Quite often A. David Brown had intended to finally consult a doctor. The professional stress on an English teacher at a private language school threatened to get out of hand. However, the first stroke beat him to it. After that nothing was the same as it was before. A long period of suffering began with many unreasonable demands. However, Brown did not resign, he became creative. He took part in and, also, directed plays. He wrote poetry and short stories. He did not even let himself be stopped from traveling, he visited fascinating Cornwall and flew twice to his homeland, the USA. At times factual, at times anecdotal, A. David Brown tells about his tribulations and his difficulties of rehabilitation, but also about his many supporters, above all, his wife and all the lovely things which he could enjoy despite his misery. Sentimentality is just as strange to him as grim heroic behaviour. A. David Brown's story gives evidence of his sincere gratitude, love of life and the love between him and his wife. Eighteen wonderfully touching poems written by him accompany his story. This book encourages many not to let things get one down, neither illness nor handicaps.
Grunge. Flannel. Generation X. In 1993, Seattle was the capital of the world, Nirvana was king, and slackers were everywhere. When the Red Hot organization, a group of activists dedicated to raising money and awareness of AIDS, released their third compilation CD featuring the biggest bands of the era--Soundgarden, Smashing Pumpkins, Beastie Boys, The Breeders, Nirvana and more it quickly became the touchstone of a generation. Rolling Stone called No Alternative a "jaw-dropping compilation of musical gems." This book takes a look back at what happened to the bands involved with No Alternative. It includes new interviews with the musicians and others behind the record, and chronicles the downfall of an industry, the taming of a devastating illness, and the arrival of another global pandemic. It's about growing up, saying goodbye, and proving once more that you can't go home again (even if that's where you left all of your CDs).
Recent anthropological scholarship on “new midwifery” centers on how professional midwives in various countries are helping women reconnect with “nature,” teaching them to trust in their bodies, respecting women’s “choices,” and fighting for women’s right to birth as naturally as possible. In No Alternative, Rosalynn A. Vega uses ethnographic accounts of natural birth practices in Mexico to complicate these narratives about new midwifery and illuminate larger questions of female empowerment, citizenship, and the commodification of indigenous culture, by showing how alternative birth actually reinscribes traditional racial and gender hierarchies. Vega contrasts the vastly different birthing experiences of upper-class and indigenous Mexican women. Upper-class women often travel to birthing centers to be delivered by professional midwives whose methods are adopted from and represented as indigenous culture, while indigenous women from those same cultures are often forced by lack of resources to use government hospitals regardless of their preferred birthing method. Vega demonstrates that women’s empowerment, having a “choice,” is a privilege of those capable of paying for private medical services—albeit a dubious privilege, as it puts the burden of correctly producing future members of society on women’s shoulders. Vega’s research thus also reveals the limits of citizenship in a neoliberal world, as indigeneity becomes an object of consumption within a transnational racialized economy.
This volume presents for the first time the complete textual history of one of the most famous love letters ever written. Addressed to Wilde's lover, Lord Alfred Douglas, and composed in Reading Gaol, it was later given the title 'De Profundis' by Wilde's friend and literary executor, RobertRoss. It was Ross's severely abridged and sanitized version, published in 1905 and again 1908, which inaugurated the tradition of seeing De Profundis as the apologia pro sua vita of a broken man. This edition takes account of this complex heritage by arguing that Wilde's prison document may be seennot just as the basis of a letter (a typed copy of which may have been sent to Douglas) but also as an unfinished literary work which he intended for public consumption at some future date. Such a case is made by placing in the public domain, often for the first time, a number of different works,derived from different texts, each of which bears witness to Wilde's multiple intentions for his prison document. These texts comprise: the manuscript held in the British Library; the version of Wilde's letter published by his son, Vyvyan Holland, from a typescript bequeathed to him by Robert Ross;hitherto unpublished witnesses to that typescript; and Ross's editions, collated with each other. The commentary to this edition - again for the first time - sets Wilde's story of his own life in 'De Profundis' against the testimony of other players in his drama, including, most importantly, that ofDouglas. In so doing it exposes the partial nature of Wilde's narrative, as well as the personal obsessions which animated it. The commentary also demonstrates a hitherto unnoticed element of Wilde's work, the extent and nature of its richly layered intertextuality and its similarity, in itscompositional practices, to many of his earlier works.
