Discovering Dance is the ideal introductory text for students with little to no dance experience. Teachers can adapt this course to meet students where they are, whether they are new to dance or already have some dance experience. The material helps students consider where movement comes from and why humans are compelled to move, grasp the foundational concepts of dance, and explore movement activities from the perspectives of a dancer, a choreographer, and an observer. The result is a well-rounded educational experience for students to build on, whether they want to further explore dance or choreography or otherwise factor dance into college or career goals. Discovering Dance will help students in these ways: • Meet national and state standards in dance education and learn from a pedagogically sound scope and sequence that allow them to address 21st-century learning goals. • Discover dance through creating, performing, analyzing, understanding, responding to, connecting to, and evaluating dance and dance forms. • Step into a flexible dance curriculum that is appropriate for one or more years of instruction. • Build on their dance experience, whether they want to further explore dance or choreography or otherwise factor dance into college or career goals. • Use student web resources to enhance their learning. The book is divided into four parts and 16 chapters. Part I focuses on the foundational concepts of dance and art processes, wellness, safety, dance elements, and composition. Part II delves into societal facets of dance, including historical, social, folk, and cultural dance. In part III, students explore dance on stage, including ballet, modern dance, jazz dance, and tap dance, and also examine aspects of performance and production. Part IV rounds out the course by preparing students for dance in college or as a career and throughout life. Each chapter helps students • discover new dance genres; • explore dance genres through its history, artists, vocabulary, and significant works; • apply dance concepts through movement, written, oral, visual, technology, and multimedia assignments, thus deepening their knowledge and abilities; • enhance learning by completing in each chapter a portfolio assignment; and • use the Did You Know and Spotlight elements to expand on the chapter content and gain more insight into dance artists, companies, and events. Learning objectives, vocabulary terms, and an essential question at the beginning of each chapter prepare students for their learning experience. Students then move through the chapter, engaging in a variety of movement discovery, exploration, response, and research activities. The activities and assignments meet the needs of visual, auditory, and kinesthetic learners and help students explore dance through vocabulary, history, culture, creation, performance, and choreography. This personal discovery is greatly aided by technology—including learning experiences that require taking photos; watching or creating short videos of dancers’ performances; creating timelines, graphs, drawings, and diagrams; and creating soundscapes. Chapters conclude with a portfolio assignment or project and a chapter review quiz. A comprehensive glossary further facilitates learning. In addition, some chapters contain Explore More elements, which trigger students to investigate selected dance styles on the web resource. These sections offer students insight into various dance genres and styles; for example, in the chapter on cultural dance, students can explore more about street dances, Mexican folkloric dance, African dance, Indian dance, and Japanese dance. The online components further strengthen the book and enrich the students’ learning experience. These resources also help teachers to prepare for and manage their classes. Here is an overview of the resources: Teacher Web Resource • Learning objectives • Extended learning activities • Handouts and assignments that students can complete, save, and print to turn in • Explore More sections of selected chapters to introduce students to additional social, folk, cultural, and contemporary dance styles • Chapter glossary terms both with and without the definitions • Chapter PowerPoint presentations • Information on assessment tools • Interactive chapter review quizzes • Answer keys for handouts, assignment sheets, and quizzes • Unit exams and answer sheets • Video and audio clips for selected dance genres • Web links and web search terms for resources to enhance the learning • Additional teacher resources to support and extend the teaching and learning process (these resources include chapter learning objectives, enduring understanding and essential questions, chapter quotes, teacher-directed information to support teaching specific activities, and web links) Student Web Resource • Handouts and assignments that students can complete, save, and print to turn in • Explore More sections of selected chapters to introduce students to additional social, folk, cultural, and contemporary dance styles • Chapter glossary terms both with and without the definitions so students can test their knowledge • Information on assessment tools • Interactive chapter review quizzes • Video and audio clips for selected dance genres • Web links and web search terms for resources to enhance the learning
It's just a friend thing. Before confessing his gayness to his best friend, Tierney Terrebonne's sex life is strictly restroom. After confessing his gayness to his best friend...it doesn't improve much. Why bother trying when the man he's loved for fourteen years (see: "best friend") is totally unattainable? Good thing Tierney is an old hand at accepting defeat; all it takes is a bottle of bourbon. Or fifty. Repeat as needed. Dalton Lehnart has a history of dating wealthy, damaged, closeted, lying, cheating, no-good, cowardly men, so of course he's immediately attracted to Tierney Terrebonne. Fortunately, Tierney is so dissolute that even Dalton's feelings for the man would be better described as pity. Which becomes sympathy as they get to know each other. Followed by compassion, concern, caring, and hopefulness as Tierney struggles to change his life. When the man comes out very publicly and enters rehab, Dalton finds himself downright attached to Tierney. And as everyone knows, after attachment comes... Uh oh. But post-rehab Tierney can't handle more than friendship, so Dalton should be safe from repeating his own past mistakes, right? Right?
In the 1940s and ’50s Spade Cooley, the King of Western Swing, played to sellout crowds at the Santa Monica Ballroom. He charmed audiences with his fine fiddling, self-deprecating manner, and bounce-all-over-the-stage exuberance. Adapting his ballroom show for live television, The Spade Cooley Show, began broadcasting in 1948 and made Cooley the top local television entertainer for several years. He married one of his band singers, Ella Mae Evans. Their fifteen-year marriage was plagued with Cooley’s drunk and jealous rage and ended with Cooley beating his wife to death. The front-page trial ended with Cooley’s conviction.
