Buffalo grain elevators

Buffalo grain elevators

Author: Gerrit Engel

Publisher:

Published: 1997

Total Pages: 88

ISBN-13:

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"The Buffalo Grain Elevators belong to a number of industrial buildings, which, at the beginning of our last century, fascinated and inspired Europe's architectural and artist avantgarde. Without a cultural theoretical background, stripped of all ornaments, these structures expressed a radical functionalism, not known to date. In their powerful and pure forms they heralded the dawn of the new age of modernism. Early black and white photographs of the silos soon belonged to the iconographic quiver of this young movement. It should significantly influence the twentieth century, at the closing of which Gerrit Engel visited these structures, on the shores of Buffalo River. His photographs show the now mostly idle and deserted silos, which have been turned into mature personalities by the traces of time. As a whole life reflects in old people's faces, Engel portrays 'architectural individuals' that shaped the Twentieth Century, and which in turn were shaped themselves"--Photographer's website


Buffalo's Grain Elevators

Buffalo's Grain Elevators

Author: Henry H. Baxter

Publisher:

Published: 1980

Total Pages: 21

ISBN-13:

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A history of the evolution of grain elevators and milling in Buffalo (1825-1973).


Postindustrial DIY

Postindustrial DIY

Author: Daniel Campo

Publisher: Fordham Univ Press

Published: 2024-01-23

Total Pages: 514

ISBN-13: 1531504698

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Chronicles grassroots efforts to recover, rebuild, and enjoy architecturally iconic but economically obsolete places in the American Rust Belt. A pioneering Detroit automobile factory. A legendary iron mill at the edge of Pittsburgh. A campus of concrete grain elevators in Buffalo. Two monumental train stations, one in Buffalo, the other in Detroit. These once-noble sites have since fallen from their towering grace. As local elected leaders did everything they could to destroy what was left of these places, citizens saw beauty and utility in these industrial ruins and felt compelled to act. Postindustrial DIY tells their stories. The culmination of more than a dozen years of on-the-ground investigation, ethnography, and historical analysis, author and urbanist Daniel Campo immerses the reader in this postindustrial landscape, weaving the perspectives of dozens of DIY protagonists as well as architects, planners, and preservationists. Working without capital, expertise, and sometimes permission in a milieu dominated by powerful political and economic interests, these do-it-yourself actors are driven by passion and a sense of civic duty rather than by profit or political expediency. They have craftily remade these sites into collective preservation projects and democratic grounds for arts and culture, environmental engagement, regional celebrations, itinerant play, and in-the-moment constructions. Their projects are generating excitement about the prospect of Rust Belt life, even as they often remain invisible to the uninformed passerby and fall short of professional preservation or environmental reclamation standards. Demonstrating that there is no such thing as a site that is “too far gone” to save or reuse, Postindustrial DIY is rich with case studies that demonstrate how great architecture is not simply for the elites or the wealthy. The citizen preservationists and urbanists described in this book offer looser, more playful, and often more publicly satisfying alternatives to the development practices that have transformed iconic sites into expensive real estate or a clean slate for the next profitable endeavor. Transcending the disciplinary boundaries of architecture, historic preservation, city planning, and landscape architecture, Postindustrial DIY suggests new ways to engage, adapt, and preserve architecturally compelling sites and bottom-up strategies for Rust Belt revival.


Culture, Capital and Representation

Culture, Capital and Representation

Author: R. Balfour

Publisher: Springer

Published: 2010-08-04

Total Pages: 237

ISBN-13: 0230291198

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With contributions ranging over three centuries, Culture, Capital and Representation explores how literature, cultural studies and the visual arts represent, interact with, and produce ideas about capital, whether in its early phases (the growth of stock markets) or in its late phase (global speculative capital).


Across an Inland Sea

Across an Inland Sea

Author: Nicholas Howe

Publisher: Princeton University Press

Published: 2021-03-09

Total Pages: 219

ISBN-13: 0691227578

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How do the places we live in and visit shape our lives and memories? What does it mean to reside in different locations across the span of a life? In richly textured portraits of places seen from within, Nicholas Howe contemplates how places create and gather their stories and how, in turn, a sense of place locates the stories of our own lives. Howe begins with one of the finest descriptions ever written of Buffalo, that city on an inland sea where he grew up. He gives us a fresh Paris, viewed from the river below. And he depicts Oklahoma as a site of open lands and dislocation--a place of coming and going. Howe then turns to Chartres, a traditional location of pilgrimage, to ask what other sites might still be capable of compelling visitors in secular time. He portrays Berlin as a scene of twentieth-century history--and a city that helped him make sense of his American life. Finally, he writes about Columbus, Ohio, as home. Vividly rendering the places he has known, Howe meditates on the weight of home, the temptations of the metropolis, the fact of dislocation, the unraveling of history, the desire to remake ourselves through voyage, and the wonder of the familiar. In ways that too often elude travel writers, it is place that holds our imagination, that inspires much of our art and literature. Across an Inland Sea evokes the various senses of place that can fill and haunt a life--and ultimately give life its form and meaning.