The Imprint of the Picturesque on Nineteenth-Century British Fiction

The Imprint of the Picturesque on Nineteenth-Century British Fiction

Author: Alexander M. Ross

Publisher: Wilfrid Laurier Univ. Press

Published: 2006-01-01

Total Pages: 220

ISBN-13: 0889206260

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"Despite the negative criticism directed at its sentiment, its heartlessness, its superficiality, the picturesque remained in both art and fiction of Victorian England a mode of seeing that even the greatest of the artists and novelists relied upon from time to time so that their viewers and readers could rejoice in the instant recognition of place and character distinctly limned and sometimes subtly enough to elicit sympathy" (Preface). After briefly tracing the development of the theory of the picturesque in the eighteenth-century writings of William Gilpin, Sir Uvedale Price, and Richard Payne Knight and examining how nineteenth-century novelists accommodated aesthetic theory to the practice of fiction, Ross focuses on the use of the picturesque in the works of Sir Walter Scott, Charlotte Bronte, Charles Dickens, George Eliot, and Thomas Hardy. The persistence of the picturesque through novels ranging from Waverley to Jude the Obscure and in writers like Dickens and Eliot, who had little respect for its conventions, attests to its strength and attraction in nineteenth-century literature.


Trees in Nineteenth-Century English Fiction

Trees in Nineteenth-Century English Fiction

Author: Anna Burton

Publisher: Routledge

Published: 2021-03-29

Total Pages: 231

ISBN-13: 1000367614

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This is a book about a longstanding network of writers and writings that celebrate the aesthetic, socio-political, scientific, ecological, geographical, and historical value of trees and tree spaces in the landscape; and it is a study of the effect of this tree-writing upon the novel form in the long nineteenth century. Trees in Nineteenth-Century English Fiction: The Silvicultural Novel identifies the picturesque thinker William Gilpin as a significant influence in this literary and environmental tradition. Remarks on Forest Scenery (1791) is formed by Gilpin’s own observations of trees, forests, and his New Forest home specifically; but it is also the product of tree-stories collected from ‘travellers and historians’ that came before him. This study tracks the impact of this accumulating arboreal discourse upon nineteenth-century environmental writers such as John Claudius Loudon, Jacob George Strutt, William Howitt, and Mary Roberts, and its influence on varied dialogues surrounding natural history, agriculture, landscaping, deforestation, and public health. Building upon this concept of an ongoing silvicultural discussion, the monograph examines how novelists in the realist mode engage with this discourse and use their understanding of arboreal space and its cultural worth in order to transform their own fictional environments. Through their novelistic framing of single trees, clumps, forests, ancient woodlands, and man-made plantations, Jane Austen, Elizabeth Gaskell, and Thomas Hardy feature as authors of particular interest. Collectively, in their environmental representations, these novelists engage with a broad range of silvicultural conversation in their writing of space at the beginning, middle, and end of the nineteenth century. This book will be of great interest to students, researchers, and academics working in the environmental humanities, long nineteenth-century literature, nature writing and environmental literature, environmental history, ecocriticism, and literature and science scholarship.


The Politics of the Picturesque

The Politics of the Picturesque

Author: Stephen Copley

Publisher: Cambridge University Press

Published: 1994-03-10

Total Pages: 322

ISBN-13: 0521441137

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Essays on eighteenth- and nineteenth-century ways of looking at landscape, in theory and practice.


Routes, Roads and Landscapes

Routes, Roads and Landscapes

Author: Mari Hvattum

Publisher: Ashgate Publishing, Ltd.

Published: 2011

Total Pages: 280

ISBN-13: 9781409408208

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This collection traces changing conceptions of the landscape from the Enlightenment to the present by looking at routes and roads: how movement has been facilitated, imagined and represented, and how such movement in turn has conditioned our understanding of the landscape. At a time when ideas of mobility and motion and the study of landscape are central to many disciplines, this collection focuses on the often over-looked overlaps between them.