Based on the true story of a corporate deal gone bad and the internal investigation that exposed a shocking online fraud. For SouthPoint Bank, its purchase of Internet Connections, or ICon, was a risky way to boost its stock price, and the deal was rushed so that the Chairman of SouthPoint could stay in power. For ICon, being acquired by SouthPoint was its last chance to cash in on the Internet boom, but the President of ICon was looking for more than money - he needed a way to escape a secret that ICon had been concealing through a conspiracy of fraud. After an insider's tip, SouthPoint launched a surprise internal investigation of ICon. When the investigators found a connection between ICon and the Russian Mafia, the investigation suddenly turned into a dangerous race against the clock to expose the fraud and to save SouthPoint from financial ruin. From Andorra in the Pyrenees Mountains to Antigua in the Caribbean Sea, Fraudulent Intention$ twists and turns around the shadowy world of online adult entertainment.
From the bestselling authors of Tryin' to Sleep in the Bed You Made comes a heartwarming tale of how true friendship can overcome life's obstacles. Gayle Saunders and Patricia Reid have been lifelong friends, as close as sisters. When they were teens their dreams led them down separate paths and away from each other. But they reunited as adults, drawn back together by a bond of friendship that stood the test of time. Now Pat and Gayle co-own the Ell & Me Company, a business they founded based on a character Gayle created years ago for her daughter. Things are going well, but real-life dramas ensue as each must face issues from the past in order to protect the future. Pat and Marcus look like the perfect twenty-first-century couple -- smart, talented, each at the helm of a high-profile enterprise and at the top of their game. But behind closed doors their marriage is challenged by the stresses of a two-entrepreneur household. Will their professional pursuits leave them time for each other and a family, or carry them into the arms of others? Will a paternity claim prove to be too much of an obstacle to overcome? Gayle faces her own family drama and struggles to maintain control of her life. Despite dating other men, has she ever really gotten over her ex-husband, Ramsey, the gambler who left her and their daughter, Vanessa, in financial ruin? Gayle bends over backward to provide a stable, comfortable home for Vanessa, and support her dream of becoming a dancer. And Vanessa, a rebellious and hurtful teen, seems just as devoted to making Gayle pay for every mistake she has ever made. And what ever happened to Ramsey? In Gotta Keep on Tryin', Virginia DeBerry and Donna Grant bring us heroines who remind you, for better and worse, of women everywhere -- women who know that true friendship keeps us grounded. And when things get rough the bond between women can be stronger than any trials we face.
Armed with an eighth-grade education, an inexhaustible imagination, and an innate talent for dancing, Hermes Pan (1909-1990) was a boy from Tennessee who became the most prolific, popular, and memorable choreographer of the glory days of the Hollywood musical. While he may be most well-known for the Fred Astaire-Ginger Rogers musicals which he choreographed at RKO film studios, he also created dances at Twentieth Century-Fox, M-G-M, Paramount, and later for television, winning both the Oscar and the Emmy for best choreography. In Hermes Pan: The Man Who Danced with Fred Astaire, Pan emerges as a man in full, an artist inseparable from his works. He was a choreographer deeply interested in his dancers' personalities, and his dances became his way of embracing and understanding the outside world. Though his time in a Trappist monastery proved to him that he was more suited to choreography than to life as a monk, Pan remained a deeply devout Roman Catholic throughout his creative life, a person firmly convinced of the powers of prayer. While he was rarely to be seen without several beautiful women at his side, it was no secret that Pan was homosexual and even had a life partner. As Pan worked at the nexus of the cinema industry's creative circles during the golden age of the film musical, this book traces not only Pan's personal life but also the history of the Hollywood musical itself. It is a study of Pan, who emerges here as a benevolent perfectionist, and equally of the stars, composers, and directors with whom he worked, from Astaire and Rogers to Betty Grable, Rita Hayworth, Elizabeth Taylor, Sammy Davis Jr., Frank Sinatra, Bob Fosse, George Gershwin, Samuel Goldwyn, and countless other luminaries of American popular entertainment. Author John Franceschina bases his telling of Pan's life on extensive first-hand research into Pan's unpublished correspondence and his own interviews. Pan enjoyed one of the most illustrious careers of any Hollywood dance director, and because his work also spanned across Broadway and television, this book will appeal to readers interested in musical theater history, dance history, and film.
Calling upon his former governess, William Jones, gentleman, is startled when his knock is answered by an uncommonly beautiful servant, the soft-spoken Emma. Throughout his visit, William's eyes drift to the maid whenever she enters the room, and he contrives to meet Emma socially as she goes about her errands. But London society is a web of strict codes and divisions. For the son of a wealthy merchant, seeking out a working-class girl is simply not done! William's father plans for his son to marry into the peerage and elevate the Jones family to greater heights, but although William says and does what is expected of him, he longs only for Emma's company...
Someone is assassinating the leaders of both the Star Kingdom of Manticore and the recently liberated former slave planet of Torch. Though most believe the Republic of Haven is behind the murders, Anton Zilwicki and Havenite secret agent Victor Cachat believe there is another sinister player behind the scenes. Queen Berry of Torch narrowly escaped one assassination attempt, and a security officer from Beowulf has been assigned to protect her, a task complicated by the young monarch's resentment of bodyguards, and the officer's growing attachment to her. Meanwhile, powerful forces in the Solarian League are maneuvering against each other to gain the upper hand, not realizing or, perhaps, not caring that their power struggle is threatening the League's very existence and could plunge the galaxy into war. Once again New York Times best-selling authors David Weber and Eric Flint join forces in an exciting new novel in the Honorverse. At the publisher's request, this title is sold without DRM (Digital Rights Management).