Gina and Monty investigate a secret chamber under one of Jade's ziggurats, the last known location of Gina's dark alternate, who was leading the invading forces of the Umbra. Discovering its secrets could prove the key to fending off further Umbral incursions. Gina might figure it out, if only she could shake off the after-effects of the Dire Charm cast on her by Dark Monty's enchanted codpiece!
Gina is literally beside herself with confusion when she comes back to life in a strange place among a horde of duplicate Ginas! She and her sister selves must find out who they really are, where they are, why they're there, and what to do about a sudden invasion of half-crystal minions of the *Umbra,* specter of the last universe!
In the world of slapstick comedy, few are more beloved than the Three Stooges. Throughout their 190 short films, they consistently delivered physical, verbal and situational comedy in new and creative ways. Following the trio from outer space to ancient Rome, this volume provides an in-depth look at their comedy and its impact on twentieth century art, culture and thought. This analysis reveals new insights into the language, literary structure, politics, race, gender, ethnicity and even psychology of the classic shorts. It discusses the elements of surrealism within the Stooges films, exploring the many ways in which they created their own reality regardless of time and space. The portrayal of women and minorities and the role of the mistake in Stooges' works are also addressed. Moreover, the book examines the impact that the Columbia Studios style and the austerity of its Short Subjects Department had on the work of the Three Stooges, films that ironically have outlasted more costly and celebrated productions.
Tale of a boy who gets separated from his family on the way to the gold fields of California, gets rich and finds his long-lost grandfather. Gerstaecker was a German who prospected in the 1849 gold rush, and the geography of the story is accurate. Gerstaecker wrote many non-fiction works on California and America for German readers.
Describes the life of glamour girl Peggy Hopkins Joyce, whose many marriages, expensive tastes, and wild lifestyle made her more famous in the 1920s and '30s than her stints as a Broadway and movie star.
In this engaging book—the first to historicize our understanding of sexual harassment in the workplace—Julie Berebitsky explores how Americans’ attitudes toward sexuality and gender in the office have changed from the 1860s, when women first took jobs as clerks in the U.S. Treasury office, to the present. Berebitsky recounts the actual experiences of female and male office workers; draws on archival sources ranging from the records of investigators looking for waste in government offices during World War II to the personal papers of Cosmopolitan editor Helen Gurley Brown and Ms. magazine founder Gloria Steinem; and explores how popular sources—including cartoons, advertisements, advice guides, and a wide array of fictional accounts—have represented wanted and unwelcome romantic and sexual advances. By giving sex in the office a history, she provides valuable insights into the nature and meaning of sexual harassment today.
Driven by greed, on the edge of the law, their business is blood. They are the killers, the assassins, the merciless trackers of the underworld, and if you're their enemy, you're probably dead. Remember, a bounty hunter only follows the Rule of Gold.
Australian Pastoral is a radical history of the pastoral landscape in Australian painting. As a primary means through which white settlement was described and legitimised, the pastoral was transcendent in European Australian art from the late eighteenth to the middle of the twentieth century. This book shows how pastoralism displaced all in its path, and how the pastoral landscape became a special art form in Australia and the primary means through which 'whiteness' and the taming of Australia was celebrated in painting. The book traces the history of pastoral painting through to the emergence in recent times of a black 'pastoral' landscape painting.
