Goethe Yearbook 18

Goethe Yearbook 18

Author: Daniel Purdy

Publisher: Camden House

Published: 2011-04

Total Pages: 351

ISBN-13: 1571134913

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New essays on topics spanning the Age of Goethe, with a special section of fresh views of Goethe and Idealism. The Goethe Yearbook is a publication of the Goethe Society of North America, publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcomingcontributions from scholars around the world. Volume 18 features a special section on Goethe and Idealism, edited by Elizabeth Millán and John H. Smith and including essays on Goethe and Spinoza; Goethe's notions of intuition and intuitive judgment; Novalis, Goethe, and Romantic science; Goethe and Humboldt's presentation of nature; Hegel's Faust; Goethe contra Hegel on the end of art; Goethean morphology and Hegelian science; and Goethe andphilosophies of religion. There are also essays on fraternity in Goethe, Margarete-Ariadne as Faust's labyrinth, Schiller's Geisterseher, and Martin Walser's Goethe novel Ein liebender Mann, and a review essay on recent books on money and materiality in German culture heads the book review section. Contributors: Frederick Amrine, Brady Bowen, Jeffrey Champlin, Adrian Del Caro, Stefani Engelstein, Luke Fischer, Gail Hart, Gunnar Hindrichs, Jens Kruse, Horst Lange, Elizabeth Millán, Dalia Nassar, John H. Smith. Daniel Purdy is Associate Professor of German at Pennsylvania State University. Book review editor Catriona MacLeod is Associate Professorof German at the University of Pennsylvania.


Goethe Yearbook 24

Goethe Yearbook 24

Author: Adrian Daub

Publisher: Boydell & Brewer

Published: 2017-06-15

Total Pages: 338

ISBN-13: 157113977X

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Cutting-edge scholarly articles on diverse aspects of Goethe and his age, featuring in this volume a special section on the poetics of space in the Goethezeit. The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 24 features a special section titled "The Poetics of Space in the Goethezeit," co-edited by John Lyon and Elliott Schreiber, with contributions on blind spots in Goethe's Elective Affinities; on the topography and topoi of Goethe's autobiographical childhood; on disorientation and the subterranean in Novalis; on selfhood, sovereignty, and public space in Die italienische Reise and Dichtung und Wahrheit; on Goethe's theater of anamnesis in Wilhelm Meisters Lehrjahre; and on spatial mobilization in Kleist's Berliner Abendblätter. There are also articles on the horror of coming home in Caroline de la Motte Fouqué's "Der Abtrünnige" and on Friedrich Heinrich Jacobi's Eduard Allwills Papiere. Contributors: Colin Benert, Stephanie Galasso, Tove Holmes, Edgar Landgraf, Sara Luly, John B. Lyon, Anthony Mahler, Monika Nenon, Joseph O'Neil, Elliott Schreiber, Inge Stephan, Gabriel Trop, Christian P. Weber. Adrian Daub is Associate Professor of German at Stanford. Elisabeth Krimmer is Professor of German at the University of California Davis. Book review editor Birgit Tautz is Associate Professor of German at Bowdoin College.


Goethe's Faust

Goethe's Faust

Author: Hans Schulte

Publisher: Cambridge University Press

Published: 2011-05-05

Total Pages: 347

ISBN-13: 1139496085

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Faust has been called the fundamental icon of Western culture, and Goethe's inexhaustible poetic drama is the centrepiece of its tradition in literature, music and art. In recent years, this play has experienced something of a renaissance, with a surge of studies, theatre productions, press coverage and public discussions. Reflecting this renewed interest, leading Goethe scholars in this volume explore the play's striking modernity within its theatrical framework. The chapters present new aspects such as the virtuality of Faust, the music drama, the modernization of evil, Faust's blindness, the gay Mephistopheles, classic beauty and horror as phantasmagoria, and Goethe's anticipation of modern science, economics and ecology. The book contains an illustrated section on Faust in modern performance, with contributions by renowned directors, critics and dramaturges, and a major interview with Peter Stein, director of the uncut 'millennium production' of Expo 2000.


Ape to Apollo

Ape to Apollo

Author: David Bindman

Publisher: Cornell University Press

Published: 2002

Total Pages: 276

ISBN-13: 9780801440854

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Ape to Apollo is the first book to follow the development in the eighteenth century of the idea of race as it shaped and was shaped by the idea of aesthetics. Twelve full-color illustrations and sixty-five black-and-white illustrations from publications and artists of the day allow the reader to see eighteenth-century concepts of race translated into images. Human "varieties" are marked in such illustrations by exaggerated differences, with emphases on variations from the European ideal and on the characteristics that allegedly divided the races. In surveying the idea of human variety before "race" was introduced by Linneaus as a scientific category, David Bindman considers the work of many German and British thinkers, including J. F. Blumenbach, Georg and Johann Reinhold Forster, and Immanuel Kant, as well as Georges Louis Leclerc Buffon and Pieter Camper. Bindman believes that such representations, and the theories that supported them, helped give rise to the racism of the modern era. He writes, "It may be objected that some features of modern racism predate the Enlightenment, and already existed in the sixteenth and seventeenth centuries; certainly there was deep prejudice, but that, I would argue, is not the same as racism, which must have as a foundation a theory of race to justify the exercise of prejudice."