Caina only intends to make a brief stop in the city of Istarinmul before taking the necromantic Sword of the Iron King to the safety of the Towers of Lore. But the Padishah of Istarinmul needs her help, and since Caina put him upon his throne, she cannot turn him away. And the enigmatic Countess Kalthane, the woman who has been financing the Empire's war against the vile sorcerers of the Umbarian Order, needs a favor from Caina. Because Countess Kalthane has a secret. And if that secret falls into the hands of the Umbarians, they will use it to destroy the world...
Enjoying her summer of secret rides with ghost horse Star, Callie Fern is disappointed when the arrival of the new school year makes her less available and is alarmed when Star becomes ill and draws Callie into her ghost world. Original.
I cannot say that I have like every ghost that I have met because in real experience there can be some very unpleasant ghosts. There many stories about faceless voices that speak for lonely people. Voices that come from nowhere that threaten, cajole, terrify or madden the people who hear them. Inferno had been described in gruesome and grisly and garish details by philosophers, writers and painters. However they are not the only ones who have a vision of the underworld. Inferno is an open book to all who choose to turn its pages. A coloring book that you may fill in yourself. And so many people have designed their own private hell filled with their very own private devils and demons. Many people have discovered that you don't have to die in order to live there although it helps. "Only the unknown frightens men. But once a man has faced the unknown that terror becomes the known. "Antoine de Saint-Exupery . “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” - HP Lovecraft . WARNING: Do not read this book alone. And make sure that you are reading in a well-lighted area. The entities that are associated with this book might interact with you.
"Architecture is a social art. If the practice of architecture is the art of what you can make happen, then I believe that you are only as good as your bullpenthe builders, the engineers, the artisans, the colleagues, the staffwho collaborate with you; those who become possessed by the same urge to build, by the same belief that we are working on something exceptional together." Brian MacKay-Lyons For two weeks each summer, architect Brian MacKay-Lyons uses his family farm on the east coast of Nova Scotia for aspecial event. Among the stone ruins of a village almost four hundred years old, he assembles a community of architects,professors, and students for a design-build internship and educational initiative called Ghost Research Lab. The twoweek projectone week of design and one week of constructionrests on the idea that architecture is not only about building but also about the landscape, its history, and the community. Based on the apprenticeship environment of ancient guilds, where architectural knowledge was transferred through direct experience, Ghost redefines the architectas a builder who cultivates and contributes to the quality of the native landscape. Published to celebrate the event's tenth anniversary, Ghost offers a thorough documentation of the past decade's design-build events including drawings, models, and final photographs of completed structures. Organized chronologically and interwoven with MacKay-Lyons's simple and accessible personal narratives, Ghost also features essays by some of the most eminent figures in architectural criticism, including Christine Macy, Brian Carter, Karl Habermann, Robert Ivy, Kenneth Frampton, Thomas Fisher, Juhani Pallasmaa, Peter Buchanan, and Robert McCarter. In an architectural climatefull of trends and egos, Ghost is the rare manifesto that does not preach but rather inspires quietly with simple ideas that unexpectedly unsettle and arouse.
This book is a study of the narrative techniques that developed for two very popular forms of fiction in the nineteenth century - ghost stories and detective stories - and the surprising similarities between them in the context of contemporary theories of vision and sight. Srdjan Smajić argues that to understand how writers represented ghost-seers and detectives, the views of contemporary scientists, philosophers, and spiritualists with which these writers engage have to be taken into account: these views raise questions such as whether seeing really is believing, how much of what we 'see' is actually only inferred, and whether there may be other (intuitive or spiritual) ways of seeing that enable us to perceive objects and beings inaccessible to the bodily senses. This book will make a real contribution to the understanding of Victorian science in culture, and of the ways in which literature draws on all kinds of knowledge.
Enjoying her summer of secret rides with ghost horse Star, Callie Fern is disappointed when the arrival of the new school year makes her less available and is alarmed when Star becomes ill and draws Callie into her ghost world.
The ad promised you’d be able to see into the spirit world. But they couldn’t work for real . . . could they? A short story from Guys Read: Thriller, edited by Jon Scieszka.
The gift of sight comes at a dangerous price When Deep Down Salvage begins the hunt for the Josephine Marie, it seems like any other dive...until Genevieve Wallace sees the vision of a dead woman in the water, her vacant eyes boring into Genevieve's very soul. Terrified and confused by what she saw, Genevieve is haunted by the memory, but no one — including her diving partner Thor Thompson — believes her. When a dead woman washes up on shore, everyone assumes this is Genevieve's "vision," but Genevieve knows the truth: the dead woman is not the ghost she saw but another victim of the same brutal killer. Sensing that the threat of death is coming closer, she and Thor are forced to acknowledge that some things can't be explained, but simply are. Somehow they have to link a violent past with a present-day mystery or risk losing themselves in an abyss of terror.
The Neurology of Vision sets out the principles and information needed to understand and manage disorders of the visual pathways in the brain. The author divides vision into three components. The optical component addresses the eye's ability to properly focus light on the retina. The retinocortical component converts light into neural signals in the retina, transmitting them to the primary visual cortex. Finally, the integrative component converts this simple visual information into more complicated forms. The symptoms and signs, testing methods, and diseases of each part of the visual system are presented using this unique, structural component approach. A final chapter discusses the visual manifestations of psychiatric disturbances. The book is heavily illustrated with over 150 beautifully rendered line illustrations, 50 radiographic brain images, and 60 retinal photographs. Case studies with teaching questions are also included, to further the reader's knowledge and test understanding.
