The first book to focus on the war paintings of one of the greatest global artists of World War I From the sinking of the Titanic in 1912 through to capturing the coronation of Queen Elizabeth II in 1953, Fortunino Matania recorded almost every major event of the century. Yet, for many, it is his World War I paintings that remain the most haunting. As a war artist, he recorded some of the most emotive scenes of trench warfare to emerge from the war. His work brought the reality of life on the frontline home through his drawings and paintings and he became world renowned as he created patriotic works for Britain and America. This compilation brings the power of his work to a new generation to mark the centenary of World War I.
When nine-year-old Ernest and his father travel to New Hampshire to say goodbye to the stone formation known as the Old Man of the Mountain, Ernest experiences the peace of the woods, listens to his father tell Nathaniel Hawthorne's story of "The Great Stone Face," and has a mysterious encounter.
"Our relationship with the working horse, which had existed since prehistoric times, reached its peak during the long reign of Queen Victoria [(1837-1901)]. .. On the farms of Britain little moved without horse power and the coming of the railway only increased the number of horses in the country. Yet following the First World War, the empire of the horse evaporated, and within a few decades the working horse had disappeared completely from the British landscape. ... Here the author looks in detail at the prominence of the working horse in rural Britain during Victoria's reign, the challenge of steam power and the internal combustion engine, and the movement of population away from the countryside. The devastating effect of the First World War is then examined, followed by the years in which the world of the working horse quickly faded from memory. ..."--Book jacket.
This emotional and honest novel recounts a young man's experiences during World War II and digs deep into what he and his fellow soldiers lived through during those dark times. The nightmares began for William Manchester 23 years after WW II. In his dreams he lived with the recurring image of a battle-weary youth (himself), "angrily demanding to know what had happened to the three decades since he had laid down his arms." To find out, Manchester visited those places in the Pacific where as a young Marine he fought the Japanese, and in this book examines his experiences in the line with his fellow soldiers (his "brothers"). He gives us an honest and unabashedly emotional account of his part in the war in the Pacific. "The most moving memoir of combat on WW II that I have ever read. A testimony to the fortitude of man...a gripping, haunting, book." --William L. Shirer
In this #1 New York Times bestseller, California's newest private investigator, Detective Harry Bosch, must track down a missing heir while helping a police department connect the dots on a dangerous cold case. Harry Bosch is California's newest private investigator. He doesn't advertise, he doesn't have an office, and he's picky about who he works for, but it doesn't matter. His chops from thirty years with the LAPD speak for themselves. Soon one of Southern California's biggest moguls comes calling. The reclusive billionaire is nearing the end of his life and is haunted by one regret. When he was young, he had a relationship with a Mexican girl, his great love. But soon after becoming pregnant, she disappeared. Did she have the baby? And if so, what happened to it? Desperate to know whether he has an heir, the dying magnate hires Bosch, the only person he can trust. With such a vast fortune at stake, Harry realizes that his mission could be risky not only for himself but for the one he's seeking. But as he begins to uncover the haunting story--and finds uncanny links to his own past--he knows he cannot rest until he finds the truth. At the same time, unable to leave cop work behind completely, he volunteers as an investigator for a tiny cash-strapped police department and finds himself tracking a serial rapist who is one of the most baffling and dangerous foes he has ever faced. Swift, unpredictable, and thrilling, The Wrong Side of Goodbye shows that Michael Connelly "continues to amaze with his consistent skill and sizzle" (Cleveland Plain Dealer).
DIVAt the height of the Cold War, a British intelligence agent investigates a Russian defector with a deadly secret/divDIV/divDIVAdrian Dodds is a man without hobbies, friends, or family, who works a very peculiar job. Though he looks like a pencil pusher, he is a British counter-intelligence agent. In his own quiet, bureaucratic way, Dodds is vital to the security of the United Kingdom. His latest assignment is debriefing Viktor Pavel, a Soviet aeronautics genius who escapes his handlers to become the Cold War’s most high-profile defector. Can he be trusted, or was he sent over as part of an elaborate Russian ruse? The truth is more complex than Dodds can imagine./divDIV /divDIVBased on years of experience covering foreign affairs for English newspapers, this is one of the first novels by Brian Freemantle, one of the finest espionage authors of the Cold War./divDIV /divDIVThis ebook features an illustrated biography of Brian Freemantle including rare photos from the author’s personal collection./div
In the 1950s, a series of dams was proposed along the Brazos River in north-central Texas. For John Graves, this project meant that if the stream’s regimen was thus changed, the beautiful and sometimes brutal surrounding countryside would also change, as would the lives of the people whose rugged ancestors had eked out an existence there. Graves therefore decided to visit that stretch of the river, which he had known intimately as a youth. Goodbye to a River is his account of that farewell canoe voyage. As he braves rapids and fatigue and the fickle autumn weather, he muses upon old blood feuds of the region and violent skirmishes with native tribes, and retells wild stories of courage and cowardice and deceit that shaped both the river’s people and the land during frontier times and later. Nearly half a century after its initial publication, Goodbye to a River is a true American classic, a vivid narrative about an exciting journey and a powerful tribute to a vanishing way of life and its ever-changing natural environment.
Bridge has always been a bit of an oddball, but since she recovered from a serious accident, she's found fitting in with her friends increasingly hard. Tab and Em are getting cooler and better and they don't get why she insists on wearing novelty cat ears every day. Bridge just thinks they look good. It's getting harder to keep their promise of no fights, especially when they start keeping secrets from each other. Sherm wants to get to know Bridge better. But he’s hiding the anger he feels at his grandfather for walking out. And then there is another girl, who is struggling with an altogether more serious set of friendship troubles... Told from interlinked points of view, this is a bittersweet story about the trials of friendship and growing up.
“[Art Buchwald] has given his friends, their families, and his audiences so many laughs and so much joy through the years that that alone would be an enduring legacy. But Art has never been just about the quick laugh. His humor is a road map to essential truths and insights that might otherwise have eluded us.”—Tom Brokaw When doctors told Art Buchwald that his kidneys were kaput, the renowned humorist declined dialysis and checked into a Washington, D.C., hospice to live out his final days. Months later, “The Man Who Wouldn’t Die” was still there, feeling good, holding court in a nonstop “salon” for his family and dozens of famous friends, and confronting things you usually don’t talk about before you die; he even jokes about them. Here Buchwald shares not only his remarkable experience—as dozens of old pals from Ethel Kennedy to John Glenn to the Queen of Swaziland join the party—but also his whole wonderful life: his first love, an early brush with death in a foxhole on Eniwetok Atoll, his fourteen champagne years in Paris, fame as a columnist syndicated in hundreds of newspapers, and his incarnation as hospice superstar. Buchwald also shares his sorrows: coping with an absent mother, childhood in a foster home, and separation from his wife, Ann. He plans his funeral (with a priest, a rabbi, and Billy Graham, to cover all the bases) and strategizes how to land a big obituary in The New York Times (“Make sure no head of state or Nobel Prize winner dies on the same day”). He describes how he and a few of his famous friends finagled cut-rate burial plots on Martha’s Vineyard and how he acquired a Picasso drawing without really trying. What we have here is a national treasure, the complete Buchwald, uncertain of where the next days or weeks may take him but unfazed by the inevitable, living life to the fullest, with frankness, dignity, and humor.
