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Author: Johann Sebastian Bach
Publisher: Alfred Music
Published:
Total Pages: 44
ISBN-13: 9781457484278
DOWNLOAD EBOOKA Choral Worship Cantata in SATB with SAB Soli voicing, composed by Johann Sebastian Bach.
Author: Christoph Wolff
Publisher: Oxford University Press, USA
Published: 2002
Total Pages: 644
ISBN-13: 9780199248841
DOWNLOAD EBOOKNow available in paperback, this landmark biography was first published in 2000 to mark the 250th anniversary of J. S. Bach's death. Written by a leading Bach scholar, this book presents a new picture of the composer. Christoph Wolff demonstrates the intimate connection between Bach's life and his music, showing how the composer's superb inventiveness pervaded his career as a musician, composer, performer, scholar, and teacher.
Author: Hans-Joachim Schulze
Publisher: University of Illinois Press
Published: 2024-05-01
Total Pages: 416
ISBN-13: 0252056701
DOWNLOAD EBOOKInternationally recognized Bach authority Hans-Joachim Schulze authored a 225-part series on the cantatas of Johann Sebastian Bach. In this collection, James A. Brokaw II translates a selection of the essays, illuminating a wide range of biographical and cultural features of Bach’s life and creative milieu. Schulze’s lively and engaging discussions provide a wealth of rewarding insights and perspectives focusing on individual cantatas, their texts, and the questions of chronology and context that attend them. The University of Illinois Press has paired the volume with a special web-based companion overseen by the translator and hosted by the Illinois Open Publishing Network. This online resource includes Brokaw’s translations of all 225 of Schulze’s essays alongside digital tools for searching, sorting, and bundling the commentaries according to date of composition, position within the liturgical church year sequence, and librettist.
Author:
Publisher:
Published: 1958
Total Pages: 54
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard D. P. Jones
Publisher:
Published: 2007
Total Pages: 450
ISBN-13: 0199696284
DOWNLOAD EBOOKThis last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig.
Author: Alfred Dürr
Publisher: Oxford University Press
Published: 2005
Total Pages: 985
ISBN-13: 0199297762
DOWNLOAD EBOOKA work-by-work commentary on the Bach cantatas by the world's most famous Bach scholar, now available in English and in paperback for the first time. It includes all the cantata librettos in German-English parallel text. An indispensable reference book for anyone listening to, performing in, or studying any of the Bach cantatas.
Author: Melvin P. Unger
Publisher: Scarecrow Press
Published: 1996-04-16
Total Pages: 796
ISBN-13: 1461659051
DOWNLOAD EBOOKThe German church cantata of the eighteenth century was the culmination of a long tradition of Lutheran "sermon music" that used the proclamation, amplification, and interpretation of scripture to teach and persuade the listener. Bach's cantatas also served this didactic purpose and typically incorporate numerous allusions to scriptural passages or themes in their librettos. Unfortunately, many of these passages remain obscure to the twentieth-century musician because they demand a much closer familiarity with the Bible than is common today. The Handbook to Bach's Sacred Cantata Texts identifies scriptural references for the wording, imagery, and themes that Bach's listeners would have known. In addition, the religious or literary theme of each text is summarized within the specific context of the cantata as a whole. With interlinear translations and a full complement of indexes.
Author: Michael Marissen
Publisher: Princeton University Press
Published: 1999-07-01
Total Pages: 168
ISBN-13: 1400821657
DOWNLOAD EBOOKThis new investigation of the Brandenburg Concertos explores musical, social, and religious implications of Bach's treatment of eighteenth-century musical hierarchies. By reference to contemporary music theory, to alternate notions of the meaning of "concerto," and to various eighteenth-century conventions of form and instrumentation, the book argues that the Brandenburg Concertos are better understood not as an arbitrary collection of unrelated examples of "pure" instrumental music, but rather as a carefully compiled and meaningfully organized set. It shows how Bach's concertos challenge (as opposed to reflect) existing musical and social hierarchies. Careful consideration of Lutheran theology and Bach's documented understanding of it reveals, however, that his music should not be understood to call for progressive political action. One important message of Lutheranism, and, in this interpretation, of Bach's concertos, is that in the next world, the heavenly one, the hierarchies of the present world will no longer be necessary. Bach's music more likely instructs its listeners how to think about and spiritually cope with contemporary hierarchies than how to act upon them. In this sense, contrary to currently accepted views, Bach's concertos share with his extensive output of vocal music for the Lutheran liturgy an essentially religious character.
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Publisher: PediaPress
Published:
Total Pages: 665
ISBN-13:
DOWNLOAD EBOOKAuthor: Michael Marissen
Publisher: Oxford University Press
Published: 2023-04-07
Total Pages: 201
ISBN-13: 0197669514
DOWNLOAD EBOOKMany scholars and music lovers hold that J.S. Bach is a modern figure, as his music seems to speak directly to the aesthetic, spiritual, or emotional concerns of today's listeners. But, by eighteenth-century standards, Bach and his music in fact reflected and forcefully promoted a premodern world and life view. In Bach against Modernity, author Michael Marissen offers a new look at Bach that considers problems of inattentiveness to historical considerations in academic and popular writing about Bach's relation to the present. He also puts forward interpretive reassessments of key individual works by Bach and examines problems in modern comprehension of the partly archaic German texts that Bach set to music. Lastly, he explores Bach's music in relation to premodern versus enlightened attitudes toward Jews and Judaism and enquires into the theological character of Bach's secular instrumental music. Throughout, the book provides overlooked or misunderstood evidence of Bach's private engagement with religious and social issues that he also addressed in his public vocal compositions. Marissen ultimately argues that, while we are free to make use of Bach and his music in whatever ways we find fitting, we ought also to guard against miscasting Bach in our own ideological image and proclaiming the authenticity of that image, and hence its prestige value, in support of our own agendas.
