Georges Braque and the Cubist Still Life 1928-1945
Georges Braque and the Cubist Still Life 1928-1945

Author: Karen K. Butler

Publisher: Prestel Publishing

Published: 2013

Total Pages: 0

ISBN-13: 9783791352701

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This examination of Braque's career features exquisite reproductions and incisive historical and aesthetic investigations of his work leading up to and during World War II. This book offers the first detailed examination of Braque's experiments with still lifes and interiors during a significant, though overlooked, time in his career. One of the leading founders of Cubism, Braque employed the genre of the still life to conduct a lifelong investigation into the nature of perception through the tactile and transitory world of everyday objects. Examining a transitional time between Braque's early Cubist works and his late grand series, this catalog considers his paintings within the cultural and political context of Europe at this time. Reproduced in vivid color, Braque's paintings are accompanied by scholarly essays that explore the rise of Braque's popularity in the US, including his first major retrospective in America, and the reception of his work of the early 1930s and 1940s by German and French critics, as well as a behind-the-scenes look at the materials and process employed by the artist as illuminated by an intensive conservation study of select important works.

Georges Braque and the Cubist Still Life 1928-1945
Georges Braque and the Cubist Still Life 1928-1945

Author: Karen K. Butler

Publisher:

Published: 2013

Total Pages: 239

ISBN-13: 9780936316369

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"This examination of Braque's career features exquisite reproductions and incisive historical and aesthetic investigations of his work leading up to and during World War II. This book offers the first detailed examination of Braque's experiments with still lifes and interiors during a significant, though overlooked, time in his career. One of the leading founders of Cubism, Braque employed the genre of the still life to conduct a lifelong investigation into the nature of perception through the tactile and transitory world of everyday objects. Examining a transitional time between Braque's early Cubist works and his late grand series, this catalog considers his paintings within the cultural and political context of Europe at this time. Reproduced in vivid color, Braque's paintings are accompanied by scholarly essays that explore the rise of Braque's popularity in the US, including his first major retrospective in America, and the reception of his work of the early 1930s and 1940s by German and French critics, as well as a behind-the-scenes look at the materials and process employed by the artist as illuminated by an intensive conservation study of select important works."--Publisher's website.

Scientific Journeys
Scientific Journeys

Author: H. Frederick Dylla

Publisher: Springer Nature

Published: 2020-09-26

Total Pages: 215

ISBN-13: 3030558002

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This collection of essays traces a scientific journey bookmarked by remarkable mentors and milestones of science. It provides fascinating reading for everyone interested in the history, public appreciation, and value of science, as well as giving first-hand accounts of many key events and prominent figures. The author was one of the “sputnik kids” growing up in the US at the start of the space age. He built a working laser just two years after they were first invented, an experience that convinced him to become a physicist. During his 50-year career in physics, many personalities and notable events in science and technology helped to form his view of how science contributes to the modern world​, including his conviction that the impact of science can be most effective when introduced within the context of the humanities - especially history, literature and the arts. From the Foreword by former U.S. Congressman, Rush D. Holt: In this volume, we have the wide-ranging thoughts and observations of Fred Dylla, an accomplished physicist with an engineer’s fascination for gadgets, a historian’s long perspective, an artist’s aesthetic eye, and a teacher’s passion for sharing ideas. Throughout his varied career [...] his curiosity has been his foremost characteristic and his ability to see the connection between apparently disparate things his greatest skill. [...] Here he examines the roots and growth of innovation in examples from Bell Laboratories, Edison Electric Light Company, and cubist painter Georges Braque. He considers the essential place of publishing in science, that epochal intellectual technique for learning how the world works. He shows the human enrichment and practical benefits that derive from wise investments in scientific research, as well as the waste resulting from a failure to embrace appropriate technologies.

In Defiance of Painting
In Defiance of Painting

Author: Christine Poggi

Publisher: Yale University Press

Published: 1992-01-01

Total Pages: 318

ISBN-13: 9780300051094

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The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.

Modern Times in Southeast Asia, 1920s-1970s
Modern Times in Southeast Asia, 1920s-1970s

Author:

Publisher: BRILL

Published: 2018-09-04

Total Pages: 226

ISBN-13: 9004372709

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This book reveals how everyday experiences of being ‘modern’ (c. 1920s-70s) indexed continuity and change in the transition from colonialism to independence and after in Southeast Asia. In the Philippines, Myanmar, Indonesia, Malaysia, Singapore, Thailand and Vietnam, the contributors to this interdisciplinary volume recover modern times at the intersection of public and private domains, encompassing sex, religion, art, film, literature and urban space. The authors examine the conditions and representations of modernity, as shaped by elites and the governed, by actors, artists, novelists and non-fiction writers. Plural encounters in cities, through spiritual communities, art, high and popular culture saw Southeast Asians fashioning modern times in dialogue with global capitalism, consumer culture and second-wave feminism.

