With nearly seventy-five new poems and over two hundred selected from his previous books, God Breaketh Not All Men’s Hearts Alike is the book of a lifetime in poetry, one that will lead to the author being recognized as among American’s best living poets. A work of intense illumination, these poems investigate meanings and subjects usually left in darkness. A dramatic excitement, a surprising beauty, a song draws us from poem to poem. It has been pointed out by Hayden Carruth that "in many voices, in lines rugged yet eloquent with various learnings, Moss sings us his disconcerting and extraordinarily moving songs of unbelievable belief."
“Open Act V, Scene I or any of Stanley Moss’s books anywhere, and you will come shockingly upon wisdom and beauty, a diversity of styles—a unity of voice, a voice that was there since the beginning. I love Stanley Moss’s work. The pace, the strategy, the wit, the knowledge are astonishing. Of the generation that is gradually leaving us, those born in the mid- and late-1920s, he has a prominent place. He loves donkeys. He owns Ted Roethke’s raccoon coat. He is an original.”—Gerald Stern “Magisterial. . . this book is magnificent. I’ve read it several times with greater and greater pleasure. Its verbal generosity and bravura, its humanity, the quality and quantity of information which it generates into poetry of the highest order make it a continuing delight.”—Marilyn Hacker “. . . In our epoch of turmoil, crisis, and grief, I find that Moss’s poetry still, always, brings me a little closer to happiness.” —Forrest Gander “I’ve loved Stanley’s poems since I first encountered a poem of his in Poetry magazine in John Berryman’s office when I was nineteen.” —W.S. Merwin “. . . This is a book to hold onto for dear life.” —Rosanna Warren I Choose to Write a Poem I choose to write a poem when my left ankle’s broken, purple, and my right ankle’s swollen blue, both knees banged, twice their usual size, both my long legs “killing me,” while a famous angel is really killing me. I separate physical pain from the real thing— the real thing, the soul usually dies before the body. My soul is dancing, welcoming spring in the garden on a beautiful June morning, ready to live forever.
The Christian spiritual journey is a pilgrimage to wholeness, a search for home that is in God. In this classic work on contemporary spiritual living, Alan Jones explores the various parts of the pilgrimage home. Using literature, art, and biblical texts as illustrations, he explores our search for light and love, repentance, and forgiveness in the context of the Passion and Easter stories. An excellent book for group study during Lent and Easter, this edition includes study questions at the end of each chapter. Passion for Pilgrimage is also provocative reading for individuals at any time of the year who want to understand the Christian journey more deeply.
The search for God is a staple of human history. Finding God records sixty first-person accounts of Christians who found God in different ways and the impact this discovery made on their lives and on the world in which they lived. Ranging from the first century to the present, Finding God is a fascinating digest of conversion stories from a wide variety of people -- from the apostle Paul to the rock musician Bono. These narratives together demonstrate the remarkable diversity of spiritual journeys and the dramatic changes that can result from encounters with God. Both instructive and inspirational, Finding God will expand horizons and deepen the faith of those who seek insight into the age-old spiritual quest to find God.
This book seeks to add a needed introduction to a way of meditation used among early modern English Protestants, influenced by Bishop Joseph Hall. Furthermore, the major role that Hall had in his Arte of Divine Mediation on late-seventeenth-century Protestant spirituality went beyond the practice of meditation and established a positive claim on the role of the imagination in shaping souls, well into the modern period. Within this context, the questions related to ancient understandings of faith and the interrelationship of divine revelation are discussed with fresh insights for our own times. If a revival of interest emerges again in Hall's work, it would be a compelling and fresh impetus to reclaim the broken imagination evident in many parts of the Western Church.
