Georgian Poetry 1918-19

Georgian Poetry 1918-19

Author: Edward Howard Marsh

Publisher: BoD – Books on Demand

Published: 2024-04-17

Total Pages: 158

ISBN-13: 3387329997

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Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.


Georgian Poetry 1911-1922

Georgian Poetry 1911-1922

Author: Various Authors

Publisher: Library of Alexandria

Published:

Total Pages: 121

ISBN-13: 1465511881

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This volume is issued in the belief that English poetry is now once again putting on a new strength and beauty. Few readers have the leisure or the zeal to investigate each volume as it appears; and the process of recognition is often slow. This collection, drawn entirely from the publications of the past two years, may if it is fortunate help the lovers of poetry to realize that we are at the beginning of another "Georgian period" which may take rank in due time with the several great poetic ages of the past. It has no pretension to cover the field. Every reader will notice the absence of poets whose work would be a necessary ornament of any anthology not limited by a definite aim. Two years ago some of the writers represented had published nothing; and only a very few of the others were known except to the eagerest "watchers of the skies." Those few are here because within the chosen period their work seemed to have gained some accession of power.


The Georgian Poets

The Georgian Poets

Author: Lynn Parker

Publisher: Northcote House Pub Limited

Published: 1999

Total Pages: 109

ISBN-13: 074630899X

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The Georgian movement in literature began as a reaction against late Victorian sensibilities, but world events soon turned this nascent movement upside down, killing two of its most famous members and dispersing the rest amidst a harsher intellectual climate. This introductory study helps to set the Georgians in their original context, and revises the critical balance in favour of three lesser known writers whose contribution to early twentieth-century letters was viewed as significant before the 1930s. The author makes use of archive sources and reviews as wellas recent historicist accounts, bringing these engaging, mysterious and humane writers into focus for the present time.


Georgian Poetry 1911-22

Georgian Poetry 1911-22

Author: Timothy Rogers

Publisher: Routledge

Published: 2013-09-05

Total Pages: 526

ISBN-13: 1136212035

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This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set complements the first 68 volume set of Critical Heritage published by Routledge in October 1995.


The Joseph M. Bruccoli Great War Collection at the University of South Carolina

The Joseph M. Bruccoli Great War Collection at the University of South Carolina

Author: Elizabeth A. Sudduth

Publisher: Univ of South Carolina Press

Published: 2005

Total Pages: 428

ISBN-13: 9781570035906

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Bruccoli Great War Collection at the University of South Carolina: An Illustrated Catalogue provides a reference tool for the study of one of the great watershed moments in history on both sides of the Atlantic serving historians, researchers, and collectors.


The Language of Siegfried Sassoon

The Language of Siegfried Sassoon

Author: Marcello Giovanelli

Publisher: Springer Nature

Published: 2022-09-22

Total Pages: 227

ISBN-13: 3030884694

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This book presents a cognitive stylistic analysis of the writing of Siegfried Sassoon, a First World War poet who has typically been perceived as a poet of protest and irony, but whose work is in fact multi-faceted and complex in theme and shifted in style considerably throughout his lifetime. The author starts from the premise that a more systematic account of Sassoon’s style is possible using the methodology of contemporary stylistics, in particular Cognitive Grammar. Using this as a starting point, he revisits common ideas from Sassoon scholarship and reconfigures them through the lens of cognitive stylistics to provide a fresh perspective on Sassoon's style. This book will be of interest to students and scholars of stylistics, war poetry, twentieth-century literature, and cognitive linguistics.