Gigantic Cinema: A Weather Anthology
Gigantic Cinema: A Weather Anthology

Author: Paul Keegan

Publisher: W. W. Norton & Company

Published: 2021-11-16

Total Pages: 400

ISBN-13: 0393540766

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A luminous, "deliciously playful" (Rishi Dastidar, Guardian) anthology of poems and prose inspired by the weather. In three hundred varied entries, Gigantic Cinema narrates the weather of a single capricious day, from dawn through rain, volcanic ash, nuclear dust, snow, light, fog, noon, eclipse, hurricane, flood, dusk, night, and back to dawn again. It includes reactions both formal and fleeting—weather rhymes, journals and jottings, diaries and letters—to the imaginary and actual drama unfolding above our heads. Ranging from Homer’s winds and Ovid’s flood to Frank O’Hara’s sun, Pliny’s reportage on the eruption of Vesuvius to Elizabeth Bishop’s “Song for a Rainy Season,” Gigantic Cinema offers an expansive collection of writing inspired by the commotion of the elements. Rather than drawing attention to authors and titles, entries appear as a medley of voices; as editors Alice Oswald and Paul Keegan write in their stunning introduction, the excerpts ask to be read “with no hat, no coat, no preconceptions, encountering each voice abruptly, as an exclamation brought on by the weather.” Assembling a chorus of responses (ancient and modern, East and West) to air’s manifold appearances, Gigantic Cinema offers a new perspective on the oldest conversation of all.

Gigantic Cinema
Gigantic Cinema

Author: Alice Oswald

Publisher: Jonathan Cape

Published: 2020-10-29

Total Pages: 288

ISBN-13: 9781787332652

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'It is in very truth a sunny, misty, cloudy, dazzling, howling, omniform Day...' - Samuel Taylor Coleridge to William Sotheby, 27 September 1802 This anthology of poems and prose ranges from literary weather - Homer's winds, Ovid's flood - to scientific reportage, whether Pliny on the eruption of Vesuvius or Victorian theories of the death of the sun. It includes imaginary as well as actual responses to what is transitory, and reactions both formal and fleeting - weather rhymes, journals and jottings, diaries and letters - to the drama unfolding above our heads. The entries narrate the weather of a single capricious day, from dawn, through rain, volcanic ash, nuclear dust, snow, light, fog, noon, eclipse, hurricane, flood, dusk, night and back to dawn again. Rather than drawing attention to authors and titles, entries appear bareheaded, exposed to each other's elements, as a medley of voices. Rather than adding to our image of nature as a suffering solid, the anthology attends to patterns, events and forces: seasonal and endless, invisible, ephemeral, sudden, catastrophic. And by assembling a chorus of responses (ancient and modern, East and West) to air's manifold appearances, Gigantic Cinema offers a new perspective on what is the oldest conversation of all.

Gigantic Cinema
Gigantic Cinema

Author: Paul Keegan

Publisher: National Geographic Books

Published: 2021-11-16

Total Pages: 0

ISBN-13: 0393540758

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A luminous, "deliciously playful" (Rishi Dastidar, Guardian) anthology of poems and prose inspired by the weather. In three hundred varied entries, Gigantic Cinema narrates the weather of a single capricious day, from dawn through rain, volcanic ash, nuclear dust, snow, light, fog, noon, eclipse, hurricane, flood, dusk, night, and back to dawn again. It includes reactions both formal and fleeting—weather rhymes, journals and jottings, diaries and letters—to the imaginary and actual drama unfolding above our heads. Ranging from Homer’s winds and Ovid’s flood to Frank O’Hara’s sun, Pliny’s reportage on the eruption of Vesuvius to Elizabeth Bishop’s “Song for a Rainy Season,” Gigantic Cinema offers an expansive collection of writing inspired by the commotion of the elements. Rather than drawing attention to authors and titles, entries appear as a medley of voices; as editors Alice Oswald and Paul Keegan write in their stunning introduction, the excerpts ask to be read “with no hat, no coat, no preconceptions, encountering each voice abruptly, as an exclamation brought on by the weather.” Assembling a chorus of responses (ancient and modern, East and West) to air’s manifold appearances, Gigantic Cinema offers a new perspective on the oldest conversation of all.

Monster Cinema
Monster Cinema

Author: Barry Keith Grant

Publisher: Rutgers University Press

Published: 2018-04-16

Total Pages: 159

ISBN-13: 0813588820

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Monster Cinema introduces readers to a vast menagerie of movie monsters, from gigantic beasts to microscopic parasites, from grotesque demons to normal-looking serial killers. Film expert Barry Keith Grant considers what each type of movie monster might reveal about how we regard the natural, the supernatural, and the human.