Cubism
Cubism

Author: Emily Braun

Publisher: Metropolitan Museum of Art

Published: 2014-10-09

Total Pages: 394

ISBN-13: 0300208073

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This beautifully illustrated volume tells the story of Cubism through twenty-two essays that explore the most significant private holding of Cubist art in the world today, the Leonard A. Lauder Collection, now a promised gift to The Metropolitan Museum of Art. The eighty works featured in this volume—by Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso‐are among the most important and visually arresting in the movement’s history. These masterpieces, critical to the development of Cubism, include such groundbreaking paintings as Braque’s Trees at L’Estaque, considered one of the very first Cubist pictures; Picasso’s Still Life with Fan: “L’Indépendant,” one of the first to introduce typography; Gris’s noirish, uncanny The Man at the Café, one of his most celebrated collages; and Léger’s uniquely ambitious Composition (The Typographer). Written by renowned experts on this subject, the essays trace the evolution of Cubism from its origins in the still lifes, portraits, and collages of Braque and Picasso through the precisely delineated compositions by Gris that prefigure the Synthetic Cubism of the war years to Léger’s distinctive intersections of spherical, cylindrical, and cubic forms that evoke the syncopated rhythms of modern life. Also included are a fascinating interview in which Leonard Lauder discusses his approach to collecting, an investigative essay on the information gleaned from the backs of the works themselves, and an authoritative catalogue that further establishes the lives of these magnificent objects. A publication to place alongside the great histories of Modernism, this comprehensive book will stand as the resource for understanding Cubism for many years to come. -

Pierre Bonnard
Pierre Bonnard

Author: Pierre Bonnard

Publisher: Metropolitan Museum of Art

Published: 2009

Total Pages: 210

ISBN-13: 1588393089

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"The vibrant late paintings of Pierre Bonnard (1867-1947) are considered by many to be among his finest achievements. Working in a small converted bedroom of his villa in the south of France, Bonnard suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand-usually everyday scenes taken from his immediate surroundings, such as the dining room table being set for breakfast, or a jug of flowers perched on the mantelpiece - Bonnard rarely painted from life. Instead, he preferred to make pencil sketches in small diaries and then rely on these, along with his memory, once in the studio." "This volume, which accompanies the first exhibition to focus on the interior and related still-life imagery from the last decades of Bonnard's long career, presents more than seventy-five paintings, drawings, and works on paper, many of them rarely seen in public and in some cases, little known. Although Bonnard's legacy may be removed from the succession of trends that today we consider the foundation of modernism, his contribution to French art in the early decades of the twentieth century is far more profound than history has generally acknowledged. In their insightful essays and catalogue entries the authors bring fresh critical perspectives to the ongoing reappraisal of Bonnard's reputation and to his place within the narrative of twentieth-century art."--Jacket

Modernism and Still Life
Modernism and Still Life

Author: Tobin Claudia Tobin

Publisher: Edinburgh University Press

Published: 2020-03-02

Total Pages: 362

ISBN-13: 1474455166

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Explores the 'still life spirit' in modern painting, prose, dance, sculpture and poetryChallenges the conventional positioning of still life a 'minor' genre in art historyProposes a radical alternative to narratives of modernism that privilege speed and motion by revealing forms of stillness and still life at the heart of modern literature and visual cultureProvides the first study of still life to consider the genre across modern literature, visual cultures and danceUncovers connections and cultural exchange between networks of European and American artists including the Bloomsbury Group and Wallace StevensThe late nineteenth and early twentieth centuries have been characterised as the 'age of speed' but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examining the potential for movement and transformation in the idea of stillness and the ordinary. It ranges widely in its material, taking Czanne and literary responses to his still life painting as its point of departure. It investigates constellations of writers, visual artists and dancers including D. H. Lawrence, Virginia Woolf, David Jones, Winifred Nicholson, Wallace Stevens, and lesser-known figures including Charles Mauron and Margaret Morris. Claudia Tobin reveals that at the heart of modern art were forms of stillness that were intimately bound up with movement: the still life emerges charged with animation, vibration and rhythm; an unstable medium, unexpectedly vital and well suited to the expression of modern concerns.

Riffs and Relations
Riffs and Relations

Author: Adrienne L. Childs

Publisher: Rizzoli Publications

Published: 2020-03-03

Total Pages: 210

ISBN-13: 0847866645

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A timely consideration of African-American artists' rich engagement with the history of art from the twentieth century, this book is the winner of the James A. Porter and David C. Driskell Book Award for African American Art History. Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog--accompanying a major exhibition at the Phillips Collection in Washington, D.C.--explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse. The volume explores how blackness has often been conceived from the standpoint of these international and intergenerational connections and presents the divergent and complex works born of these important dialogues.