Based on a premise that supposedly surfaced during a weekly writer's conference for their radio show, Gracie Allen for President 1940 is a treasury of nostalgic entertainment centered around Gracie's whistle-stop campaign for the presidency, during which an estimated 300,000 people across the nation came out to meet the train and hear her speak.
New Jersey 1978. 15 year old Gracie Bowen is still reeling from the death in a car accident of her brother Johnny, a star player on the high school soccer team. When Gracie defies nearly everyone's wishes by vowing to replace Johnny under the aegis of cantankerous Coach Colasanti, it irritates many including her parents and her best friend, Jena. Gracie persists and wins the hearts of her most strident detractors, surmounting one obstacle after another and racing toward certain victory.
In this wonderful parody from 1940, W.C. Fields announces his candidacy for America's highest office. He offers sound advice on a number of topics in classic Fields-style humor in his attempt to win votes. "Campaign resolutions are no better than New Year's resolutions," he writes. "They are thrown together hastily at the last minute, with never a thought as to how they may be gracefully broken. Now, I am a candidate with years of experience breaking New Year's resolutions, and what I can accomplish with those, I can certainly accomplish with campaign resolutions."
In the minds of today's audiences, George Burns was a solo act. But in the history of show business, he will long be remembered for his work with Gracie Allen. Few performers have enjoyed so much popular and critical acclaim. Together they enjoyed phenomenal success in vaudeville, radio, television, and film. Although they were celebrities, the two performers enjoyed a life remarkably free of scandal. After the death of Allen in 1964, Burns made commercials, a music video, and an exercise video. He wrote books and won numerous awards, and his nightclub and convention appearances did not stop until shortly before his death. Through a thoughtful biography and detailed entries, this book serves as a comprehensive reference to the careers of Burns and Allen together and individually. The biography summarizes their rise as vaudeville performers, their work in a range of media, and Burns' continued achievements after Allen's death. Sections of the book cover their work on the stage, on radio, on television, and in films. Each section provides detailed entries for their performances, including cast and credit information, plot synoposes, and review excerpts. Appendices list their awards, personal appearances, and archives; and an extensive annotated bibliography cites and discusses sources of additional information.
This offbeat slice of American history places the story of our great republic beneath an unexpected lens: that of fringe candidates for president of the United States. Mark Stein explores how their quest for our nation's highest office helped to amplify voices otherwise quashed during their day. His careening tour through elections past includes the efforts of true pioneers in the quest for social equality in our country: the first woman to run for president, Victoria Woodhull in 1872; the first African American to run for president, George E. Taylor in 1904; and the first openly gay cross-dressing candidate for president, Joan Jett Blakk in 1992. But The Presidential Fringe also takes a look at those who would jest their way into the Oval Office, from comedians such as Will Rogers and Gracie Allen to Pat Paulsen and Stephen Colbert. Along the way, Stein shows how even seemingly zany candidates, such as "Live Forever" Jones, Vegetarian Party candidate John Maxwell, Flying Saucer Party candidate Gabriel Green, or, most recently, Vermin Supreme, provide extraordinary insights of clarity into who we were when they ran for president and how we became who we are today. Ultimately, Stein's examination reveals that it was often precisely these fringe candidates who planted the seeds from which mainstream candidates later harvested genuine, positive change. Written in Stein's direct and witty style, The Presidential Fringe surveys and portrays an American landscape rife with the unlikely, unassuming, unexpected, and (in a few cases) unbalanced presidential hopefuls who, in their own way, have contributed to this nation's founding quest to form a more perfect Union.
Having entered the world in 1896 as a poverty-stricken child named Naftaly (Nathan) Birnbaum, George Burns rose from New York's Lower East Side to the uppermost heights of celebrity in the entertainment industry. His storied romance with Gracie Allen led to their success in vaudeville, films, radio and television as one of the greatest comedy teams in history. Burns experienced both tragedy and triumph during his 100-year lifespan, ultimately recovering from the death of his beloved Gracie in 1964 to re-emerge as a solo performer and an Oscar-winning actor. This all-inclusive biography explores George Burns's career against the backdrop of American entertainment history in the 20th century. His loves, his close friendship with Jack Benny, his rivalry with Groucho Marx, and his latter-day success in films are all carefully detailed.
When television was young . . . Legendary movie producer Darryl Zanuck declared, "People will soon get tired of staring at a plywood box every night. Before 5:30, there were only test patterns. Howdy Doody was the first show of the day. CBS agreed to put I Love Lucy on film only if Desi and Lucy paid part of the production fee. In return, CBS gave them ownership of the shows, including the right to rerun it forever. Kukla, Fran, and Ollie was the first network show broadcast in color. 50,000 fans showed up in a New Orleans department store to meet Hopalong Cassidy. Movie studios would not let motion icture stars appear on television for fear that if people saw the stars on TV, they wouldn't go to the movies. Filled with fascinating stories, When Television Was Young is a hilarious, entertaining, behind-the-scenes look at the world of the small screen.
In this one-of-a-kind Hollywood history, the creator of Instagram's celebrated @ThisWasHollywood reveals the forgotten past of the film world in a dazzling visual package modeled on the classic fan magazines of yesteryear. From former screen legends who have faded into obscurity to new revelations about the biggest movie stars, Valderrama unearths the most fascinating little-known tales from the birth of Hollywood through its Golden Age. The shocking fate of the world's first movie star. Clark Gable's secret love child. The film that nearly ended Paul Newman's career. A former child star who, at ninety-three, reveals her #metoo story for the first time. Valderrama unfolds these stories, and many more, in a volume that is by turns riveting, maddening, hilarious, and shocking. Drawing on new interviews, archival research, and an exhaustive library of photographs, This Was Hollywood is a compelling and visually stunning catalogue of the lost history of the movies.
This offbeat slice of American history places the story of our great republic beneath an unexpected lens: that of fringe candidates for president of the United States. Mark Stein explores how their quest for our nation’s highest office helped to amplify voices otherwise quashed during their day. His careening tour through elections past includes the efforts of true pioneers in the quest for social equality in our country: the first woman to run for president, Victoria Woodhull in 1872; the first African American to run for president, George E. Taylor in 1904; and the first openly gay cross-dressing candidate for president, Joan Jett Blakk in 1992. But The Presidential Fringe also takes a look at those who would jest their way into the Oval Office, from comedians such as Will Rogers and Gracie Allen to Pat Paulsen and Stephen Colbert. Along the way, Stein shows how even seemingly zany candidates, such as “Live Forever” Jones, Vegetarian Party candidate John Maxwell, Flying Saucer Party candidate Gabriel Green, or, most recently, Vermin Supreme, provide extraordinary insights of clarity into who we were when they ran for president and how we became who we are today. Ultimately, Stein’s examination reveals that it was often precisely these fringe candidates who planted the seeds from which mainstream candidates later harvested genuine, positive change. Written in Stein’s direct and witty style, The Presidential Fringe surveys and portrays an American landscape rife with the unlikely, unassuming, unexpected, and (in a few cases) unbalanced presidential hopefuls who, in their own way, have contributed to this nation’s founding quest to form a more perfect Union.
DIVAffirms the importance of invention of radio and explores how radio creates sets of overlapping communities of the air, including those who study and theorize radio as a technological, social, cultural, and historical phenomenon./div
