Gitarre-Musik
Author: Wolf Moser
Publisher:
Published: 1985
Total Pages: 724
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Wolf Moser
Publisher:
Published: 1985
Total Pages: 724
ISBN-13:
DOWNLOAD EBOOKAuthor: Jez Quayle
Publisher:
Published: 2021-11-19
Total Pages: 112
ISBN-13: 9781794798373
DOWNLOAD EBOOKAuthor: Arthur Eaglefield Hull
Publisher:
Published: 1926
Total Pages: 766
ISBN-13:
DOWNLOAD EBOOKAuthor: Desi Serna
Publisher: Desi Serna
Published: 2008-11
Total Pages: 160
ISBN-13: 0615226221
DOWNLOAD EBOOKDo you love sitting at home playing guitar, but find yourself playing the same old things over and over without making much progress? When other musicians invite you to jam, do you worry that you won’t be able to keep up? Are you a veteran guitarist who has played for years, but you’re embarrassed to admit you have no idea what you’re doing? If you want to take your guitar playing to the next level, compose songs like you hear on the radio, and improvise your own music, then you need Fretboard Theory. Fretboard Theory by Desi Serna teaches music theory for guitar including scales, chords, progressions, modes and more. The hands-on approach to theory shows you how music "works" on the guitar fretboard by visualizing shapes and patterns and how they connect to make music. Content includes: * Learn pentatonic and major scale patterns as used to play melodies, riffs, solos, and bass lines * Move beyond basic chords and common barre chords by playing the types of chord inversions and chord voicings used by music's most famous players * Chart guitar chord progressions and play by numbers like the pros * Identify correct scales to play over chords and progressions so you can improvise at will * Create new sounds with music modes and get to know Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian * Add variety to your playing by using intervals such as thirds, fourths, and sixths * Increase your chord vocabulary by using added chord tones and extensions to play chord types such as major 7, minor 7, sus2, sus4, add9, and more * Learn how all the different aspects of music fit together to make a great song * See how theory relates to popular styles of music and familiar songs Fretboard Theory will have you mastering music like a pro easier and faster than you ever thought possible. Plus, it's the ONLY GUITAR THEORY RESOURCE in the world that includes important details to hundreds of popular songs. You learn how to play in the style of pop, rock, acoustic, blues, and more! This guitar instruction is perfect whether you want to jam, compose or just understand the music you play better. The material is suitable for both acoustic and electric guitar, plus it features many references to bass. Level: Recommended for intermediate level players on up. Video Fretboard Theory is also available as a 21-hour video series that is sold separately on the author's GuitarMusicTheory.com website. Visit the website and sign up for email lessons to sample the footage. Fretboard Theory Volume II When you're ready to take your playing to the next level, get the second book in the series, Fretboard Theory Volume II, which is also available as a 12-hour video series.
Author: Keith Calmes
Publisher: Mel Bay Publications
Published: 2010-10-07
Total Pages: 295
ISBN-13: 1609740386
DOWNLOAD EBOOKA comprehensive collection of solos written early in the evolution of the guitar. These are not lute transcriptions but actual early guitar pieces. Written in standard notation.
Author: Darwin Floyd Scott
Publisher: Theodore Front Music
Published: 2002
Total Pages: 324
ISBN-13: 9788888326016
DOWNLOAD EBOOKAuthor: Ron Purcell
Publisher:
Published: 1991
Total Pages: 356
ISBN-13:
DOWNLOAD EBOOKAuthor: James Tyler
Publisher:
Published: 2002
Total Pages: 349
ISBN-13: 019816713X
DOWNLOAD EBOOKMore than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar. Entitled The Early Guitar: A History and Handbook (OUP 1980), this work proved valuable and enlightening not only to performers and scholarsof Renaissance and Baroque guitar and lute music but also to classical guitarists. This new book, written in collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its musicfrom the Renaissance to the dawn of the Classical era.Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of theperiod. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers andscholars alike.Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history--notably c.1759-c.1800--which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central tomusic-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-stringinstrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
Author: Franz Jahnel
Publisher:
Published: 2000
Total Pages: 238
ISBN-13: 9780933224995
DOWNLOAD EBOOKAuthor: James F. Maroney
Publisher:
Published: 1997
Total Pages: 160
ISBN-13:
DOWNLOAD EBOOKIn the late 19th century, Spanish guitar maker Antonio de Torres established a standard size and form for the classical guitar; in the early 20th century, musicians developed advanced playing techniques that contemporary recitalists refined. By the late 1940s, composers had begun to compose music specifically for the classical guitar, and in the past fifty years there have been over 550 pieces composed expressly for the duo of classical guitar and solo voice. This work provides for the first time an annotated catalog of such compositions. Each entry includes the composer; title; language in which the work is to be sung; dates of composition and copyright; publisher and catalog number; author and text source; voice type required to sing the song as indicated by the score; range and tessitura; and difficulty of the piece for the singer. The annotations touch on additional matters such as whether the piece is part of a song cycle or a collection, and its duration.