"These sermons are themselves versions of that dangerous but longed-for doxology, and they move from ruthlessly honest cultural analysis to confident praise with such linguistic power that one can easily overlook the superb detail, the impressive craft, and the fine tooling employed by Brueggemann, the master preacher. The impact of these sermons comes not simply from the finished artwork but also from the artist's technique—the preparation of the homiletic canvas, the mix of pigment, and the brush strokes." —from the foreword by Thomas G. Long Volume One: In addition to being one of the world's leading interpreters of the Old Testament, Walter Brueggemann is a skilled and beloved preacher. This collection of sermons demonstrates Brueggemann's fidelity to biblical texts, which come alive with meaning in our contemporary world. Throughout, Brueggemann also reflects on his preaching. Volume One features a biblical index as well as a foreword by Samuel Wells of Duke University who writes: "Enjoy this volume from a master exegete, a master theologian, and a master preacher. They really are neat sermons. And they're for you." Volume Two: This collection presents over fifty masterful sermons from one of the most trusted preachers today, Walter Brueggemann. Brueggemann continues his task of making the biblical text available to the church. He sees preaching as a performance of God's good rule that, in an act of utterance and receptive listening, mediates the truthful, joyous reality of that rule. The sermons are organized according to the church year, starting with sermons for Advent, Christmas, and Epiphany and followed by sermons for Lent and Easter and then Pentecost and Ordinary Time. Sermons for other occasions, such as ordinations, weddings, and graduations, are also included, along with a Scripture index. Whether a pastor or a person in the pew, the reader will find inspiration, reflection, and wisdom in Brueggemann's powerful words. Volume Three: This collection features sixty sermons by Walter Brueggemann, preached mostly in the last five years. For his final public appearances, he preached at various churches and the Festival of Homiletics, including his last address there in 2018. Most of these are based on lectionary texts, with numerous sermons on Advent-Christmas and Lent-Easter texts. Preachers will find inspiration in the handful of sermons covering special occasions or themes, including confirmation, evangelism, and funerals."
However you view the present time, it is a new century, a new world, and also a new humanity - in fact, humanity is not something that was ever defined once and for all, but remains an open project. For several decades we have been witnessing a revolution. However, unlike the political and ideological revolutions that took place around the First World War, this is a technological and much more radical one that does not depend on people's beliefs, but rather on the tireless labour of machines. The rise of automation has brought about a revelation of something that had hitherto remained hidden in the workshops of homo faber. That is, there are very few functions, apart from consumption, where a machine cannot replace a human being, be these material or spiritual - machines need energy, but they can also do without it, whereas humans die if deprived of it, or one can imagine a machine producing symphonies, but not enjoying them. So while human beings are still needed, their roles and scopes have to be reconsidered. Workers may be superfluous, but humans are still needed, including those who until recently only recognised themselves as producers. The exclusion of workers from production does not discount humans being able to produce value in the form of consumption. Recognising this will enable us to conceive the "Webfare" - a new digital system that will teach us to find new names and new forms, more tolerance and room for traditional human needs. Above all, it will teach us how to transform the time given to us by automation into an opportunity for progress.
In addition to being one of the world's leading interpreters of the Old Testament, Walter Brueggemann is a skilled and beloved preacher. This collection of sermons demonstrates Brueggemann's fidelity to biblical texts, which come alive with meaning in our contemporary world. Throughout, Brueggemann reflects on his preaching. As Samuel Wells writes in his foreword, "Enjoy this volume from a master exegete, a master theologian, and a master preacher. They really are neat sermons. And they're for you."
Great Britain in the 1970s appeared to be in terminal decline -- ungovernable, an economic train wreck, and rapidly headed for global irrelevance. Three decades later, it is the richest and most influential country in Europe, and Margaret Thatcher is the reason. The preternaturally determined Thatcher rose from nothing, seized control of Britain's Conservative party, and took a sledgehammer to the nation's postwar socialist consensus. She proved that socialism could be reversed, inspiring a global free-market revolution. Simultaneously exploiting every politically useful aspect of her femininity and defying every conventional expectation of women in power, Thatcher crushed her enemies with a calculated ruthlessness that stunned the British public and without doubt caused immense collateral damage. Ultimately, however, Claire Berlinski agrees with Thatcher: There was no alternative. Berlinski explains what Thatcher did, why it matters, and how she got away with it in this vivid and immensely readable portrait of one of the towering figures of the twentieth century.
