The compelling, insightful, and challenging memoir of a Christian woman's exploration of her faith while living in community with strictly Orthodox Jews. As Maria Johnson explains: "I knew that Christianity is rooted deep in Judaism, but living in daily contact with a vital and vibrant Jewish life has been fascinating and transforming. I am and will remain a Christian, but I am a rather different Christian than I was before."
The moral principles prescribed for friendship, civil society, and democratic public life apply imperfectly to life around home, where we interact day to day without the formal institutions, rules of conduct, and means of enforcement that guide us in other settings. This work explores how encounters among neighbours create a democracy of everyday life, which has been with us since the beginning of American history and is expressed in settler, immigrant, and suburban narratives and in novels, poetry, and popular culture.
“A modern-day Crucible….Beneath the surface of a suburban utopia, madness lurks.” —Liv Constantine, bestselling author of The Last Mrs. Parrish “Sarah Langan is a phenomenal talent with a wicked sense of wry humor. Good Neighbors knocked me out. Like Shirley Jackson, Langan’s work blends a bleak streak with an underlying sense of the humane that wrung my heart.” —Victor LaValle, author of The Changeling Celeste Ng’s enthralling dissection of suburbia meets Shirley Jackson’s creeping dread in this propulsive literary noir, when a sudden tragedy exposes the depths of deception and damage in a Long Island suburb—pitting neighbor against neighbor and putting one family in terrible danger. Welcome to Maple Street, a picture-perfect slice of suburban Long Island, its residents bound by their children, their work, and their illusion of safety in a rapidly changing world. Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.
Rue believes she is going crazy until she learns that the strange things she has been seeing are real, and that she is one of the faerie creatures that mortals cannot see.
This book explores social cohesion in rural settlements in western Europe from 700–1050, asking to what extent settlements, or districts, constituted units of social organisation. It focuses on the interactions, interconnections and networks of people who lived side by side – neighbours. Drawing evidence from most of the current western European countries, the book plots and interrogates the very different practices of this wide range of regions in a systematically comparative framework. It considers the variety of local responses to the supra-local agents of landlords and rulers and the impact, such as it was, of those agents on the small-scale residential group. It also assesses the impact on local societies of the values, instructions and demands of the wider literate world of Christianity, as delivered by local priests.
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
Loneliness is an epidemic right now, but it doesn't have to be that way. The Turquoise Table is Kristin Schell's invitation to you to connect with your neighbors and build friendships. Featured in Southern Living, Good Housekeeping, and the TODAY Show, Kristin introduces a new way to look at hospitality. Desperate for a way to slow down and connect, Kristin put an ordinary picnic table in her front yard, painted it turquoise, and began inviting friends and neighbors to join her. Life changed in her community, and it can change in yours too. Alongside personal and heartwarming stories, Kristin gives you: Stress-free ideas for kick-starting your own Turquoise Table Simple recipes to take outside and share with others Stories from people using Turquoise Tables in their neighborhoods Encouragement to overcome barriers that keep you from connecting This gorgeous book, with vibrant photography, invites you to make a difference right where you live. The beautiful design makes it ideal to give to a friend or to keep for yourself. Community and friendship are waiting just outside your front door.
This book examines alleged “superhuman” powers predominantly associated with smith/artisans in five African societies. It discusses their ritual and social roles, mythico-histories, symbols surrounding their art, and changing relationships between these specialists and their patrons. Needed but also feared, these smith/artisans work in traditionally hereditary occupations and in stratified but negotiable relationships with their rural patron families. Many of them now also work for new customers in an expanding market economy, which is still characterized by personal, face-to-face interactions. Rasmussen maintains that a framework integrating anthropological theories of witchcraft, alterity, symbolism, and power is fundamental to understanding local accusations and tensions in these relationships. She also argues that it is critical to deconstruct and disentangle guilt, blame, and envy—concepts that are often conflated in anthropology at the expense of falsely accused “witch” figures. The first portion of this book is an ethnographic analysis of smith/artisans in Tuareg society, and draws on primary source data from this author’s long-term social/cultural anthropological field research in Tuareg (Kel Tamajaq) communities of northern Niger and Mali. The latter portion of the book is a cross-cultural comparison, and it re-analyzes the Tuareg case, drawing on secondary data on ritual powers and smith/artisans in four other African societies: the Amhara of Ethiopia, the Bidan (Moors) of Mauritania, the Kapsiki of Cameroon, and the Mande of southern Mali. In the concluding analysis, there is discussion of similarities and differences between these cases, the social consequences of ritual knowledge and power in each community, and their wider implications for anthropology of religion, human rights, and African studies.
From 9/11 to Israel-Palestine to ISIS, the fear of the religious stranger is palpable. Conservative talk show hosts and liberal public intellectuals are united in blaming religion, usually Islam, for the world's instability. If religion is part of the problem, it can and should be part of the solution. Strangers, Neighbors, Friends--co-authored by a Muslim, a Christian, and a Jew--aims to inform and inspire Abraham's children that God calls us to extend our love beyond family and fellow believer to the stranger.
A young writer hits the dusty Texas highway for the California coast in this “brilliant . . . funny and dangerously tender” (Time) tale of art and sacrifice. Hailed as one of “the best novels ever set in America’s fourth largest city” (Douglas Brinkley, New York Times Book Review), All My Friends Are Going to Be Strangers is a powerful demonstration of Larry McMurtry’s “comic genius, his ability to render a sense of landscape, and interior intellection tension” (Jim Harrison, New York Times Book Review). Desperate to break from the “mundane happiness” of Houston, budding writer Danny Deck hops in his car, “El Chevy,” bound for the West Coast on a road trip filled with broken hearts and bleak realities of the artistic life. A cast of unforgettable characters joins the naïve troubadour’s pilgrimage to California and back to Texas, including a cruel, long-legged beauty; an appealing screenwriter; a randy college professor; and a genuine if painfully “normal” friend. Since the novel’s publication in 1972, Danny Deck has “been far more successful at getting loved by readers than he ever was at getting loved by the women in his life” (McMurtry), a testament to the author’s incomparable talent for capturing the essential tragicomedy of the human experience.
