Minimalistic eco-friendly houses, schools and hotels by Sri Lankan "tropical modernist" Geoffrey Bawa Sri Lankan architect Geoffrey Bawa (1919-2003) has long been one of Asian architecture's most celebrated figures. In Mr Bawa I Presume, photographer Giovanna Silva documents Bawa's private houses, schools and hotels.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Strabo's Geography, completed in the early first century AD, is the primary source for the history of Greek geography. This Guide provides the first English analysis of and commentary on this long and difficult text, and serves as a companion to the author's The Geography of Strabo, the first English translation of the work in many years. It thoroughly analyzes each of the seventeen books and provides perhaps the most thorough bibliography as yet created for Strabo's work. Careful attention is paid to the historical and cultural data, the thousands of toponyms, and the many lost historical sources that are preserved only in the Geography. This volume guides readers through the challenges and complexities of the text, allowing an enhanced understanding of the numerous topics that Strabo covers, from the travels of Alexander and the history of the Mediterranean to science, religion, and cult.
A searing, beautiful novel meditating on war, violence, memory, and the sufferings of the Palestinian people Finalist for the National Book Award Longlisted for the International Booker Prize Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba—the catastrophe that led to the displacement and exile of some 700,000 people—and the Israelis celebrate as the War of Independence. Israeli soldiers murder an encampment of Bedouin in the Negev desert, and among their victims they capture a Palestinian teenager and they rape her, kill her, and bury her in the sand. Many years later, in the near-present day, a young woman in Ramallah tries to uncover some of the details surrounding this particular rape and murder, and becomes fascinated to the point of obsession, not only because of the nature of the crime, but because it was committed exactly twenty-five years to the day before she was born. Adania Shibli masterfully overlays these two translucent narratives of exactly the same length to evoke a present forever haunted by the past.
Imelda Romualdez Marcos is a Filipino politician who was first lady of the Philippines for twenty-one years, during which time she and her husband are widely believed to have illegally amassed a multibillion dollar fortune, the bulk of which still remains unrecovered. Her personal wealth was estimated at $24 billion in 1979, and today it is thought to be at least $30 billion. She married Ferdinand Marcos in 1954 and became first lady in 1965, when he was elected president of the Philippines. During her tenure as first lady, Marcos owned three thousand pairs of shoes. She imported giraffes?just because she could. Her habit of initiating ostentatious architectural projects using public funds came to be described in common parlance as ?Imeldific.? In 1966, Ferdinand Marcos issued Executive Order no. 60, establishing the Cultural Center of the Philippines and appointing its board of directors. The board would elect Imelda Marcos as chair, giving her legal mandate to negotiate and manage funds for the center. The CCP is considered the central symbol of Imelda Marcos?s ?edifice complex.? Its enormous modernist concrete structures were designed by Filipino architect Leandro Locsin. Imelda Marcos declared the center the ?sanctuary of the Filipino soul.? In these pages, Giovanna Silva inspects the heritage of the country, illustrating the robust relationship between architecture and history.
Discusses the two broad dimensions of the globalization debate--economic, including finance, trade, poverty, and health; and political, covering security, the fight against terrorism, and the role of international institutions--and the significance of democratic consent in the twenty-first century--Provided by publisher.
Historically the dance club is both an anthropological and architectural phenomenon. The cultural and economical evolution of society progressively transformed the idea of entertainment, and consequently the spaces in which it is formed and shaped. Today discotheques are hardly designed by architects, but rather temporary occupations of spaces which are dedicated to other functions. Through the photographs of Giovanna Silva, a selection of interviews and critical texts, Nightswimming explores this fascinating world from the 1960s until today.
Annotated in his wry, inimitable voice, Juergen Teller presents over three decades of fashion and editorial work in a groundbreaking volume that combines photography, collage, and candid (and often humorous) autobiography. One of the most influential photographers working today, Juergen Teller creates images that are instantly recognizable. Raw, often overexposed and displaying a spontaneity and candor, Teller’s visual language reflects a measured yet uncompromising sense of rebellion. This book includes landmark editorials with nearly every important fashion label of the era and celebrities from Kate Moss to Charlotte Rampling and Kurt Cobain to Yves Saint Laurent. Outtakes of iconic shoots (including infamous ones with Courtney Love, Cindy Sherman, Marc Jacobs, Victoria Beckham, and Björk) that have never been published will be included in this volume. Teller first broke into fashion in 1996 with a magazine cover of a naked Kristen McMenamy with the word Versace scrawled across her chest. Since then, his fashion photography has been featured in all the international Vogues, AnOther Magazine, Index, Self-Service, W, Details, Purple, i-D, and 032c, among others. A highly sought-after cult hero and the author of many iconic campaigns, Teller has collaborated with the likes of Helmut Lang, Raf Simons, Hedi Slimane, Nicolas Ghesquière, Phoebe Philo, Vivienne Westwood, Miuccia Prada, and Isabel Marant, and shot every season of Marc Jacobs’s ready-to-wear collections from 1998 to 2014.