricken husband who is told by astrologers he must sleep with a prostitute to save his dying wife, a pampered child who discovers that his beloved uncle may be an impostor or even a murderer. Standing supreme amid this rich assortment of stories is the title novella. Told by the narrator's grandmother, the tale recounts the adventures of her mother, married at seven and then abandoned, who crosses the subcontinent to extract her husband from the hands of his new wife. Her courage is immense and her will implacable -- but once her mission is completed, her independence vanishes. Gentle irony, wryly drawn characters, and themes at once Indian and universal mark these humane stories, which firmly establish Narayan as one of the world's preeminant storytellers.
As a young girl spends time at her grandmother's apartment, she is treated to traditional Jewish tales, including "Bavsi's Feast," "The Golden Shoes," "The Garden of Talking Flowers," and "A Phantom at the Wedding."
A medical ecologist examines the threat posed by disease-carrying parasites and insects and identifies the conditions--miracle drugs, destruction of natural controls--that have encouraged them to flourish.
This multicultural children's book presents classic Korean fairy tales and other folk stories--providing a delightful look into a rich literary culture. The Korean people possess a folklore tradition as colorful and captivating as any in the world, but the stories themselves still are not as well-known to Western readers as those from The Brothers Grimm, Mother Goose, or Hans Christian Andersen. In her best-selling book for young readers, Frances Carpenter collects thirty-two classic Korean children's stories from the "Land of the Morning Calm": the woodcutter and the old men of the mountain; the puppy who saved his village from a tiger; the singing girl who danced the Japanese general into the deep river; Why the dog and cat are not friends; and even a more familiar tale of the clever rabbit who outsmarted the tortoise. The children of the Kim family sit at their beloved Grandmother's knee to listen to these and other traditional folk tales which are rooted in thousands of years of Korean culture.
Who can resist a good story, especially when it’s being told by Grandma? From her bag emerges tales of kings and cheats, monkeys and mice, bears and gods. Here comes the bear who ate some really bad dessert and got very angry; a lazy man who would not put out a fire till it reached his beard; a princess who got turned into an onion; a queen who discovered silk, and many more weird and wonderful people and animals. Grandma tells the stories over long summer days and nights, as seven children enjoy life in her little town. The stories entertain, educate and provide hours of enjoyment to them. So come, why don’t you too join in the fun.
?Once in a blue moon (which means a fairly long cycle in my case) one who deals professionally with new books comes upon something that seems to him truly noteworthy and memorable-a reading experience which he will cherish for the rest of his life. And when this book is original and, indeed, unique-when it achieves something that has never been done before-one's impulse is to rent a billboard, to hire a hall, in some way to underline and emphasize the excitement and enthusiasm of his discovery, so that other readers may share his pleasure. "This has been my experience with The Ten Grandmothers, by Alice Marriott. It was the custom of certain tribes of Indians of the Great Plains to keep a 'winter count,' or calendar, of important events. Each year an officially designated scribe or historian of the tribe inscribed on a specially selected and prepared buffalo hide (which was a sacred tribal possession) a colored pictograph commemorating the most noteworthy event of the year-the happening or circumstance for which the year would be remembered in the oral literature and traditions of the tribe. "Miss Marriott's book is based upon such a tribal history of the Kiowas, an important and tenacious nation of the southern Great Plains, for more than a hundred years. She has taken representative incidents from this story and built each into a unified narrative of personal experience, concrete and dramatic. The thirty-three narratives fall into four groups reflecting the major phases of Kiowa history in the last century; they are called, since Kiowa .economy was based on the buffalo, The Time When There Were Plenty of Buffalo; The Time When Buffalo Were Going; The Time When Buffalo Were Gone; and Modern Times. Since the same characters appear recurringly, the book has the effect of a loosely constructed novel. "Miss Marriott is an ethnologist. Her book is based on eight years of work with the Kiowas?work that certainly consisted of much more than superficial interviews with aged Indians. There is evidence everywhere, not only of accurate scientific knowledge of the material to be presented, but of profound human insight and understanding. "Miss Marriott is also a creative artist of extraordinary powers. Her book has abundant humor, drama and melodrama, beauty and sordidness, pathos and tragedy: all presented sharply, objectively, with economy, restraint, and dignity. The narrative of the long journey of Wooden Lance, to see for himself and for his tribe whether the leader of the Ghost Dance movement (that inspired the last desperate, irrational struggle of the plains Indians against the whites) had 'true power is unforgettable in its simplicity and reality. The story of the Kiowa girl Leah's return from her years at a boarding school in the East to her family on the reservation is as true and socially significant as it is poignant and dramatic. "The great achievement of Miss Marriott's book is that it makes accessible to the reader of today the essence of a culture, a way of life and thought, now almost vanished from the earth. "We have an uneasy feeling that some special meaning and value for Americans of today and tomorrow must lie in the older cultures of our continent which our own has so largely displaced. American writers from Longfellow on have tried with varying degrees of success to capture that meaning for us. "Miss Marriott's book shows that our feeling was justified. No discerning reader will fail to find in the men and women who are so vivid in its pages-Sitting Bear and Eagle Plume, old Quanah and Spear Woman, and the Kiowa boys riding in their jeep to enlist for the present World War-in their vision and knowledge of life and their essential experience, abundant meaning for today."