Going into Society is Dickens's story of a man who sets up a circus in a respectable neighborhood. The main attraction is a dwarf: ""He was a un-common small man, he really was. Certainly not so small as he was made out to be, but where IS your Dwarf as is?"" In To Be Read at Dusk, a group of men begin discussing ghosts, and one of them tells the story of the English bride. These two stories showcase Dickens's interest in the weird.
In the evening of his life, a wealthy man begins to wonder if he might have missed the point. Park Minwoo is a success story. Born into poverty in a miserable neighbourhood of Seoul, he has ridden the wave of development in his country. Now the director of a large architectural firm, his hard work and ambition have brought him triumph and satisfaction. But that all begins to change when he receives a message from a childhood friend he once loved. As memories return unbidden, he recalls a world he thought he had left behind — a world he now realises that he has helped to destroy.
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
“A journey into the dark corners of friendship.” —Mindy McGinnis, author of The Female of the Species Riverdale meets Karen M. McManus’s Two Can Keep a Secret in this “twisty, sumptuous dark fairy tale of a mystery” (Kara Thomas, author of The Cheerleaders) about estranged friends who reunite when someone commits the murder they’d planned—but didn’t go through with—and leaves one of their own to take the fall. Poppy, Lily, and Belladonna would do anything to protect their best friend, Raven. So when they discovered he was suffering abuse at the hands of his stepmother, they came up with a lethal plan: petals of poppy, belladonna, and lily in her evening tea so she’d never be able to hurt Raven again. But someone got cold feet, the plot faded to a secret of the past, and the group fell apart. Three years later, on the eve of Raven’s seventeenth birthday, his stepmother turns up dead. But it’s only belladonna found in her tea, and it’s only Belladonna who’s carted off to jail. Desperate for help, Belle reaches out to her estranged friends to prove her innocence. They answer the call, but no one is prepared for what comes next. Now, everyone has something to lose and something equally dangerous to hide. And when the tangled web of secrets and betrayal is finally unwound, what lies at its heart will change the group forever.
Mrs Dalloway, Virginia Woolf's fourth novel, offers the reader an impression of a single June day in London in 1923. Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith is young, poor, and driven to hatred of himself and the whole human race. Yet both share a terror of existence, and sense the pull of death. The world of Mrs Dalloway is evoked in Woolf's famous stream of consciousness style, in a lyrical and haunting language which has made this, from its publication in 1925, one of her most popular novels.
'A glorious tapestry of magic and murderous gods' - BuzzFeed News 'Fans of A Darker Shade of Magic and All of Us Villains will want to pick this up' - BookRiot 'A delightful, complex, intimate yet explosive debut adult fantasy' - Strange Horizons DARKNESS FALLS. GODS RISE. The Four Realms - Life, Death, Light, and Darkness - all converge on the City of Dusk. For each realm there is a god, and for each god there is an heir. But the gods have withdrawn their favour from the once vibrant and thriving metropolis. And without it, all the realms are dying. Unwilling to stand by and watch the destruction, the four heirs - Angelica, an elementalist with her eyes set on the throne; Risha, a necromancer fighting to keep the peace; Nikolas, a soldier who struggles to see the light; and Taesia, a shadow-wielding rogue with a reckless heart - will become reluctant allies in the quest to save their city. But their rebellion will cost them dearly. Set in a world of bone palaces and shadow magic, of vengeful gods and defiant chosen ones, The City of Dusk is Tara Sim's crackling adult fantasy debut.
The final reckoning has come: the future of the Land will be decided now and written in the blood of men. After his pyrrhic victory at Moorview, King Emin learns the truth about the child Ruhen - but he is powerless to act. Instead, he must mourn his dead friends while his enemy promises the beleaguered peoples of the Land a new age of peace. The past year has taken a grave toll: the remaining Menin troops seek revenge upon Emin, daemons freely walk the Land, and Ruhen's power is increasing daily. And yet, a glimmer of hope remains. There is one final, desperate chance for victory: a weapon so terrible only a dead man could wield it, and only a madman would try. But if they do not grasp this opportunity, King Emin and his allies will be obliterated as Ruhen's millennia-old plans are about to bear terrible fruit. If his power continues unchecked, Ruhen will achieve total dominion - and not just over mankind, but over the Gods themselves.
