German Romanticism : A Sketch

German Romanticism : A Sketch

Author: Oskar Franz Walzel

Publisher: Prabhat Prakashan

Published: 2021-01-01

Total Pages: 170

ISBN-13:

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German Romanticism: A Sketch by Oskar Franz Walzel: Explore the artistic and literary movement of German Romanticism with this insightful sketch by Oskar Franz Walzel. Walzel delves into the works of key German Romantic figures, such as Goethe, Schiller, and the Brothers Grimm, providing a comprehensive overview of the movement's themes, aesthetics, and cultural impact. This book is an essential read for anyone interested in the evolution of German literature and the artistic expression of the Romantic era. Key Aspects of the Book "German Romanticism: A Sketch": Artistic Expression: The book explores the Romantic movement's emphasis on emotion, individualism, and the sublime in literature and the arts. German Literary Giants: Walzel delves into the works of influential German writers and poets who played a crucial role in shaping the Romantic movement. Cultural and Historical Context: The sketch situates German Romanticism within the broader historical and cultural landscape of the time, offering a nuanced understanding of its significance. Oskar Franz Walzel was a distinguished literary historian and scholar, known for his contributions to German literature studies. Born in Vienna in 1864, Walzel's academic career focused on the exploration of German literary movements, particularly Romanticism. His work "German Romanticism: A Sketch" stands as a testament to his deep knowledge and passion for the literary heritage of Germany.


The Philosophical Foundations of Early German Romanticism

The Philosophical Foundations of Early German Romanticism

Author: Manfred Frank

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 297

ISBN-13: 0791485803

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Often portrayed as a movement of poets lost in swells of passion, early German Romanticism has been generally overlooked by scholars in favor of the great system-builders of the post-Kantian period, Schelling and Hegel. In the twelve lectures collected here, Manfred Frank redresses this oversight, offering an in-depth exploration of the philosophical contributions and contemporary relevance of early German Romanticism. Arguing that the early German Romantics initiated an original movement away from idealism, Frank brings the leading figures of the movement, Friedrich Schlegel and Friedrich von Hardenberg (Novalis), into concert with contemporary philosophical developments, and explores the role that Friedrich Hölderlin and other members of the Homburg Circle had upon the development of early German Romantic philosophy.


The Enchanted World of German Romantic Prints, 1770-1850

The Enchanted World of German Romantic Prints, 1770-1850

Author: John W. Ittmann

Publisher: Yale University Press

Published: 2017

Total Pages: 0

ISBN-13: 9780300197624

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From the 1770s through the 1840s, German, Austrian, and Swiss artists used the medium of printmaking to create works that synthesized poetry, literature, music, and the visual arts in new and captivating ways. Finding an eager audience in the growing number of educated middle-class collectors, printmakers experimented with modern technologies, such as lithography, and drew on the contemporary interest in regional folklore and traditional fairy tales to produce innovative compositions that both contributed to and reflected the dramatic cultural and political upheavals of the Romantic era. Featuring the work of more than 120 artists, including Casper David Friedrich, Ludwig Emil Grimm, Joseph Anton Koch, Philipp Otto Runge, and Johann Gottfried Schadow, this authoritative book contains many unique and never-before-published examples of prints from the Philadelphia Museum of Art's unrivaled collection. Published in association with the Philadelphia Museum of Art


The Romantic Absolute

The Romantic Absolute

Author: Dalia Nassar

Publisher: University of Chicago Press

Published: 2013-12-24

Total Pages: 354

ISBN-13: 022608423X

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The absolute was one of the most significant philosophical concepts in the early nineteenth century, particularly for the German romantics. Its exact meaning and its role within philosophical romanticism remain, however, a highly contested topic among contemporary scholars. In The Romantic Absolute, Dalia Nassar offers an illuminating new assessment of the romantics and their understanding of the absolute. In doing so, she fills an important gap in the history of philosophy, especially with respect to the crucial period between Kant and Hegel. Scholars today interpret philosophical romanticism along two competing lines: one emphasizes the romantics’ concern with epistemology, the other their concern with metaphysics. Through careful textual analysis and systematic reconstruction of the work of three major romantics—Novalis, Friedrich Schlegel, and Friedrich Schelling—Nassar shows that neither interpretation is fully satisfying. Rather, she argues, one needs to approach the absolute from both perspectives. Rescuing these philosophers from frequent misunderstanding, and even dismissal, she articulates not only a new angle on the philosophical foundations of romanticism but on the meaning and significance of the notion of the absolute itself.


German Romantic Painting

German Romantic Painting

Author: William Vaughan

Publisher: Yale University Press

Published: 1994-01-01

Total Pages: 290

ISBN-13: 9780300060478

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The early 19th century was a period in German art in which painting played a significant part in the cultural resurgence commonly known as the Romantic Movement. This Movement and some of its chief exponents are examined against a background of German literature, philosophy and music.


An Outline of Romanticism in the West

An Outline of Romanticism in the West

Author: John Claiborne Isbell

Publisher: Open Book Publishers

Published: 2022-09-05

Total Pages: 153

ISBN-13: 180064745X

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Navigating the landscape of Romantic literature and art across Europe and the Americas, An Outline of Romanticism in the West invites readers to embark upon a literary journey. Showcasing a breadth of theoretical and contextual approaches to the study of Romanticism, John Isbell provides an insightful contemporary overview of the field, paired with wide-ranging comparative reflections on the art and literature that helped shape it. Discussing seminal Romantic texts such as Mary Shelley’s Frankenstein, or Germaine de Staël’s Corinne ou l’Italie, Isbell provides a foundation through which to investigate core concepts, such as the continuum of Romance, the Romantic hero, and Romantic literature’s characteristic repudiation of its own Romanticism. Unusually for a single-author monograph, the book includes both published and unpublished material covering Romantic creation across Europe and the two Americas. Identifying Romanticism as an international movement, Isbell seeks to emphasise a theme frequently ignored by many academics: the roots of Romanticism, and its variations, as a national art. His arguments are supported by extensive interrogations of the political and historical contexts that moulded the outlooks of the writers and artists central to the period. An Outline of Romanticism in the West underlines the interplay between nationalism, history, and artistic inspiration, and will therefore be of value to students and scholars of literature and history, as well as to general readers with an interest in Romanticism in the West.


German Romantic Painting Redefined

German Romantic Painting Redefined

Author: MitchellBenjamin Frank

Publisher: Routledge

Published: 2017-07-05

Total Pages: 222

ISBN-13: 1351565664

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The modernist aesthetic and, later, Nazi ideology split German Romantic painting into two opposed phases, an early progressive movement, represented by Caspar David Friedrich (1774-1840) and Philipp Otto Runge (1777-1810), and a later reactionary one - epitomized by Friedrich Overbeck (1789-1869) and Peter von Cornelius (1783-1867). In this rich and engaging book, Mitchell Frank explores the continuities between these two phases to reconstruct the historical position that existed in the nineteenth century and to look once again at the Nazarenes - and Overbeck in particular - as a fully integrated part of the Romantic movement. His innovative book is crucial to an understanding of German Romanticism and the legacy of this period in European art.