The Gilded Age (1865-1918) saw the sudden rise of America's first High Society, including such prominent families as the Astors, Whitneys, and Vanderbilts. As an aristocracy based on fortunes recently acquired, these families endeavored to live like Europe's blue-blooded nobility, shedding Puritan restraint as they joyously flaunted their new wealth--especially where their homes were concerned. They erected French chateaus and Italian palazzos on New York's Fifth Avenue, at Newport, and elsewhere, often taking inspiration from Parisian styles of the Second Empire. They rejected more modest American styles just as they rejected middle-class society, and for interior decoration they turned to such artisans as Tiffany, Herter Brothers, and Allard's of Paris. Immensely readable and illuminated with 250 stunning color and black-and-white illustrations, this is the fascinating story of America's first millionaire society, the way they lived and partied, and the lush artistic and cultural legacy they established.
#1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”—The New York Times “An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast “Fascinating . . . [a] haunting true-life tale.”—People “One of those incredible stories that you didn’t even know existed. It filled a void.”—Jon Stewart, The Daily Show “Thrilling . . . deliciously scandalous.”—Publishers Weekly (starred review)
The drama, expansion, mansions and wealth of New York City's transformative Gilded Age era, from 1870 to 1910, captured in a magnificently illustrated hardcover. In forty short years, New York City suddenly became a city of skyscrapers, subways, streetlights, and Central Park, as well as sprawling bridges that connected the once-distant boroughs. In Manhattan, more than a million poor immigrants crammed into tenements, while the half of the millionaires in the entire country lined Fifth Avenue with their opulent mansions. The Gilded Age in New York captures what is was like to live in Gotham then, to be a daily witness to the city's rapid evolution. Newspapers, autobiographies, and personal diaries offer fascinating glimpses into daily life among the rich, the poor, and the surprisingly large middle class. The use of photography and illustrated periodicals provides astonishing images that document the bigness of New York: the construction of the Statue of Liberty; the opening of the Brooklyn Bridge; the shimmering lights of Luna Park in Coney Island; the mansions of Millionaire's Row. Sidebars detail smaller, fleeting moments: Alice Vanderbilt posing proudly in her "Electric Light" ball gown at a society-changing masquerade ball; immigrants stepping off the boat at Ellis Island; a young Theodore Roosevelt witnessing Abraham Lincoln's funeral. The Gilded Age in New York is a rare illustrated look at this amazing time in both the city and the country as a whole. Author Esther Crain, the go-to authority on the era, weaves first-hand accounts and fascinating details into a vivid tapestry of American society at the turn of the century. Praise for New-York Historical Society New York City in 3D In The Gilded Age, also by Esther Crain: "Vividly captures the transformation from cityscape of horse carriages and gas lamps 'bursting with beauty, power and possibilities' as it staggered into a skyscraping Imperial City." -- Sam Roberts, The New York Times "Get a glimpse of Edith Wharton's world." -- Entertainment Weekly Must List "What better way to revisit this rich period . . ?" -- Library Journal
"Newport, Rhode Island nicknamed "the Queen of Resorts," has been celebrated in beautiful postcard portrayals for over a hundred years. Today, these vintage cards illuminate the glories of the Gilded Age, when huge mansions or "cottages" built by competing industrialists blossomed along Bellevue Avenue and the Cliff Walk, turning a once-quiet New England watering hole into the apex of nouveau riche destinations. This updated and expanded second edition features over 200 period images of the mansions, the beautiful beaches, and the shopping areas where the Newport Summer Colony gathered to do what they did best: spend money. See how Newport was forever changed by the prolific growth of cottages during the late nineteenth century. Today, many of these testaments to power and wealth are house museums, where thousands visit annually to see firsthand how the rich and famous lived. Includes a guide to postcard values and collector tips."--page [4] of cover.
The paranormal investigator and author of Phantoms of Old Louisville explores haunted historic mansions, churches, and more. The Louisville, Kentucky, neighborhood known as Old Louisville is one of the country’s largest National Preservation Districts and the largest Victorian-era neighborhood in the country. Beneath the balconies and terraces of the district's Gothic, Queen Anne, and Beaux Arts mansions, current residents trade stories about the strange and unexplained phenomena they encounter in their historic homes. When David Dominé moved into one of these houses, he dismissed local rumors of a resident poltergeist named Lucy. But soon, disembodied footsteps and mysterious odors changed his mind. Now Dominé is one of Louisville’s best-known investigators of paranormal phenomena. In Haunts of Old Louisville, Dominé takes readers inside the opulent Ferguson Mansion—where a phantom tosses books off shelves—and introduces them to the spectral stable hand who lurks around Campion House. He also examines historic tales pulled out of the headlines and even explores the claim that a winged demon haunts the ornate towers of Walnut Street Baptist Church.
The Gilded Years of the late nineteenth century were a vital and glamorous era in New York City as families of great fortune sought to demonstrate their new position by building vast Fifth Avenue mansions filled with precious objects and important painting collections and hosting elaborate fetes and balls. This is the moment of Mrs. Astor’s “Four Hundred,” the rise of the Vanderbilts and Morgans, Maison Worth, Tiffany & Co., Duveen, and Allard. Concurrently these families became New York’s first cultural philanthropists, supporting the fledgling Metropolitan Museum of Art and the Metropolitan Opera, among many institutions founded during this period. A collaboration with the Museum of the City of New York, Gilded New York examines the social and cultural history of these years, focusing on interior design and decorative arts, fashion and jewelry, and the publications that were the progenitors of today’s shelter magazines.
Photographs detailing architectural features and interior design, accompanied by a text capturing early twentieth-century ways of life explore the lavish houses built by the Vanderbilts, Morgans, and others on Long Island's North Shore, in an expanded, beautifully illustrated celebration of the desi
This pictorial record of Morris County, New Jersey, traces the dramatic rise of America's least-known colony of millionaires during the Gilded Age. The area became a country retreat for the upper class. Families such as the Vanderbilts, Rockefellers, Kountzes, Wolffs, Dodges, and Claflins built impressive estates in the area referred to as the "inland Newport." By the 1920s, the prominence of Morris County was eclipsed by the lure of Long Island, and its economy was being threatened by the Depression. Faced with high taxes from the newly established income tax, skyrocketing maintenance costs, and a dwindling reservoir of help, the wealthy residents began razing their mansions. Although many of these vast estates have been long gone and forgotten, author John W. Rae's collection of early Morris County photographs recaptures the area's palatial homes in their full grandeur. Within the pages of Morris County Mansions, Rae invites you to join him on a visual tour of the magnificent architecture of the Gilded Age. Meet the area's prominent families and discover little-known facts about the homes in which they resided.
