Douglas O'Donnell draws out the historical, exegetical, and theological significance of the songs of Moses, Deborah, Hannah, David, and Habakkuk. He then shows, in the light of the person and work of Jesus Christ, how the lyrics of God's Word apply to contemporary congregational singing. God's Lyrics offers both a corrective and a call-a corrective to sing of Christ from the Psalms, the Law and the Prophets, and a call to use the whole counsel of God in worshiping him. The new hymns and music provided for each biblical text encourage pastors, lyricists, and church musicians to reengage with these ageless songs and their timeless themes. Arrangements of these new hymns can be downloaded from the God's Lyrics page on www.prpbooks.com. Book jacket.
A collection of more than one hundred poems and poetic fragments from the golden age of Greek Lyric poetry. In this second edition of Greek Lyrics, translator and editor Richmond Lattimore brings together a vast assortment of seventh-and sixth-century Greek lyric, elegiac, and iambic poetry. For the Greekless student or curious scholar, these translations showcase the diversity of poetic subjects in classical antiquity, which range from love poems to medical inscriptions and drinking songs. Gracefully and robustly translated by a number of top-tier translators, this volume includes poets such as Archílochus, Callínus, Semónides of Amórgos, Hippónax, Tyrtaéus, Mimnérmus, Solon, Phocýlides, Xenóphanes, Theógnis, Terpánder, Alcman, Stesíchorus, íbycus, Sappho, Alcaéus, Anácreon, Hýbrias, Praxílla, Corínna, Simónides of Ceos, Pindar, and Bacchýlides.
Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.
This book is the first comprehensive scholarly study of religious images in popular music. Examining bestsellers from 1906 to 1971, the work explores the role religious images have in the secularization of American culture. Popular music lyrics that express an adherence to a sacred order are couched in inoffensive, content-less language. These lyrics of civility reflect and shape the increasing secularization of American culture in the twentieth century. The analysis focuses primarily on the way these lyrics reduce the meaning of the terms and theology of the Biblical faith. The aesthetic of civility carries over into theology, the narratives, and the accompanying instrumental arrangements of songs that adhere to the Biblical sacred order. On the other hand, lyrics that reject the Biblical tradition use content-filled, offensive language. The result is that displaced adherents withdraw from the Biblical tradition and turn to alternative cultural religions, or idols of attraction, including popular music, that offer meaning to fill a void in the individual. The secularization of American society, therefore, is not a withdrawal from the idea of religion itself. The analysis focuses on the two dominant themes in songs that include religious images: prayer and heaven. The author explores the songs of the two world wars, the hit parade era, the rhythm and blues and doo-wop of the 1950s, the new folk singer movement, soul music and rock music of the 1960s, and the revival rock of the early 1970s. The work demonstrates the capacity of one form of popular culture to separate adherents from a subculture through diluting the meaning of the language of the subculture's elemental thought. (Ph.D. dissertation, Bowling Green State University, 1994; revised with new preface, bibliography, and index)
A Sinner was a 33 year old ordinary English working class man, content and happy with his family life. One day he curiously attends a Christian Fellowship in a local community centre. After many visits and much thought he eventually accepts Christ as his personal saviour. Two years later he finds he is given a preaching commitment. Here is his lay preachers notes of some 20 years, biblical expositions with historical and contemporary commentaries. It is a warts and all record, not only of serous scriptural sermons but also on church and personal life experiences some humorous some tragic. He is critical of much of established religion and the fact he reluctantly uses a pen name tells of his fears of the changing face of his country and shows his belief that much of its freedoms for Christians and free speech in general has been and is being lost. He holds no theological exams or college training and does not qualify for what he describes as the hindrance of a dog collar, but believes in Gods Holy Spirit that has and does convict man if mans heart is willing to be open to Him. So are any or any part of these words Gods word? Thats for you with the Holy Spirit to decide.
