A Touch of the Infinite

A Touch of the Infinite

Author: Megan Elizabeth Hoyt

Publisher:

Published: 2016-05-13

Total Pages: 238

ISBN-13: 9780692530412

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A Touch of the Infinite is the Mason educator's comprehensive, one-volume guide to understanding and implementing Mason methods for Music study. Readers will learn how to teach a Composer Study lesson, the basics of Tonic Sol-fa, Folk Song Study, Hymn Study, Instrument Study, and more. Megan Hoyt brings the Mason Method to vivid life for teachers, home educators, and music lovers who are looking for another avenue to pursue beauty, goodness, and delight. She both defines the principles behind the study of music appreciation and at the same time offers practical tips that will help teachers come alongside students to learn and grow, rich in relationships with the composers of the past. Lewis Carroll once said, "If you don't know where you're going, any road will get you there." Educators who are eagerly seeking out new knowledge about Charlotte Mason's methods have already noticed they appear to be governed by certain underlying principles. Just as a slow simmer produces the most flavorful soup, careful attention to the principles outlined in this book will help students form sturdy, life-long relationships with the world of sound that is all around them.


Resonances

Resonances

Author: Esther M. Morgan-Ellis

Publisher:

Published: 2020-06-02

Total Pages: 566

ISBN-13: 9781940771311

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Resonances: Engaging Music in Its Cultural Context offers a fresh curriculum for the college-level music appreciation course. The musical examples are drawn from classical, popular, and folk traditions from around the globe. These examples are organized into thematic chapters, each of which explores a particular way in which human beings use music. Topics include storytelling, political expression, spirituality, dance, domestic entertainment, and more. The chapters and examples can be taught in any order, making Resonances a flexible resource that can be adapted to your teaching or learning needs. This textbook is accompanied by a complete set of PowerPoint slides, a test bank, and learning objectives.


Understanding Music

Understanding Music

Author: N. Alan Clark

Publisher:

Published: 2015-12-21

Total Pages: 316

ISBN-13: 9781940771335

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Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!


Giovanni Pierluigi da Palestrina

Giovanni Pierluigi da Palestrina

Author: Clara Marvin

Publisher: Routledge

Published: 2013-10-15

Total Pages: 497

ISBN-13: 1135617546

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First Published in 2002. This guide introduces students and scholars to the literature on Palestrina as well as the complicated history of the publication of his works. This bibliography is divided into four primary sections: historical background on musical, social, and cultural life; biographical literature; studies of sources, music, and style; and reception history. They are divided roughly into the periods dating from Palestrina's lifetime to about 1750; from about 1750 to about 1914; from 1914 to the present. This title also contains historical research on performance conditions and practices as they would have applied in Palestrina's time.


Study of Counterpoint

Study of Counterpoint

Author: Johann Fux

Publisher: W. W. Norton & Company

Published: 1965

Total Pages: 164

ISBN-13: 9780393002775

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The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.


Counterpoint

Counterpoint

Author: Knud Jeppesen

Publisher: Courier Corporation

Published: 2013-04-15

Total Pages: 322

ISBN-13: 0486318877

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First paperback edition of classic introductory text features history of contrapuntal theory, technical features, "species" exercises in 2-, 3- and 4-part counterpoint; canon, motet, Mass, more. Includes many musical examples.


The Oxford Handbook of the Jesuits

The Oxford Handbook of the Jesuits

Author: Ines G. Županov

Publisher:

Published: 2019

Total Pages: 1153

ISBN-13: 0190639636

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Through its missionary, pedagogical, and scientific accomplishments, the Society of Jesus-known as the Jesuits-became one of the first institutions with a truly "global" reach, in practice and intention. The Oxford Handbook of the Jesuits offers a critical assessment of the Order, helping to chart new directions for research at a time when there is renewed interest in Jesuit studies. In particular, the Handbook examines their resilient dynamism and innovative spirit, grounded in Catholic theology and Christian spirituality, but also profoundly rooted in society and cultural institutions. It also explores Jesuit contributions to education, the arts, politics, and theology, among others. The volume is organized in seven major sections, totaling forty articles, on the Order's foundation and administration, the theological underpinnings of its activities, the Jesuit involvement with secular culture, missiology, the Order's contributions to the arts and sciences, the suppression the Order endured in the 18th century, and finally, the restoration. The volume also looks at the way the Jesuit Order is changing, including becoming more non-European and ethnically diverse, with its members increasingly interested in engaging society in addition to traditional pastoral duties.


Italy's Primacy in Musical History

Italy's Primacy in Musical History

Author: Guy Graybill

Publisher: Cambridge Scholars Publishing

Published: 2019-01-08

Total Pages: 236

ISBN-13: 1527524426

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This remarkable revelatory reference work, written in a conversational style that is witty and fast-paced, argues that the Italian people did more for the development and propagation of music than any other people in the world. The book is filled with supporting data that prove this claim, showing that the first written music was an Italian creation, and that the vocabulary of music is primarily Italian. It also notes that the primary instruments were either devised or thoroughly improved by the Italians, the great musical forms, including the opera, ballet, operetta, and symphony, and that the great body of musical geniuses who were the early composers, musicians, conductors and vocalists were Italian. The book eventually closes with a telling of the great musical story to come out of the Italian-American communities.