Long considered an important work, GEORGIA SCENES, printed unproofed, was flawed despite its significance and popularity. In this collection, David Rachels corrects the errors, adds nine previously uncollected "Georgia Scenes" to the original 19, and looks at Longstreet's life and place in Literature. Illustrations.
The humor of the Old South—tales, almanac entries, turf reports, historical sketches, gentlemen's essays on outdoor sports, profiles of local characters—flourished between 1830 and 1860. The genre's popularity and influence can be traced in the works of major southern writers such as William Faulkner, Erskine Caldwell, Eudora Welty, Flannery O'Connor, and Harry Crews, as well as in contemporary popular culture focusing on the rural South. This collection of essays includes some of the past twenty five years' best writing on the subject, as well as ten new works bringing fresh insights and original approaches to the subject. A number of the essays focus on well known humorists such as Augustus Baldwin Longstreet, Johnson Jones Hooper, William Tappan Thompson, and George Washington Harris, all of whom have long been recognized as key figures in Southwestern humor. Other chapters examine the origins of this early humor, in particular selected poems of William Henry Timrod and Washington Irving's "The Legend of Sleepy Hollow," which anticipate the subject matter, character types, structural elements, and motifs that would become part of the Southwestern tradition. Renditions of "Sleepy Hollow" were later echoed in sketches by William Tappan Thompson, Joseph Beckman Cobb, Orlando Benedict Mayer, Francis James Robinson, and William Gilmore Simms. Several essays also explore antebellum southern humor in the context of race and gender. This literary legacy left an indelible mark on the works of later writers such as Mark Twain and William Faulkner, whose works in a comic vein reflect affinities and connections to the rich lode of materials initially popularized by the Southwestern humorists.
Augustus Baldwin Longstreet (1790-1870) was an American lawyer, minster, educator, and humorist, born in Augusta, Ga. He graduated at Yale (1813) and practiced law in Georgia, becoming a district judge in 1822 and holding the position for several years. He became a Methodist minister and in a year was made president of Emory College (1839). After nine years he accepted the presidency of Centenary College, Louisiana, then of the University of Mississippi, where he stayed for six years, after which he resigned, and became a planter, but was tempted by the presidency of South Carolina College. His fame is based, however, on a single book, of which he was the author: Georgia Scenes (1835), originally published in newspapers, then gathered into a volume at the South, and finally issued in 1840 in New York. It featured realistic sketches of Southern humor.
This collection provides a representative set of theatrical performances popular on the nineteenth-century British stage. All are newly edited critical editions that account for variant sources reflecting the process of rehearsal, licensing, and production. Detailed introductions and extensive notes explain the texts’ relationship to repertoires, the circulating discourses of intelligibility that constantly recombine in performance. The plays address the topical concerns of slavery, imperial conquest, capitalism, interculturalism, uprisings at home and abroad, modernist aesthetic innovation, and the celebration of collective identities. Adaptations from novels, travelogues, and other plays are discussed along with the theatrical history that sustained these works on the stage.