Beloved spirituals include such lasting favorites as All God's Children Got Shoes, Balm in Gilead, Deep River, Down by the Riverside, Ezekiel Saw the Wheel, Gimme That Ol'-Time Religion, He's Got the Whole World in His Hand, Roll, Jordan, Roll, Sometimes I Feel Like a Motherless Child, Steal Away to Jesus, Swing Low, Sweet Chariot, This Train, Wade in the Water, We Are Climbing Jacob's Ladder, Were You There When They Crucified My Lord? and many more. Excellent for sing-alongs, community programs, church functions, and other events.
The Rattle and Hiss of the Tin gods compares the basic tenets of humanism and Christianity, and documents the impact secular humanistic thought has had on all aspects of American life, from movies to politics. It raises the question: “What role, if any, does Christianity play in solving our social problems?” The book also forces the reader to view the drama being played out in the media and the political arena on the issue of separation of church and state in a more thoughtful way. Although these questions are answered in every chapter of the book, they are best explained when the focus is on the issue of political Christians. The author's views are presented in a straightforward manner even as she counters the one-sided view that the media has taken over the years, belittling a way of life, principles, and values that so many Americans hold.
You don't have to head overseas to find a war. In the church, the rhetorical cross-fire between evangelical and "spirit-filled" Christians over the past hundred years has been withering. "No scriptural foundations," is the charge evangelicals have leveled at the charismatics. "No spiritual power," the latter have countered. The boundaries are clear. The positions are taken -- and guarded. Either you're a Word person or a Power person. Today, though, such black-and-white, either-or thinking is giving way to the liberty and promise of a Word and Power church. Pastor Doug Banister shows why we cannot afford to settle for less. It's time to bury our differences -- which are largely artificial -- and discover the incredible potential that arises when evangelicals combine their strengths with Pentecostals and charismatics. Taking a long, careful, and honest look at the Scriptures, at church history, and at the state of the church and the world today, Pastor Banister reveals why Pentecostalism and evangelicalism need each other. Each tradition possesses strengths that are essential to a balanced, life-changing faith. The Word and Power Church shows how these "two mighty rivers" add to, rather than subtract from, each other. At the cusp of a new millennium, they are in fact merging into one river. Word and Power churches may experiences turbulence where the waters meet, but they teem with life, hope, faith, and power to reach a desperate world with the Gospel. Filled with personal anecdotes, this fascinating, thought-provoking, and candid book supplies the why-tos and how-tos of a Word-and-Power approach. What you won't find is preferential treatment of one view over another. What you will find are thoughtful biblical insights that will challenge you and inspire you. And you'll discover practical guidance for charting your own course -- whether as an individual or as a church -- toward a faith that embraces the truth of the Word and the power of the Spirit. As a solidly evangelical seminary graduate and pastor, Banister admits to having disdained charismatics. That is, until meticulous study of God’s Word convinced him that miraculous gifts of tongues, healing, and prophecy are indeed valid for today. As he details his “journey beyond categories,” Banister explores the reasons for the age-old rift between the two camps and the ways in which healing is taking place in new “Word and Power” churches all over America. When evangelicals and charismatics bring together the best from each tradition, he has discovered that the result is a strong, unified body. Word and Power churches affirm the authority of Scripture and encourage the propheticembrace of those who pray in a spiritual language, pursue obedience to Christ, edify the believer and evangelize the seeker, heal the sick and comfort the suffering. The Word and Power Church will speak to Christians everywhere who want to walk in both the integrity of Scripture and the power of the Holy Spirit.
Ancient Greek Lyrics collects Willis Barnstone's elegant translations of Greek lyric poetry -- including the most complete Sappho in English, newly translated. This volume includes a representative sampling of all the significant poets, from Archilochos, in the 7th century BCE, through Pindar and the other great singers of the classical age, down to the Hellenistic, Roman, and Byzantine periods. William E. McCulloh's introduction illuminates the forms and development of the Greek lyric while Barnstone provides a brief biographical and literary sketch for each poet and adds a substantial introduction to Sappho -- revised for this edition -- complete with notes and sources. A glossary and updated bibliography are included.
