In the first full-length biography of evangelist Gerald L. K. Smith (1898--1976), Glen Jeansonne traces the tempestuous career of this notorious bigot. A spellbinding speaker and brilliant organizer, Smith founded the reactionary hate sheet The Cross and the Flag as well as the anti-Semitic Christian Nationalist Crusade and ran for president three times.Exhaustively researched, this study contains information from Smith's FBI dossier, his personal papers, and Smith himself. Also included are compelling arguments concerning the causes of anti-Semitism in America, the role of demagogues, and the mentality of their loyal supporters.
The studies in this volume deal with problems of authoritarianism and anti-Semitism. Lowenthal's book length contribution, "Prophets of Deceit," which begins this collection, is a classic of political psychology. This research study is followed by an essay, "Terror's Atomization of Man. "Lowenthal uses this material for a theory of the psychological mechanisms operative under terrorist conditions and their significance for contemporary society.
In Sensational Devotion, Jill Stevenson examines a range of evangelical performances, including contemporary Passion plays, biblical theme parks, Holy Land re-creations, creationist museums, and megachurches, to understand how they serve their evangelical audiences while shaping larger cultural and national dialogues. Such performative media support specific theologies and core beliefs by creating sensual, live experiences for believers, but the accessible, familiar forms they take and the pop culture motifs they employ also attract nonbelievers willing to “try out” these genres, even if only for curiosity’s sake. This familiarity not only helps these performances achieve their goals, but it also enables them to contribute to public dialogue about the role of religious faith in America. Stevenson shows how these genres are significant and influential cultural products that utilize sophisticated tactics in order to reach large audiences comprised of firm believers, extreme skeptics, and those in between. Using historical research coupled with personal visits to these various venues, the author not only critically examines these spaces and events within their specific religious, cultural, and national contexts, but also places them within a longer devotional tradition in order to suggest how they cultivate religious belief by generating vivid, sensual, affectively oriented, and individualized experiences.
The American landscape is host to numerous works of religious architecture, sometimes questionable in taste and large, if not titanic, in scale. In her lively study of satire and religious architecture, Margaret Grubiak challenges how we typically view such sites by shifting the focus from believers to doubters, and from producers to consumers. Grubiak considers an array of sacred architectural constructions—from "Touchdown Jesus" at the University of Notre Dame to the Wizard of Oz Mormon temple outside Washington D.C. to the renamed "Gumby Jesus" of the Christ of the Ozarks statue in Eureka Springs, Arkansas - and how such constructions are confronted by the doubt and dismissiveness articulated by the more skeptical of their viewers. These responses of doubt activate our religious built environment in ways unanticipated but illuminating, asking us, at times forcefully, to consider and clarify what it is we believe. Opening up new avenues of thinking about how people deal with theological questions in the vernacular, Grubiak’s book shows how religious doubt is made manifest in the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. Midcentury: Architecture, Landscape, Urbanism, and Design
