In life, the emperor Domitian (81-96 CE) marketed himself as a god; after his assassination he was condemned to be forgotten. Nonetheless he oversaw a literary, cultural, and monumental revival on a scale not witnessed since Rome's first emperor, Augustus. In tandem with an exhibition in the Rijksmuseum van Oudheden in Leiden and the Mercati Traianei in Rome, planned for 2021-2022, this volume offers a fresh perspective on Domitian and his reign. This collecti.
Domitian, Emperor of Rome AD 81-96, has traditionally been portrayed as a tyrant, and his later years on the throne as a `reign of terror'. Brian Jones' biography of the emperor, the first ever in English, offers a more balanced interpretation of the life of Domitian, arguing that his foreign policy was realistic, his economic programme rigorously efficient and his supposed persecution of the early Christians non-existent. Central to an understanding of the emperor's policies, Brian Jones proposes, is his relationship with his court, rather than with the senate. Roamn historians will have to take account of this new biography which in part represents a rehabilitation of Domitian.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
This book is the story of the survival of the Flavian emperors in Rome, a place where seventy-five percent of all emperors died of assassination. It explores the methods used by the emperor Vespasian to establish a new dynasty out of the chaos of civil war, to maintain his power, and to pass along the dynasty to his two sons, Titus and Domitian.
"Davies sets out to ask, How did the Romans bury Caesar? And with what monuments did they sing his praises? . . . The architectural elaboration of these structures, their siting in the capital, the lines of vision and approaches that exposed them to view, the paths their complex outworks formed for visitors to walk, are all picked out with skill and presented with care in Death and the Emperor." ?Times Literary Supplement "This concise and lucidly written book is a very valuable new contribution to the studies of Roman imperial cult, political propaganda, and topography, and has the added benefit of discussing complex scholarly disputes in a manner that the non-specialist will probably follow with ease. . . . There is material in this volume that will be immensely useful to researchers in many areas: archaeology, history of architecture, iconography, history of religion, and Roman political propaganda, to name just a few. I strongly recommend it to scholars interested in any or all of the above topics." ?Bryn Mawr Classical Review "Even though its focus is on only seven specimens of architecture, the book touches upon a broad array of aspects of Roman imperial culture. Elegantly written and generously illustrated . . . this book should be of great interest to the general public as well as to the scholarly community." ?American Journal of Archaeology
The Apocalypse of Moses is the Greek version of the Life of Adam and Eve. The original version is believed to have been written in a Semitic language, as there as terms transliterated into Greek from a Semitic language, however, it is not known positively which language, as the original text is lost, and so far, no fragments have been found among the Dead Sea Scrolls that can be firmly linked to it. The closest text discovered to date among the Dead Sea Scrolls would be the Genesis Apocryphon scroll, written in Aramaic and generally dated to between 37 BC to 50 AD. The original language of the Apocalypse of Moses was likely also Aramaic, as demonstrated by the use of the name Iah (Jah), which is found more commonly in Aramaic language books, like Tobit. A number of references circumstantially date the original work to the era when the Greeks ruled Judea, between 330 and 140 BC. The reference to Iah is itself evidence of a pre-Hasmonean origin, as the Hasmoneans’ authorized’ version of the Hebrew texts appear to have redacted Iah (יה) to Yahweh (יהוה) when they converted the Jews from the Canaanite (Samaritan/Paleo-Hebrew) script to the Assyrian (Hebrew) script. The name Iah (Jah) does show up in many ancient names, such as Josiah, and phrases such as Hallelujah, implying it was once widely accepted as the name of (a) God, however, virtually disappeared from the Hebrew scriptures at some point, likely during the Hasmonean redaction and standardization circa 140 BC. The reference to Lord Sabaoth (κυρίῳ σαβαωθ) is another indicator of a pre-Hasmonean origin for the text. Lord Sabaoth was the Major-General of the Lord God’s army that helped Joshua destroy the walls of Jericho in the Septuagint’s Book of Joshua. There are many references to Lord Sabaoth, the ‘Lord of War’ in the Greek era, however, during the early Hasmonean era, he became an epitaph of Iaw (Yahweh) the national God of Hasmonean Judea: Iaw Sabaoth (יהוה צבאות). The Hasmoneans redacted Lord Sabaoth from the Book of Joshua, replacing him with Yahweh (יהוה), meaning that Yahweh was the Major-General of his own army in the Masoretic version of Joshua. According to later-Hasmonean records, Yahweh Sabaoth became the Jewish version of Dionysus or Bacchus, a god of war, wine, and lust, before he was abandoned during the formation of the Pharisee sect, who rejected the pronunciation of any of the names of God.
For centuries, Roman emperors ruled a vast empire. Yet, at least officially, the emperor did not exist. No one knew exactly what titles he possessed, how he could be portrayed, what exactly he had to do, or how the succession was organised. Everyone knew, however, that the emperor held ultimate power over the empire. There were also expectations about what he should do and be, although these varied throughout the empire and also evolved over time. How did these expectations develop and change? To what degree could an emperor deviate from prevailing norms? And what role did major developments in Roman society – such as the rise of Christianity or the choice of Constantinople as the new capital – play in the ways in which emperors could exercise their rule? This ambitious and engaging book describes the surprising stability of the Roman Empire over more than six centuries of history.
Jovinianus, about whom little more is known than what is to be found in Jerome's treatise, published a Latin treatise outlining several opinions: That a virgin is no better, as such, than a wife in the sight of God. Abstinence from food is no better than a thankful partaking of food. A person baptized with the Spirit as well as with water cannot sin. All sins are equal. There is but one grade of punishment and one of reward in the future state. In addition to this, he held the birth of Jesus Christ to have been by a "true parturition," and was thus refuting the orthodoxy of the time, according to which, the infant Jesus passed through the walls of the womb as his Resurrection body afterwards did, out of the tomb or through closed doors.
The aim of this volume is to study Silius’ poem as an important step in the development of the Roman historical epic tradition. The Punica is analyzed as transitional segment between the beginnings of Roman literature in the Republican age (Naevius and Ennius) and Claudian’s panegyrical epic in late antiquity, shedding light on its ‘inclusiveness’ and its peculiar, internal dialectic between antiquarian taste and problematic actualization. This is an innovative attempt to connect epic poems and authors belonging to different ages, to frame the development of the literary genre, according to its specific aims and interests throughout the centuries.
