The Great Parade
The Great Parade

Author: Pierre Théberge

Publisher: Yale University Press

Published: 2004-01-01

Total Pages: 432

ISBN-13: 0300103751

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A beautiful book that showcases how circus figures and artifacts have been portrayed in art over the past two centuries The circus is a dazzling world filled with acrobats and harlequins, tumblers and riders, monsters and celestial creatures. Now this engaging book sets that world in a new light, examining how painters, sculptors, and photographers from the eighteenth century to the present have used the circus as a springboard for their imaginative expression and have envisioned the clown as a metaphor for the modern artist. The book presents more than 175 works by such artists as Degas, Toulouse-Lautrec, Rouault, Picasso, Chagall, and Léger. Some of these are masterful works shown for the first time; these range from the 18-meter stage curtain Picasso designed in 1917 for Erik Satie's ballet Parade to more intimate works such as Nadar and Tournachon's photographs of Pierrot as played by celebrated mime Charles Debureau.

Domenico Tiepolo, Master Draftsman
Domenico Tiepolo, Master Draftsman

Author: Adelheid M. Gealt

Publisher: Indiana University Press

Published: 1996

Total Pages: 257

ISBN-13: 0253211298

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Spotlights the graphic abilities of Giambattista Tiepolo's most famous son and closest collaborator. The catalogue accompanied an exhibition arranged in collaboration with the Indiana University Art Museum. Four essays pertaining to the artist and his work are followed by color and bandw reproductions and commentary. No index. Annotation copyrighted by Book News, Inc., Portland, OR

Giambattista Tiepolo, 1696-1770 : [Venice, Museum of Ca' Rezzonico, from September 5 to December 9, 1996] : The Metropolitan Museum of Art, New York, [from January 24 to April 27, 1997]
Giambattista Tiepolo, 1696-1770 : [Venice, Museum of Ca' Rezzonico, from September 5 to December 9, 1996] : The Metropolitan Museum of Art, New York, [from January 24 to April 27, 1997]

Author: Giovanni Battista Tiepolo

Publisher: Metropolitan Museum of Art

Published: 1996

Total Pages: 416

ISBN-13: 0870998129

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Published in conjunction with an exhibit which opened in Venice in 1996 and at the Metropolitan Museum of Art in New York during the first part of 1997. The exhibit organizers aimed to show Tiepolo as one of the presiding geniuses of the European imagination. In essays and entries on every work shown, the text illuminates his formation; his mastery of mythological and poetic subjects; his religious pictures; his excursions into portraiture and studies of ideal heads; and the process by which he proceeded from initial ideas--small- scale sketches--to large canvases and frescoes. Beautifully produced, the volume makes a stunning impact, and will have to suffice for those who can't make it to the exhibit itself. Distributed by Abrams. 10x12"Annotation copyrighted by Book News, Inc., Portland, OR

Giambattista Tiepolo
Giambattista Tiepolo

Author: Jon L. Seydl

Publisher: Getty Publications

Published: 2005

Total Pages: 97

ISBN-13: 0892368128

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Giambattista Tiepolo (1696-1770) was the greatest Italian painter of the eighteenth century, best known for his monumental frescoes and epic altarpieces. The scale of these paintings is immense, even overpowering. Yet some of Tiepolo's finest work can be found in the small oil sketches that he often made in preparation for these grand commissions. Published to coincide with an exhibition at the J. Paul Getty Museum, Giambattista Tiepolo: Fifteen Oil Sketches brings together a group of the artist's oil sketches from the Courtauld Institute in London that spans his entire career and reveals the amazing confidence and fluidity with which he created these paintings. The unusual intimacy of these preparatory sketches-made directly on the canvas with no preliminary underdrawing-reveals a great artist's vigorous imagination at work. The exhibit will run from May 3, 2005, to September 4, 2005. An introductory essay situates these works within the context of eighteenth-century art and Tiepolo's life and career.

Venice
Venice

Author: Margaret Plant

Publisher: Yale University Press

Published: 2002-01-01

Total Pages: 576

ISBN-13: 9780300083866

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Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.

What Great Paintings Say
What Great Paintings Say

Author: Rose-Marie Hagen

Publisher: Taschen

Published: 2003

Total Pages: 436

ISBN-13: 9783822813720

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Rose-Marie and Rainer Hagen provide answers to these and other questions about world-famous works of art. Guiding our eye to revealing details, they also shed fascinating light on fishions and lifestyles, loves and intrigues, politics and people, and transform our encounter with art into an exciting adventure. Book jacket.

The Word Painted
The Word Painted

Author: Eleanor DeLorme

Publisher: WestBow Press

Published: 2016-06-02

Total Pages: 489

ISBN-13: 1512729183

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Art historian Eleanor Pearson DeLorme and her erudite coauthor, Charles Pearson DeLorme, lead us through a virtual gallery of great paintings by masters of Western art: from Rubens and Brueghels Garden of Eden to Signorellis Testament and Death of Moses. They tell two stories: that of the great story of Gods redemption and that of the lives and times of the masters who labored to portray Gods story, which is, at the same time, our own.

Comedy and the Public Sphere
Comedy and the Public Sphere

Author: Árpád Szakolczai

Publisher: Routledge

Published: 2013

Total Pages: 378

ISBN-13: 041562391X

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The book aims at reframing the discussion on the "public sphere," usually understood as the place where the public opinion is formed, through rational discussion. The aim of this book is to give an account of this rationality, and its serious shortcomings, examining the role of the media and the confusing of public roles and personal identity. It focuses in particular on the role of the theatrical and comical in the historical development of the public sphere, and in this manner reformulating definitions of common sense, personal identity, and culture.