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Georgian Gothic

Author: Peter Lindfield

Publisher: Boydell & Brewer

Published: 2016

Total Pages: 284

ISBN-13: 1783271272

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Conclusion -- Appendix -- Bibliography -- Glossary -- Index

Gothic Revival Architecture

Author: Trevor Yorke

Publisher: Bloomsbury Publishing

Published: 2017-06-29

Total Pages: 65

ISBN-13: 1784422339

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From the Houses of Parliament to the Midland Hotel at St Pancras and Strawberry Hill House, Gothic Revival buildings are some of the most distinctive structures found in Britain. Far from a copy of medieval buildings, it was a style full of colour and invention, in which its exponents created a daring new approach to design. Throwing out the old Classical rule book, Gothic Revival architects like Pugin and George Gilbert Scott designed buildings which were asymmetrical in form and visually expressive of their function. The movement went beyond just bricks and mortar and had a strong moral code, the influence of which was still felt into the 20th century. In this illustrated book, Trevor Yorke tells the story of the Gothic Revival from its origins in the whimsical fancies of the Georgian Period through to its High Victorian climax.

Georgian Architecture

Author: James Curl

Publisher: David & Charles

Published: 2002-09-01

Total Pages: 0

ISBN-13: 9780715302279

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Examining the period's remarkable stylistic diversity, this is an illustrated guide to the architecture of the reigns of the first four Georges (1714-1830).

Gothic Architecture and Sexuality in the Circle of Horace Walpole

Author: Matthew M. Reeve

Publisher: Penn State Press

Published: 2020-05-08

Total Pages: 281

ISBN-13: 0271086599

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Gothic Architecture and Sexuality in the Circle of Horace Walpole shows that the Gothic style in architecture and the decorative arts and the tradition of medievalist research associated with Horace Walpole (1717–1797) and his circle cannot be understood independently of their own homoerotic culture. Centered around Walpole’s Gothic villa at Strawberry Hill in Twickenham, Walpole and his “Strawberry Committee” of male friends, designers, and dilettantes invigorated an extraordinary new mode of Gothic design and disseminated it in their own commissions at Old Windsor and Donnington Grove in Berkshire, Lee Priory in Kent, the Vyne in Hampshire, and other sites. Matthew M. Reeve argues that the new “third sex” of homoerotically inclined men and the new “modern styles” that they promoted—including the Gothic style and chinoiserie—were interrelated movements that shaped English modernity. The Gothic style offered the possibility of an alternate aesthetic and gendered order, a queer reversal of the dominant Palladian style of the period. Many of the houses built by Walpole and his circle were understood by commentators to be manifestations of a new queer aesthetic, and in describing them they offered the earliest critiques of what would be called a “queer architecture.” Exposing the role of sexual coteries in the shaping of eighteenth-century English architecture, this book offers a profound and eloquent revision to our understanding of the origins of the Gothic Revival and to medievalism itself. It will be welcomed by architectural historians as well as scholars of medievalism and specialists in queer studies.

William Kent

Author: Susan Weber

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9780300196184

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Published for Bard Graduate Center: Decorative Arts, Design History, Material Culture, New York.

Women and Gothic

Author: Maria Purves

Publisher: Cambridge Scholars Publishing

Published: 2014-03-17

Total Pages: 205

ISBN-13: 1443857939

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This small collection of essays explores women’s relationship with the gothic: a relationship which has, since its eighteenth-century beginnings, always been complex. These essays demonstrate some of the scope and diversity of that relationship, and much of its intensity: the ingenuity and genius employed, the anguish experienced and the risks taken, in its evolution. Genuinely representative of gothic’s flexibility and presence in everything from novels to architecture, from surrealist art to hypertext fiction, this volume brings new primary sources and topics to the reader’s attention, and will be of interest to anyone who wants to expand and challenge their understanding of how and why women engage with the gothic.

Ghost Storeys

Author: Cameron Macdonell

Publisher: McGill-Queen's Press - MQUP

Published: 2017-07-04

Total Pages:

ISBN-13: 0773549919

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Most studies of modern Gothic media assume that, beyond the 1830s, modern Gothic architecture and literature had very little in common. The work of Ralph Adams Cram (1863–1942), America’s most prolific Gothic Revival architect and an author of ghost stories, challenges that assumption. The first interdisciplinary study of Cram’s aesthetics, Cameron Macdonell’s Ghost Storeys deconstructs the boundaries of Gothic architecture and literature through a microhistory of St Mary’s Anglican Church in Walkerville, Ontario. Focusing on Cram and the church’s main patron, Edward Walker (1851–1915), Macdonell explores the intricate intersections of Gothic aesthetics, architectural ethics, literature, theology, cultural values, and community construction in an Edwardian-era company town. When Walker commissioned the church, he believed that its economy of salvation could save him from the syphilis that afflicted his body and stained his soul. However, while implementing that economy, Cram, whose architectural theory, social commentary, and ghost stories were pessimistic about reviving the Gothic in the modern world, also created an architecture haunted by the sickness of humanity. Painstakingly researched and lavishly illustrated, Ghost Storeys redefines the allegorical relationship between a marginalized church and the Gothic Revival movement as a global interdisciplinary phenomenon.

Gothic Revival Worldwide

Author: Timothy Brittain-Catlin

Publisher: Leuven University Press

Published: 2017-01-18

Total Pages: 257

ISBN-13: 9462700915

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Pugin’s global influence on church architecture and material reform The year 2012 marked the bicentenary of the gothic revival architect A.W.N. Pugin. His influence as a designer not only spread fast globally, but also played a leading part in the transformation of material culture from the mid-nineteenth century onwards. Pugin’s work has been comprehensively reevaluated over the last decade. In this volume sixteen leading scholars from across the globe discuss Pugin’s direct influence on church architecture and furnishing. Beautifully illustrated with a large selection of new photography, Gothic Revival Worldwide, the successor to the volume Gothic Revival published in 2000, reveals how Pugin’s ideas played a profound role in the changing face of material reform in church architecture as an expression of the evolving identity of the churches across the world from North America to Mongolia and the South Pacific. Contributors Stephen Bann (Bristol University), Jessica Basciano (University of St. Thomas, Houston), G.A. Bremner (University of Edinburgh), Martin Bressani (McGill University, Montréal), Karen Burns (University of Melbourne), Timothy Brittain-Catlin (University of Kent), Peter Coffman (Carleton University, Ottawa), Thomas Coomans (KU Leuven), Jan De Maeyer (KU Leuven / KADOC), Candace Iron (York University, Toronto), Stephen Kite (Cardiff University, Wales), Alex Lawrey (independent scholar), Peter N. Lindfield (University of Stirling), Cameron Macdonell (Institute for the History and Theory of Architecture, ETH Zurich), M. Stephen McNair, Jr. (McNair Historic Preservation), Gilles Maury (École National Supérieure d’Architecture et de Paysage, Lille), Henrik Schoenefeldt (University of Kent), Richard A. Sundt (University of Oregon), Malcolm Thurlby (York University, Toronto)