DIVDIVFourteen stories that follow a young boy coming of age in a dysfunctional family in the rural South /div DIVMeet William Stroop, a young son of the South whose charming voice and mordant observations of family and culture make him one of American literature’s most memorable narrators. In these fourteen interwoven stories, William details the high (and low) points of his family history, focusing particularly on his lazy, scheming father, Morris, his put-upon mother, Martha, and his confidante, Handsome Brown, a young black farmhand. As Morris matches wits with strangers and neighbors alike in constant pursuit of get-rich-quick plans, Martha tries to hold the family together without the aid of any discernable income./divDIV /divDIVTold with the polish and moral resonance of fables, Georgia Boy captures the beauty and tragedy of life in the rural South during the twentieth century./divDIV /divDIVThis ebook features an illustrated biography of Erskine Caldwell including rare photos and never-before-seen documents courtesy of the Dartmouth College Library./div/div
Milan Mallory was a rare breed that lived a life seldom seen. Growing up in bankhead courts only motivated him to get super rich. with all the right connections milan was able to live a life most could only dream of. His life was a movie and his voice was a soundtrack to most. life was good for milan until the inevitable happen. losing the love of his life for three years and almost losing his mother gave him a second opinion about the drug game. He wanted out and he wanted out fast. unfortunate it was not that easy due to the fact his columbia connect would kill him for trying to exit the game. Milan soon learned that a big price came along with being the prince of atlanta. Would it cost him is life? Would he continue to live the peachtree life; the good life? who knows until you read a story seldom seen......
"Readers who choose the book for the attraction of Navajo code talking and the heat of battle will come away with more than they ever expected to find."—Booklist, starred review Throughout World War II, in the conflict fought against Japan, Navajo code talkers were a crucial part of the U.S. effort, sending messages back and forth in an unbreakable code that used their native language. They braved some of the heaviest fighting of the war, and with their code, they saved countless American lives. Yet their story remained classified for more than twenty years. But now Joseph Bruchac brings their stories to life for young adults through the riveting fictional tale of Ned Begay, a sixteen-year-old Navajo boy who becomes a code talker. His grueling journey is eye-opening and inspiring. This deeply affecting novel honors all of those young men, like Ned, who dared to serve, and it honors the culture and language of the Navajo Indians. An ALA Best Book for Young Adults "Nonsensational and accurate, Bruchac's tale is quietly inspiring..."—School Library Journal
Milan Mallory was a rare breed that lived a life seldom seen. Growing up in bankhead courts only motivated him to get super rich. with all the right connections milan was able to live a life most could only dream of. His life was a movie and his voice was a soundtrack to most. life was good for milan until the inevitable happen. losing the love of his life for three years and almost losing his mother gave him a second opinion about the drug game. He wanted out and he wanted out fast. unfortunate it was not that easy due to the fact his columbia connect would kill him for trying to exit the game. Milan soon learned that a big price came along with being the prince of atlanta. Would it cost him is life? Would he continue to live the peachtree life; the good life? who knows until you read a story seldom seen......
In the midst of racial strife, one young man showed courage and empathy. It took forty years for the others to join him Being a student at Americus High School was the worst experience of Greg Wittkamper's life. Greg came from a nearby Christian commune, Koinonia, whose members devoutly and publicly supported racial equality. When he refused to insult and attack his school's first black students in 1964, Greg was mistreated as badly as they were: harassed and bullied and beaten. In the summer after his senior year, as racial strife in Americus -- and the nation -- reached its peak, Greg left Georgia. Forty-one years later, a dozen former classmates wrote letters to Greg, asking his forgiveness and inviting him to return for a class reunion. Their words opened a vein of painful memory and unresolved emotion, and set him on a journey that would prove healing and saddening. The Class of '65 is more than a heartbreaking story from the segregated South. It is also about four of Greg's classmates -- David Morgan, Joseph Logan, Deanie Dudley, and Celia Harvey -- who came to reconsider the attitudes they grew up with. How did they change? Why, half a lifetime later, did reaching out to the most despised boy in school matter to them? This noble book reminds us that while ordinary people may acquiesce to oppression, we all have the capacity to alter our outlook and redeem ourselves.
