Uses the Bible to offer comfort and support to the parent grieving the loss of a child, including the process of mourning, marital problems, questions, and acceptance, and contains information about additional reading and support groups.
We all expect our parents to precede us in death. No one expects to have to make their child's funeral arrangements. And the loss of a child brings with it a special and persistent manifestation of grief that can feel "like a stomachache that never ends." Gone but Not Lost is a thoughtful gift for a family that has experienced the death of a child. Each of its brief chapters covers one element of grieving, bringing readers through sorrow and helping them deal with feelings of anger or guilt, as well as the marital strain that may follow the loss of a beloved child.
Betsy Tannenbaum, feminist defense attorney, is involved in the series of disappearances which are similar to those of 10 years ago, when the killer was caught-- or was he?
One of Literary Hub's Most Anticipated Books of 2022 A “brilliant London historian” (BBC Radio) tells the story of Britain as never before—through its abandoned villages and towns. Drowned. Buried by sand. Decimated by plague. Plunged off a cliff. This is the extraordinary tale of Britain’s eerie and remarkable ghost towns and villages; shadowlands that once hummed with life. Peering through the cracks of history, we find Dunwich, a medieval city plunged off a cliff by sea storms; the abandoned village of Wharram Percy, wiped out by the Black Death; the lost city of Trellech unearthed by moles in 2002; and a Norfolk village zombified by the military and turned into a Nazi, Soviet, and Afghan village for training. Matthew Green, a British historian and broadcaster, tells the astonishing tales of the rise and demise of these places, animating the people who lived, worked, dreamed, and died there. Traveling across Britain to explore their haunting and often-beautiful remains, Green transports the reader to these lost towns and cities as they teeter on the brink of oblivion, vividly capturing the sounds of the sea clawing away row upon row of houses, the taste of medieval wine, or the sights of puffin hunting on the tallest cliffs in the country. We experience them in their prime, look on at their destruction, and revisit their lingering remains as they are mourned by evictees and reimagined by artists, writers, and mavericks. A stunning and original excavation of Britain’s untold history, Shadowlands gives us a truer sense of the progress and ravages of time, in a moment when many of our own settlements are threatened as never before.
Though one in four pregnancies ends in loss, miscarriage is shrouded in such secrecy and stigma that the woman who experiences it often feels deeply isolated, unsure how to process her grief. Her body seems to have betrayed her. Her confidence in the goodness of God is rattled. Her loved ones don't know what to say. Her heart is broken. She may feel guilty, ashamed, angry, depressed, confused, or alone. With vulnerability and tenderness, Adriel Booker shares her own experience of three consecutive miscarriages, as well as the stories of others. She tackles complex questions about faith and suffering with sensitivity and clarity, inviting women to a place of grace, honesty, and hope in the redemptive purposes of God without offering religious clichés and pat answers. She also shares specific, practical resources, such as ways to help guide children through grief, suggestions for memorializing your baby, and advice on pregnancy after loss, as well as a special section for dads and loved ones.
This book has been an opportunity for Erwitt to revisit the photographs he made in his early career and to uncover meaning upon second glance which was not apparent when the image was originally taken. The master of visual one-liners--bold statement images replete with humour, irony and acknowledged absurdity--the photographs selected for this book are quieter, more subtle and suggest Erwitt's increasing confidence in his own eye. By selecting these photographs he has begun to both examine and challenge how his younger self saw the world.