Grand Duchess Elena Pavlovna of Russia and Princess Isabel of Brazil were active participants in the struggle to end servile labor in their respective countries. They acted in defiance of political conventions which excluded women from any political activity. Both women were determined to do all in their power to further the cause of emancipation and to determine the terms under which serfs and slaves were emancipated. This book examines the political activities of the two royal women within the context of their respective societies and adopts a comparative approach.
In this sequel to his landmark study, historian Peter Kolchin compares the transition to freedom after American emancipation with the Russian Great Reforms The two largest transitions from unfree to free labor of the many that occurred in Europe and the Americas during the nineteenth century took place in the United States and in Russia. Both occurred in the 1860s, and in both the former slaves and serfs strove to maximize their autonomy and freedom while the former masters worked to preserve as many of their prerogatives as possible. Both were partially—but only partially—successful. In this magisterial and long-awaited work, historian Peter Kolchin shows that a more radical break with the past was possible in the United States than in Russia, with the Southern freedpeople coming to enjoy republican citizenship, whereas Russian peasants remained subjects rather than citizens. Both countries saw conservative reactions triumph in the late nineteenth century. While this conservatism was common in most emancipations, it was especially strong in Russia and the American South, in part as a reaction against the major efforts to restructure the social order that went by the name of Reconstruction in the United States and the Great Reforms in Russia.
Provides a completely updated survey of the major issues in gender history from geographical, chronological, and topical perspectives This new edition examines the history of women over thousands of years, studies their interaction with men in a gendered world, and looks at the role of gender in shaping human behavior. It includes thematic essays that offer a broad foundation for key issues such as family, labor, sexuality, race, and material culture, followed by chronological and regional essays stretching from the earliest human societies to the contemporary period. The book offers readers a diverse selection of viewpoints from an authoritative team of international authors and reflects questions that have been explored in different cultural and historiographic traditions. Filled with contributions from both scholars and teachers, A Companion to Global Gender History, Second Edition makes difficult concepts understandable to all levels of students. It presents evidence for complex assertions regarding gender identity, and grapples with evolving notions of gender construction. In addition, each chapter includes suggestions for further reading in order to provide readers with the necessary tools to explore the topic further. Features newly updated and brand-new chapters filled with both thematic and chronological-geographic essays Discusses recent trends in gender history, including material culture, sexuality, transnational developments, science, and intersectionality Presents a diversity of viewpoints, with chapters by scholars from across the world A Companion to Global Gender History is an excellent book for upper-level undergraduate and graduate students involved in gender studies and history programs. It will also appeal to more advanced scholars seeking an introduction to the field.
A Companion to Gender History surveys the history of womenaround the world, studies their interaction with men in genderedsocieties, and looks at the role of gender in shaping humanbehavior over thousands of years. An extensive survey of the history of women around the world,their interaction with men, and the role of gender in shaping humanbehavior over thousands of years. Discusses family history, the history of the body andsexuality, and cultural history alongside women’s history andgender history. Considers the importance of class, region, ethnicity, race andreligion to the formation of gendered societies. Contains both thematic essays and chronological-geographicessays. Gives due weight to pre-history and the pre-modern era as wellas to the modern era. Written by scholars from across the English-speaking world andscholars for whom English is not their first language.
Tracing the emergence of 'Religious Internationals' as a distinctive new phenomenon in world history, this book transforms our understanding of the role of religion in our modern world. Through in-depth studies comparing the experiences of Buddhists, Christians, Hindus, Jews and Muslims, leading experts shed new light on 'global civil society'.
The Coen Bros. have attracted a wide following and been rewarded with Oscars and other honors, and some of their films are cult favorites and boxoffice hits, such as FARGO, THE BIG LEBOWSKI, and NO COUNTRY FOR OLD MEN. Yet the team of filmmaking brothers remains misunderstood in some circles. Ethan and Joel Coen deliberately unsettle conventional expectations and raise disturbing questions about human nature while mischievously mixing film genres and styles. Their films display shocking tonal shifts as they blend comedy and drama and, most controversially, comedy and violence. This potent mélange of themes and stylistic approaches makes the Coens' films adventurous, unpredictable probes into contemporary social anxieties; as brilliant satirists they are heirs to Preston Sturges and Billy Wilder. But they resist easy definition and raise the ire of some critics who like films to fit more comfortably into preexisting formats. Film historian and critic Joseph McBride -- author of acclaimed biographies of Frank Capra, John Ford, and Steven Spielberg, along with critical studies of Orson Welles, Ernst Lubitsch, and Wilder -- jousts with the Coens' detractors while defining the filmmakers' freshness and originality. The quirkily individualistic Coens are the kind of personal filmmakers the increasingly conglomerated American cinema rarely fosters anymore, and this critical study illuminates their artistic personalities and contributions.
‘Music Scenes and Migrations’ brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged – such as São Paulo, Lisbon and Madrid – where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical ‘mainstream’.