The basis for the film starring Kieran Culkin. “Evoked with the rare, genuine sort of candor that made Holden Caulfield—and J.D. Salinger—famous.”—Vogue Set in Savannah, Georgia, in the early 1970s, this is a novel of the anarchic joy of youth and encounters with the concerns of early adulthood. Francis Doyle, Tim Sullivan, and their three closest friends are altar boys at Blessed Heart Catholic Church and eighth-grade classmates at the parish school. They are also inveterate pranksters, artistic, and unimpressed by adult authority. When Sodom vs. Gomorrah ’74, their collaborative comic book depicting Blessed Heart’s nuns and priests gleefully breaking the seventh commandment, falls into the hands of the principal, the boys, certain that their parents will be informed, conspire to create an audacious diversion. Woven into the details of the boys’ preparations for the stunt are touching, hilarious renderings of the school day routine and the initiatory rites of male adolescence, from the first serious kiss to the first serious hangover. “Fuhrman takes wicked pleasure in scraping teen innocence against the graveled, perverse underbelly of suburban childhood.”—Newsday “The freshness of Fuhrman’s novel comes from his ability to squeeze out of a time of transition universal evocations of rebellion against growing up . . . Fuhrman provides his story and characters with enough originality to keep the narrative clipping along and his reader totally absorbed.”—Chicago Tribune “Heartbreaking yet hilarious . . . chronicles a school year in the life of narrator Francis Doyle, an eighth-grader at the parish school of the Blessed Heart . . . can be compared to many of the classic coming-of-age novels.”—Publishers Weekly
The post-office in the middle Georgia village of Hillsborough used to be a queer little place, whatever it is now. It was fitted up in a cellar; and the postmaster, who was an enterprising gentleman from Connecticut, had arranged matters so that those who went after their letters and papers could at the same time get their grocery supplies. Over against the wall on one side was a faded green sofa. It was not an inviting seat, for in some places the springs peeped through, and one of its legs was broken, giving it a suspicious tilt against the wall. But a certain little boy found one corner of the rickety old sofa a very comfortable place, and he used to curl up there nearly every day, reading such stray newspapers as he could lay hands on, and watching the people come and go. To the little boy the stock of goods displayed for sale was as curious in its variety as the people who called day after day for the letters that came or that failed to come. To some dainty persons the mingled odor of cheese, cam-phene, and mackerel would have been disagreeable; but Joe Maxwell—that was the name of the little boy—had a healthy disposition and a strong stomach, and he thought the queer little post-office was one of the pleasantest places in the world. A partition of woodwork and wire netting cut off the post-office and the little stock of groceries from the public at large, but outside of that was an area where a good many people could stand and wait for their letters. In one corner of this area was the rickety green sofa, and round about were chairs and boxes and barrels on which tired people could rest themselves. The Milledgeville papers had a large circulation in the county. They were printed at the capital of the State, and were thought to be very important on that account. They had so many readers in the neighborhood that the postmaster, in order to save time and trouble, used to pile them up on a long shelf outside the wooden partition, where each subscriber could help himself. Joe Maxwell took advantage of this method, and on Tuesdays, when the Milledgeville papers arrived, he could always be found curled up in the corner of the old green sofa reading the Recorder and the Federal Union. What he found in those papers to interest him it would be hard to say. They were full of political essays that were popular in those days, and they had long reports of political conventions and meetings from all parts of the State. They were papers for grown people, and Joe Maxwell was only twelve years old, and small for his age.
Throughout history, poetry of all kinds has mirrored our world. Some poetry makes us laugh, while other poetry might make us sad, feel pride, or might frighten or put us on edge. This collection of poetry will no doubt invoke several different emotions, and give cause for opposing opinions as to the meaning of its content. Hopefully, most readers will enjoy the poetry herein, but it is inevitable that some of the poems will go against what some readers believe due to their particular religion, or the substance of their own conscience. The poetry in this collection is based solely on the author's own opinions, and are free to be critiqued by anyone who reads it, however they wish.
From two-time Newbery Medalist Kate DiCamillo comes a story of discovering who you are — and deciding who you want to be. When Louisiana Elefante’s granny wakes her up in the middle of the night to tell her that the day of reckoning has arrived and they have to leave home immediately, Louisiana isn’t overly worried. After all, Granny has many middle-of-the-night ideas. But this time, things are different. This time, Granny intends for them never to return. Separated from her best friends, Raymie and Beverly, Louisiana struggles to oppose the winds of fate (and Granny) and find a way home. But as Louisiana’s life becomes entwined with the lives of the people of a small Georgia town — including a surly motel owner, a walrus-like minister, and a mysterious boy with a crow on his shoulder — she starts to worry that she is destined only for good-byes. (Which could be due to the curse on Louisiana's and Granny’s heads. But that is a story for another time.) Called “one of DiCamillo’s most singular and arresting creations” by The New York Times Book Review, the heartbreakingly irresistible Louisiana Elefante was introduced to readers in Raymie Nightingale — and now, with humor and tenderness, Kate DiCamillo returns to tell her story.
