The Tokyo Derby heats up-and with Mochida proving to be a monster on the pitch, the first half ends with Tokyo Victory two goals ahead! But Tatsumi fights back by subbing in Ishigami, a veteran and tough defender. It's up to him-and the entire ETU team-to put Tokyo V off their game and seize the initiative once more!
ETU ends the first half down, completely unable to shut down the opponent's red-hot striker Pepe. Every player in the locker room struggles to fend off their depression...but as they huddle up for the second half, it's clear they're not broken yet! Now all they have to do is trust in Tatsumi's plan...and keep going!
Players who overcome strategy are a coach’s joy! ETU is quickly evening the score, shaking Dulfer’s beliefs! ETU dashes towards the point Tatsumi envisions! And after the match, the stage moves to Tsubaki-kun’s hometown in the middle of nowhere.
The match against the all-powerful Kawasaki nears its conclusion! When the barrage of goals finally settles down, who’s going end this match for good?!
Eight matches remain in the league season, and ETU's still within arm's reach of the title-and if that isn't enough good news, Team Japan's just come knocking on their players' doors again! But somehow, their manager seems less than thrilled about this. When a team's hot, after all, that's exactly when they need to watch out for pitfalls! It's an important lesson to remember as they face off against Kofu-and against Tatsumi's former teammate Ishihama!
The summer festivites end in victory with Tatsumi and Sakura taking control! Now, as ETU prepares for the second half of the league, rumors of Ishihama transferring surface. And Tatsumi goes to meet a traveler!
The fantasy of a sculpture that moves, speaks;or responds, a statue that comes to life as an oracle, lover, avenger, mocker, or monster—few images are more familiar or seductive. The living statue appears in ancient creation narratives, the myths of Pygmalion and Don Juan, lyric poetry from the Greek Anthology to Rilke, and romantic fairy tales; it is a recurrent theme in ballet and opera, in philosophy, psychoanalysis, and film. What does it mean for the statue that stands immobile in gallery or square to step down from its pedestal or speak out of its silence? What is it in this fantasy that animates us? Kenneth Gross explores the implications of fictive statues in biblical and romantic narrative; in the poetry of Ovid, Michelangelo, Blake, Rilke, and Stevens; in the drama of Shakespeare; in the writings of Freud and Wittgenstein. He also considers their place in the poetry of such contemporaries as Richard Howard and the films of Charlie Chaplin, Frarn;ois Truffaut, and Peter Greenaway. In the motif of the moving statue, we can see how the reciprocal ambitions of writing and sculpture play off each other, often producing deeply paradoxical figures of life and voice, Stories of the living statue point to the uncertain ways in which our desires, fantasies, and memories are bound to the realm of unliving objects. Clarifying the sources of our fascination with real and imaginary statues, this book asks us to reconsider some of our most basic assumptions about the uses of fantasy and fiction. Eloquent and evocative, The Dream of the Moving Statue will capture and hold a wide audience.
While much has been written on Shakespeare's debt to the classical tradition, less has been said about his roots in the popular culture of his own time. This is the first book to explore the full range of his debts to Elizabethan popular culture. Topics covered include the mystery plays, festive custom, clowns, romance and popular fiction, folklore and superstition, everyday sayings, and popular songs. These essays show how Shakespeare, throughout his dramatic work, used popular culture. A final chapter, which considers ballads with Shakespearean connections in the seventeenth century, shows how popular culture immediately after his time used Shakespeare.
In the Hebrew Bible and stories loyal to it, Goliath is the stereotypical giant of folklore: big, brash, violent, and dimwitted. Goliath as Gentle Giant sets out to rehabilitate the giant’s image by exploring the origins of the biblical behemoth, the limitations of the “underdog” metaphor, and the few sympathetic treatments of Goliath in popular media. What insights emerge when we imagine things from Goliath’s point of view? How might this affect our reading of the biblical account or its many retellings and interpretations? What sort of man was Goliath really? The nuanced portraits analyzed in this book serve as a catalyst to challenge readers to question stereotypes, reexamine old assumptions, and humanize the “other.”