Leave the hood or Raise the hood. Geniuses Don't Belong In the Hood Presented by OutsideLookingOut LLC Quashon's mindset behind the title is everyone owns a form of genius inside of them. Something in them that they can contribute to the world. He urges that everyone buys their genius on display.
Once again, Rundy has outdone himself. And he has taken us to new heights. This man was once listed as one of the smartest men in America...if not the world. The way that Rundy perceives the world around us is nothing short of amazing. In this latest work, Rundy gives us answers to many questions which have eluded us. This collection of theories covers more than two dozen topics. Among these, why Astrology is real, the speed of light varies, the solar system used to have only five planets, how to spot abusive people/predators, how to reduce crime by more than 30%%%%, making rehabilitation of criminals reality, exposing government corruption, improving the economy, how to get rich, and the impending civil war. If you want answers to life's mysteries, you need look no further than Sheer Genius. Then again, maybe you shouldn't read this. Some of it is pretty scary. Small Print Version 12/14
The story of Jackson C. Frank is tragic. The victim of a school fire in his youth, struggling with homelessness and mental illness throughout his life, half-blinded in old age before his death in 1999, Frank met continuous obstacles. And yet, he enjoyed a shining moment with the release of Jackson C. Frank on Columbia Records in 1965. The album would go on to be seen as one of the greatest folk albums of the decade - maybe of all time - and “Blues Run The Game,” the song, has become a standard covered by hundreds. Jim Abbott’s book is the result of research that took years, piecing together evidence, relations and apocryphal stories from Frank’s life. It is also part memoir, as Abbott cared for Frank through the final decade of his life. Their friendship was fraught with difficul- ties, which Abbott portrays with the honesty of a journalist. In doing so, he draws a portrait of a uniquely gifted songwriter, blessed with talent and besotted by demons. At 250 pages, Jim's memoir shows a flawed and caring individual whose struggle was best depicted in his songs.
Two ex-Secret Service agents must face a dark world of violence, codes, and spies at a secret CIA training camp in this #1 New York Times bestseller about a mystery that could destroy the nation. Near Washington, D.C., there are two clandestine institutions: the world's most unusual laboratory and a secret CIA training camp. Drawn to these sites by a murder, ex-Secret Service agent Sean King encounters a dark world of mathematicians, codes, and spies. His search for answers soon leads him to more shocking violence-and an autistic girl with an extraordinary genius. Now, only by working with his partner, Michelle Maxwell, who is battling her own personal demons, can he catch a killer...and stop a national threat.
Contemporary American Fiction provides an introduction to American fiction since 1970. Offering substantial and detailed interpretations of more than thirty texts by thirty different writers, Millard combines them in an innovative critical structure designed to promote debates on cultural politics and aesthetic value. The book is the first of its kind to offer a wide-ranging survey of recent developments in the fiction of the United States. Recent novels by established writers such as John Updike and Philip Roth are analysed alongside the fiction of younger writers such as Gish Jen and Sherman Alexie. The books innovative structure encourages new ways of thinking about how American writers might be configured in relation to each other, while providing an analysis of how contemporary fiction has responded to changes in central areas of American life such as the family, the media, technology, and consumerism. Contemporary American Fiction is a substantial critical introduction to some of the most exciting fiction of the last thirty years, an eclectic and thorough advertisement for the extraordinary vitality of American fiction at the end of the twentieth century. This is an excellent introduction to the subject for undergraduate students of modern American literature.
A rogue meets his match in this delightful regency romance from the bestselling author of the Prelude to a Kiss series. With his good looks, abundance of charm, and the small matter of being heir to a marquisate, Richard Moore, Earl of Raleigh, is quite the catch. So when a delectable young woman wants nothing to do with him, he can’t help but seize the irresistible challenge. Jane Bunting knows all about responsibility—she has managed to support herself and her brother with their bakery—but she knows nothing of excitement or passion. When dashing Lord Raleigh crosses the threshold of her shop, she has no idea of the potential danger to her reputation...or to her heart. Neither imagined things would go so far—until the night their worlds collide, irrevocably changing both their lives. But when duty calls for Richard, and with everything Jane's worked for suddenly at stake, will their taste for scandal be their downfall?
Mention “ California,” and most people think of sun-kissed beaches, star-studded glamour, Hollywood success, or Silicon Valley. However, the stories in Crooked Out of Compton expand the narrative to include stories about othered Californians— each story reveals a different facet of the South [Central] Los Angeles community and its inhabitants. “ Professor Roach” follows the story of a disaffected young boy who' d rather be an insect. Sheriff' s deputy Daniel Brown finds institutional change difficult when he questions the status quo in “ Job Collateral Lies Dead on Compton Creek.” Leland Otis Dunwitty meets Mysteree, his first love, and finds how complicated relationships can be when lovers come from different track sides. At the Watts Towers, Tamara Thomas shares wisdom and teaches her children the facts of life in “ The Niggalators.” In “ Bruised,” Trina Thomas uses her mother' s teaching when she confronts several obstacles while rescuing her younger brother from his heinous foster mom, Starka&ñ a Wilkerson. The speculative ending story, “ Baba Nam Kevelam (My Most Beloved is the Only One),” occurs in 2037. Ulan Mohammed, an unemployed school food service worker, experiences the still unsolved unhoused issue.These gritty stories show how people find hope and joy in lives where basic needs are demanding to be met.
#1 NEW YORK TIMES BESTSELLER • More than one million copies sold! A “brilliant” (Lupita Nyong’o, Time), “poignant” (Entertainment Weekly), “soul-nourishing” (USA Today) memoir about coming of age during the twilight of apartheid “Noah’s childhood stories are told with all the hilarity and intellect that characterizes his comedy, while illuminating a dark and brutal period in South Africa’s history that must never be forgotten.”—Esquire Winner of the Thurber Prize for American Humor and an NAACP Image Award • Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.
A revolutionary new educational model that encourages educators to provide spaces for students to display their academic brilliance without sacrificing their identities Building on the ideas introduced in his New York Times best-selling book, For White Folks Who Teach in the Hood, Christopher Emdin introduces an alternative educational model that will help students (and teachers) celebrate ratchet identity in the classroom. Ratchetdemic advocates for a new kind of student identity—one that bridges the seemingly disparate worlds of the ivory tower and the urban classroom. Because modern schooling often centers whiteness, Emdin argues, it dismisses ratchet identity (the embodying of “negative” characteristics associated with lowbrow culture, often thought to be possessed by people of a particular ethnic, racial, or socioeconomic status) as anti-intellectual and punishes young people for straying from these alleged “academic norms,” leaving young people in classrooms frustrated and uninspired. These deviations, Emdin explains, include so-called “disruptive behavior” and a celebration of hip-hop music and culture. Emdin argues that being “ratchetdemic,” or both ratchet and academic (like having rap battles about science, for example), can empower students to embrace themselves, their backgrounds, and their education as parts of a whole, not disparate identities. This means celebrating protest, disrupting the status quo, and reclaiming the genius of youth in the classroom.