The social and religious functions of the fraternities are then compared with the parish, through a study of the records of two Norfolk market towns (Wymondham and Swaffham) and two Suffolk villages (Bardwell and Cratfield). The evidence illuminates the role of the guilds in the social and religious life of the local community, along with their position within the parish hierarchy. A final chapter studies the fortunes of the guilds during the early years of the Reformation, up to their dissolution in 1548"--Jacket.
Of necessity, historians of the late Middle Ages have to rely on an eclectic mix of sources, ranging from the few remaining medieval buildings, monuments, illuminated manuscripts and miscellaneous artefacts, to a substantial but often uncatalogued body of documentary material, much of it born of the medieval administrator's penchant for record keeping. Exploring this evidence requires skills in lateral thinking and interpretation - qualities which are manifested in this volume. Employing the copious legal records kept by the English Crown, one essay reveals the thinking behind exceptions to pardons sold by successive kings, while another, using clerical taxation returns, adds colour to contemporary criticism of friars for betraying their vows of poverty. Case studies of the registers of two hospitals, one in London the other in Canterbury, lead to insights into the relations of their administrators with civic and spiritual authorities. A textual dissection of the epilogues in William Caxton's early printed works focuses on the universal desire for commemoration. Other essays about royal livery collars and the English coinage are nourished by material remains, and where contemporary records fail to survive, as in the listing of burials in parish churches, notes kept by sixteenth-century heralds and antiquaries provide clues for novel identifications. The book-ends are exemplars of the historian's craft: the one, taking as its starting point the will of Ralph, Lord Cromwell, explores in forensic detail how his executors coped with their enormous task in a time of civil war; the other, by examining research into the economy of fifteenth-century England undertaken since the 1880s, provides an over-view which scholars of the period will find invaluable. Contributors: Martin Allen, Christopher Dyer, David Harry, Susanne Jenks, Maureen Jurkowski, Simon Payling, Euan Roger, Christian Steer, Sheila Sweetinburgh, Matthew Ward.
Explores the motives and experiences of the medieval men and women who joined together in guilds, family-like societies that affected most aspects of their members' lives.
In a culture in which marriage was the desirable norm, and virginity was particularly prized in females, the categories 'virgin' and 'widow' held particular significance. This book investigates the uses of the category 'single woman'. The law gave unmarried women legal rights and responsibilities that were generally withheld from married women. The pervasiveness of religion and the law in people's day-to-day lives led to a complex interplay between moral and economic concerns in how medieval women were seen. As a result they were marked out as 'single women' in very different contexts, and his study reveals the multiplicity of ways in which dominant cultural ideas impacted on them.
"One of the most important developments in medieval English literary studies since the 1980s has been the growth of manuscript studies. The thirteen essays in this volume discuss aspects of the design and distribution of manuscripts in late medieval England, focusing particularly on vernacular manuscripts of the fifteenth and early sixteenth centuries." "This binary focus on secular and devotional texts illuminates shared networks of production and dissemination, and considerably expands current knowledge of regional and metropolitan book production in the period before printing."--BOOK JACKET.
Sensitive study of the 15/16 century interlude, focussing on one of its major concerns, the depiction of male aristocracy and the development to maturity. The commercial theatre of the late sixteenth century is often credited with introducing its audiences to new modes of thought about the self, society and the nation, making them conscious that the self is performed, as an actor performs a role. Yet the earlier interlude drama, originally performed in households and other institutions of the late fifteenth and sixteenth centuries, indicates that the late medieval period was fully aware of the theatricalityof identity. This book argues that ideas of performance inform the concepts of aristocratic masculinity developed in the plays Nature, Fulgens and Lucres, The Worlde and the Chylde, The Interlude of Youth and Calisto and Melebea. It examines how the depiction of young male aristocrats in these texts is shaped by ideas of male youth constituted in the middle ages, and shows them as failing or succeeding to perform anadult noble masculinity in the aristocratic body and in aristocratic household. The book also suggests ways in which the plays offer discreet praise and censure of the manner in which their noble patrons performed as aristocrats.Throughout, it brings out the subtle qualities of the interludes, which, the author shows, have been unjustly neglected. Dr FIONA S. DUNLOP is Research Associate of the Centre for Medieval Studies, University of York
Medieval castles have traditionally been explained as feats of military engineering and tools of feudal control, but Abigail Wheatley takes a different approach, looking at a range of sources usually neglected in castle studies. Evidence from contemporary literature and art reveals the castle's place at the heart of medieval culture, as an architecture of ideas every bit as sophisticated as the church architecture of the period. This study offers a genuinely fresh perspective. Most castle scholars confine themselves to historical documents, but Wheatley examines literary and artistic evidence for its influence on and response to contemporary castle architecture. Sermons, seals and ivory caskets, local legends and Roman ruins all have their part to play. What emerges is a fascinating web of cultural resonances: the castle is implicated in every aspect of medieval consciousness, from private religious contemplation to the creation of national mythologies. This book makes a compelling case for a new, interdisciplinary approach to castle studies. ABIGAIL WHEATLEY studied for her PhD at York University's Centre for Medieval Studies.
