The Caldecott Award-winning artist presents this adaptation of the Hugo Award-winning story by a legendary grand master master of fantasy fiction--a classic fable in the tradition of "The Devil and Daniel Webster." Full color.
2113 is an anthology of stories inspired by the music of Rush, written by notable, bestselling and award-winning authors. The music of Rush, one of the most successful bands in music history, is filled with fantastic stories, evocative images, thought-provoking futures and pasts. In this anthology, notable, bestselling and award-winning writers each chose a Rush song as the spark for a new story, drawing inspiration from the visionary band. From stark dystopian struggles to uplifting triumphs of the human spirit, the characters in these stories find stregth in an oppressive world.
Engaged, passionate, and consistently entertaining, this is a book for those who enjoyed Walton's previous collection of essays from Tor.com, the Locus Award-winning What Makes This Book So Great.The Hugo Awards, named after pioneer science fiction publisher Hugo Gernsback, and voted on by members of the World Science Fiction Society, have been given out since 1953. They are widely considered the most prestigious award in science fiction.Between 2010 and 2013, Jo Walton wrote a series of posts for Tor.com, surveying the Hugo finalists and winners from the award's inception up to the year 2000. Her contention was that each year's full set of finalists generally tells a meaningful story about the state of science fiction at that time.Walton's cheerfully opinionated and vastly well-informed posts provoked valuable conversation among the field's historians. Now these posts, lightly revised, have been gathered into this book, along with a small selection of the comments posted by SF luminaries such as Rich Horton, Gardner Dozois, and the late David G. Hartwell.
The music of Rush, one of the most successful bands in music history, is filled with fantastic stories, evocative images, thought-provoking futures and pasts. In this anthology, notable, bestselling, and award-winning writers each chose a Rush song as the spark for a new story, drawing inspiration from the visionary trio Geddy Lee, Alex Lifeson, and Neil Peart. From stark dystopian struggles to uplifting triumphs of the human spirit, the characters populating 2113 find strength while searching for hope in a world that is repressive, dangerous, or just debilitatingly bland. Most of these tales are science fiction, but some are fantasies, thrillers, even edgy mainstream. Many of Rush's big hits are represented, as well as deeper cuts . . . with wonderful results. This anthology also includes the seminal stories that inspired the Rush classics "Red Barchetta" and "Roll the Bones," as well as Kevin J. Anderson's novella sequel to the groundbreaking Rush album 2112. 2113 contains stories by New York Times bestselling authors Kevin J. Anderson, Michael Z. Williamson, David Alan Mack, David Farland, Dayton Ward, and Mercedes Lackey; award winners Fritz Leiber, John McFetridge, Steven Savile, Brad R. Torgersen, Ron Collins, David Niall Wilson, and Brian Hodge, as well as many other authors with their imaginations on fire.
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
He went where no Martian ever went before--but would he come out--or had he gone for good?ExcerptThe Professor was congratulating Earth's first visitor from another planet on his wisdom in getting in touch with a cultural anthropologist before contacting any other scientists (or governments, God forbid!), and in learning English from radio and TV before landing from his orbit-parked rocket, when the Martian stood up and said hesitantly, "Excuse me, please, but where is it?"That baffled the Professor and the Martian seemed to grow anxious--at least his long mouth curved upward, and he had earlier explained that it curling downward was his smile--and he repeated, "Please, where is it?"He was surprisingly humanoid in most respects, but his complexion was textured so like the rich dark armchair he'd just been occupying that the Professor's pin-striped gray suit, which he had eagerly consented to wear, seemed an arbitrary interruption between him and the chair--a sort of Mother Hubbard dress on a phantom conjured from its leather.The Professor's Wife, always a perceptive hostess, came to her husband's rescue by saying with equal rapidity, "Top of the stairs, end of the hall, last door."The Martian's mouth curled happily downward and he said, "Thank you very much," and was off.Comprehension burst on the Professor. He caught up with his guest at the foot of the stairs."Here, I'll show you the way," he said."No, I can find it myself, thank you," the Martian assured him.