Gothic Sculpture, 1140-1300

Gothic Sculpture, 1140-1300

Author: Paul Williamson

Publisher: Yale University Press

Published: 1995-01-01

Total Pages: 324

ISBN-13: 9780300074529

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This study examines the development of Gothic sculpture throughout Europe. It discusses the most famous monuments, such as the cathedrals of Chartres, Amiens and Reims, Westminster Abbey and the Siena Duomo, and less familiar buildings in France, England, Italy, Germany, Spain and Scandinavia.


Gothic Sculpture in France, 1140-1270

Gothic Sculpture in France, 1140-1270

Author: Willibald Sauerländer

Publisher:

Published: 1973

Total Pages: 536

ISBN-13:

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"This is the first comprehensive, fully documented, and fully illustrated study of French cathedral sculpture during the period 1140-1270"--Jacket


Early Gothic Column-Figure Sculpture in France

Early Gothic Column-Figure Sculpture in France

Author: JanetE. Snyder

Publisher: Routledge

Published: 2017-07-05

Total Pages: 307

ISBN-13: 1351569082

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Richly illustrated, Early Gothic Column-Figure Sculpture in France is a comprehensive investigation of church portal sculpture installed between the 1130s and the 1170s. At more than twenty great churches, beginning at the Royal Abbey of Saint-Denis and extending around Paris from Provins in the east, south to Bourges and Dijon, and west to Chartres and Angers, larger than life-size statues of human figures were arranged along portal jambs, many carved as if wearing the dress of the highest ranks of French society. This study takes a close look at twelfth-century human figure sculpture, describing represented clothing, defining the language of textiles and dress that would have been legible in the twelfth-century, and investigating rationale and significance. The concepts conveyed through these extraordinary visual documents and the possible motivations of the patrons of portal programs with column-figures are examined through contemporaneous historical, textual, and visual evidence in various media. Appendices include analysis of sculpture production, and the transportation and fabrication in limestone from Paris. Janet Snyder's new study considers how patrons used sculpture to express and shape perceived reality, employing images of textiles and clothing that had political, economic, and social significances.