In the years 1884-1897 Rudolf Steiner edited Goethe's scientific writings for the series "German National Literature" of the publisher Kürschner. In Goethe's works, each individual experience is not an end in itself, but serves to substantiate a single, great idea: the unceasing harmonious becoming of the universe, revealed in this volume. "The dominant influence in Steiner's life was that of Goethe. In 1833 he was invited to edit Goethe's scientific writings for the planned canonical edition, and his first publications, dating from 1866, are on Goethe. In 1890 he left Vienna and for six years went to work at the Goethe Archives in Weimar, strong not only in an orthodox culture that the following year would earn him a degree in philosophy at Rostock, but also in a very large body of general knowledge about all known disciplines." James Webb
This collection of Steiner's introductions to Goethe's works re-visions the meaning of knowledge and how we attain it. Goethe had discovered how thinking could be applied to organic nature and that this experience requires not just rational concepts but a whole new way of perceiving. In an age when science and technology have been linked to great catastrophes, many are looking for new ways to interact with nature. With a fundamental declaration of the interpenetration of our consciousness and the world around us, Steiner shows how Goethe's approach points the way to a more compassionate and intimate involvement with nature.
Written 1884-1885; first published 1886 (CW 2) As the editor of Goethe's scientific writings during the 1880s, Rudolf Steiner became immersed in a worldview that paralleled and amplified his own views in relation to epistemology, the interface between science and philosophy, the theory of how we know the world and ourselves. At the time, like much of the thinking today and the foundation of modern natural science, the predominant theories held that individual knowledge is limited to thinking that reflects objective, sensory perception. Steiner's view was eventually distilled in his Anthroposophical Leading Thoughts in 1924: There are those who believe that, with the limits of knowledge derived from sensory perception, the limits of all insight are given. Yet if they would carefully observe how they become conscious of these limits, they would find in the very consciousness of the limits the faculties to transcend them. In this concise volume, Steiner lays out his argument for this view and, moreover, begins his explication of how one goes beyond thinking to the observation of thinking itself. Goethe's Theory of Knowledge is essential reading for a deeper understanding of Rudolf Steiner's seminal work, Intuitive Thinking as a Spiritual Path: A Philosophy of Freedom. CONTENTS: Introduction by Christopher Bamford Preface to the Edition of 1924 by Rudolf Steiner Foreword to the First Edition (1886) by Rudolf Steiner A. Preliminary Questions 1. The Point of Departure 2. Goethe's Science According to Schiller's Method 3. The Purpose of Our Science B. Experience 4. Establishing the Concept of Experience 5. Examining the Essence of Experience 6. Correcting the Erroneous View of Experience as a Totality 7. The Experience of Each Individual Reader C. Thinking 8. Thinking as a Higher Experience within Experience 9. Thinking and Consciousness 10. The Inner Nature of Thinking D. Knowledge 11. Thought and Perception 12. Intellect and Reason 13. The Act of Cognition 14. Cognition and the Ultimate Ground of Things E. Knowing Nature 15. Inorganic Nature 16. Organic Nature F. The Humanities 17. Introduction: Mind and Nature 18. Psychological Cognition 19. Human Freedom 20. Optimism and Pessimism G. Conclusion 21. Knowledge and Artistic Creation Notes to the First Edition 1886] Annotations to the Edition of 1924 A Theory of Knowledge is a translation from the German of Grundlinien einer Erkenntnistheorie der Goetheschen Weltanschauung, mit besonderer R cksicht auf Schiller (GA 2). Previous translations were published as The Science of Knowing (1988) and The Theory of Knowledge implicit in Goethe's World-Conception: Fundamental Outlines with Special Reference to Schiller (1940).
This book explains the elimination of maternal characters in American, British, French, and German literature before 1890 by examining motherless creations: Pygmalion’s statue, Frankenstein’s creature, homunculi, automata, androids, golems, and steam men. These beings typify what is now called artificial life, living systems made through manufactured means. Fantasies about creating life ex-utero were built upon misconceptions about how life began, sustaining pseudoscientific beliefs about the birthing body. Physicians, inventors, and authors of literature imagined generating life without women to control the process of reproduction and generate perfect progeny. Thus, some speculative fiction before 1890 belongs to the literary genealogy of transhumanism, the belief that technology will someday transform some humans into superior, immortal beings. Female motherless creations tend to operate as sexual companions. Male ones often emerge as subaltern figures analogous to enslaved beings, illustrating that reproductive rights inform readers’ sense of who counts as human in fictions of artificial life.
