Graham's American Monthly Magazine of Literature, Art, and Fashion
Author:
Publisher:
Published: 1855
Total Pages: 1226
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author:
Publisher:
Published: 1855
Total Pages: 1226
ISBN-13:
DOWNLOAD EBOOKAuthor: George R. Graham
Publisher:
Published: 1855
Total Pages: 616
ISBN-13:
DOWNLOAD EBOOKAuthor: George R. Graham
Publisher:
Published: 1855
Total Pages: 1224
ISBN-13:
DOWNLOAD EBOOKAuthor: Winifred Gregory Gerould
Publisher:
Published: 1927
Total Pages: 1596
ISBN-13:
DOWNLOAD EBOOKAuthor: Robert William Henderson
Publisher: Fairleigh Dickinson Univ Press
Published: 1977
Total Pages: 318
ISBN-13: 9780838616772
DOWNLOAD EBOOKAn indispensable guide and checklist for sports historians and collectors of sports publications. It has attempted to include everything printed concerning sports by both American and foreign authors that was published in the United States or Canada prior to 1860.
Author: John C. Havard
Publisher: University of Alabama Press
Published: 2018-04-10
Total Pages: 223
ISBN-13: 0817319778
DOWNLOAD EBOOKHavard terms the discourse emerging from these reflections "Hispanicism." This discourse was used to portray the dominant viewpoint of classical liberalism that propounded an American exceptionalism premised on the idea that Hispanophone peoples were comparatively lacking the capacity for self-determination, hence rationalizing imperialism. On the conservative side were warnings against progress through conquest. Havard delves into selected works of early national and antebellum literature on Spain and Spanish America to illuminate US national identity. Poetry and novels by Joel Barlow, James Fenimore Cooper, and Herman Melville are mined to further his arguments regarding identity, liberalism, and conservatism. Understudied authors Mary Peabody Mann and José Antonio Saco are held up to contrast American and Cuban views on Hispanicism and Cuban annexation as well as to develop the focus on nationality and ideology via differences in views on liberalism.
Author: George R. Graham
Publisher:
Published: 1843
Total Pages: 386
ISBN-13:
DOWNLOAD EBOOKAuthor: Alan Nourie
Publisher: Greenwood
Published: 1990-03-23
Total Pages: 632
ISBN-13:
DOWNLOAD EBOOKThis volume provides concise, in-depth histories of 106 of the most significant mass-market or general magazines in the United states--both active periodicals and those which have ceased publication. Included are magazines of wide audience appeal (e.g., People) as well as major tabloids, Sunday supplement magazines, regional magazines, and the most widely read publications devoted to specific audiences (e.g., Mechanix Illustrated) with a circulation of over 100,000. Emphasizes the modern mass-market periodical, but thirty-three titles have been included that were established or whose entire existence occurred in the 19th century. Profiles are arranged alphabetically by magazine title with cross references to title variations. In many instances, the history included here is the only source of information on the magazine covered. In others, large amounts of material written over the years have been consolidated, and along with accompanying bibliographies serve as a definitive source on the magazines in question. Locations have been provided in cases that might prove problematic. An indispensable resource for journalism students and researchers.
Author: George R. Graham
Publisher:
Published: 1844
Total Pages: 350
ISBN-13:
DOWNLOAD EBOOKAuthor: Caitlin Meehye Beach
Publisher: Univ of California Press
Published: 2022-11-15
Total Pages: 236
ISBN-13: 0520390105
DOWNLOAD EBOOKFrom abolitionist medallions to statues of bondspeople bearing broken chains, sculpture gave visual and material form to narratives about the end of slavery in the eighteenth and nineteenth centuries. Sculpture at the Ends of Slavery sheds light on the complex—and at times contradictory—place of such works as they moved through a world contoured both by the devastating economy of enslavement and by international abolitionist campaigns. By examining matters of making, circulation, display, and reception, Caitlin Meehye Beach argues that sculpture stood as a highly visible but deeply unstable site from which to interrogate the politics of slavery. With focus on works by Josiah Wedgwood, Hiram Powers, Edmonia Lewis, John Bell, and Francesco Pezzicar, Beach uncovers both the radical possibilities and the conflicting limitations of art in the pursuit of justice in racial capitalism's wake.