Eerie Silence
Eerie Silence

Author: Ammar Saheli

Publisher: WestBow Press

Published: 2018-10-31

Total Pages: 292

ISBN-13: 1973643839

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Eerie Silence is a revelatory, jolting exploration into the ramifications of justice inaction in America and beyond and how silence has destructively contributed to issues related to race, racism, education, theology, and racial identity development. The compiled scholarship and research contained within the Eerie Silence project is provoking, risky, confrontational, validating, challenging, feisty, and emotionally and intellectually vulnerable. It is a must read for every person seeking a better grasp of the historically interlocked elements of race, racism, religion, theology, authentic Christianity, and racial identity development, especially as it relates to America and its influence. Erie Silence is an amazing book! Dr. Saheli has carefully deconstructed not only biblical narratives but also global history like an artist. With every stroke of his brush, he has created a multi-layered and complete work that has direct applications in many fields and disciplines... —Jennifer Tosch, Founder, Black Heritage Tours in NY State & Amsterdam, Netherlands Member, Mapping Slavery Project Netherlands Well-researched, superbly argued, and profoundly written, Eerie Silence is all at once a history lesson, critical social commentary, autobiographical sketch, sermon, and call to action to end the silence on race/racism. Saheli does a masterful job of intersecting several areas that share the stamp of racism and injustice in common. This is a powerful read for those who are in need for a deep, thoughtful, provocative, intellectual, and empowering learning experience about race in the United States. —Sharroky Hollie, PhD Executive Director, Center for Culturally Responsive Teaching and Learning This is a wine that will not last long in the wineskins of traditionalism, conservatism, anti-ism, self-righteousness, and isolated fellowship with link minded others, it is a call to ministry to break down the middle wall of racial partition in the church and society in order that generations of women, men, and young people might go unencumbered in their full potential and development. —James L. Taylor, PhD, Professor of Politics San Francisco, California

Twist
Twist

Author: Harkaitz Cano

Publisher: Archipelago

Published: 2018-01-30

Total Pages: 480

ISBN-13: 0914671839

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A moving portrayal of violence's emotional legacy in the Basque Country. Twist is tale of guilt, love, friendship, and betrayal, and of the difficulties that arise when one flees one's own skin to inhabit the minds of others. Set in the politically charged climate of the Basque Country in the 1980s, Twist relates the disappearance and brutal murder of two ETA militants at the hands of the Spanish army. The novel centers on their friend and fellow activist Diego Lazkano, who, since revealing his comrades to the authorities, has been tormented by guilt. In Twist, Harkaitz Cano provides a multi-vocal account of a conscience and a society in turmoil.

Changing Performance
Changing Performance

Author: D. Keith Peacock

Publisher: Peter Lang

Published: 2007

Total Pages: 292

ISBN-13: 9783039110711

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This book examines changes in performance practice in mainstream British theatre since 1945 which focus on the attempt by directors and companies to replace the realism of inter-war theatre with more physically and vocally expressive acting and ensemble approach to production processes. The aim was to replace the capitalist line-management approach of the commercial theatre with a more democratic collaborative structure that would encourage contribution to the creation of the performance text by the director, writer, actors, designers and technicians. Theatre is viewed as a mode of socio-cultural practice and its evolution in Britain during the second half of the twentieth century is explored in the context of changes in cultural perception, state subsidy, the social status of theatre, technology, and aesthetic influences from abroad. The study focuses not on dramatic texts but on mainstream productions that represent stages in an aesthetic evolution. They include Terence Rattigan's The Browning Version (1946); Theatre Workshop's A Taste of Honey (1958) and Oh What a Lovely War (1963); The Royal Shakespeare Company's The Caucasian Chalk Circle (1962), The Wars of the Roses (1963), The Theatre of Cruelty Laboratory (1964), The Marat-Sade (1964) and US (1966); Steven Berkoff's Metamorphosis (1969) and Complicite's The Three Lives of Lucy Cabrol (1994).

Screening the City
Screening the City

Author: Mark Shiel

Publisher: Verso

Published: 2003

Total Pages: 282

ISBN-13: 9781859846902

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In this provocative collection of essays, a diverse selection of films are examined in terms of the relationship between cinema and the changing urban experience in Europe and the United States since the early 20th century.

The EDCF Guide to Digital Cinema Production
The EDCF Guide to Digital Cinema Production

Author: Lars Svanberg

Publisher: Taylor & Francis

Published: 2013-06-26

Total Pages: 180

ISBN-13: 1136035850

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A professional introduction to the end-to-end process of digital filmmaking! The EDCF Guide to Digital Cinema Production sheds light on the ongoing and confusing transition from analog to digital technology in film production. In addition to a complete analysis of technical concerns, this text deals with a number of issues where European and Hollywood priorities differ. It adds fuel to the discussion on "Photo-Chemical Fundamentalism" and the future of traditional film-based cinematography. With special emphasis on new HD production techniques for the big cinema screen, this guide is the one and only resource available from a European perspective. The EDCF Guide to Digital Cinema Production provides film professionals and decisions-makers in European cinema with an excellent basis for discussions on how to handle the transition from analog to digital technology. Look no further for: * Several production case studies, among them Ingmar Bergman's last film "Saraband" (2003) and Lars von Trier's "Dogville" (2003). * Surveys of HD Systems & Cameras and "The 37 MFAQ on HD Production." * Expert reports on Audio Recording for HD and the Digital Intermediate Process. * Detailed European initiatives in Digital Cinema. * An up-to-date survey of the problematic standards situation for Digital Cinema. * A comprehensive look at archiving - the "Achilles Heel" of digital production. * The pros and cons of producing feature films digitally - a unique and professional view of "the agony and ecstacy." Editor-in-Chief Lasse Svanberg is a founding member of EDCF. He was DoP on 14 feature films 1966-81, founded TM (Technolgy & Man) Magazine at the Swedish Film Institute in 1968 and was its Chief Editor until 1998 He was elected Fellow of BKSTS 1979, Fellow of SMPTE 1995 and granted Professor's title by the Swedish Government 2002. He is the author of six books on the history and possible future of film, video and television. The European Digital Digital Cinema Forum (EDCF) was constituted in June 2001 as joint Swedish-British-French effort to establish a European forum for discussions, information exchange and industrial activities in the field of Digital Cinema. This project was initiated because digital production, digital distribution and digital exhibition of film is the most radical technical change facing the film industry since sound film was introduced.