No matter what your position or background, you will be challenged to test your understanding of the Bible's critical opening sentences and reexamine your beliefs about the creation of the world through Genesis Unbound.
Musa Okwonga – a young Black man who grew up in a predominantly working-class town – was not your typical Eton College student. The experience moulded him, challenged him... but also made him wonder why a place that was so good for him also seems to contribute to the harm being done to the UK. The more he searched, the more evident the connection became between one of Britain’s most prestigious institutions and the genesis of Brexit, and between his home town in the suburbs of Greater London and the rise of the far right. Woven throughout this deeply personal and unflinching memoir of Musa’s five years at Eton in the 1990s is a present-day narrative which engages with much wider questions about pressing social and political issues: privilege, the distribution of wealth, the rise of the far right in the UK, systemic racism, the ‘boys’ club’ of government and the power of the few to control the fate of the many. One of Them is both an intimate account and a timely exploration of race and class in modern Britain.
Continuing a Gold Medallion Award-winning legacy, the completely revised Expositor's Bible Commentary puts world-class biblical scholarship in your hands. A staple for students, teachers, and pastors worldwide, The Expositor's Bible Commentary (EBC) offers comprehensive yet succinct commentary from scholars committed to the authority of the Holy Scriptures. The EBC uses the New International Version of the Bible, but the contributors work from the original Hebrew and Greek languages and refer to other translations when useful. Each section of the commentary includes: An introduction: background information, a short bibliography, and an outline An overview of Scripture to illuminate the big picture The complete NIV text Extensive commentary Notes on textual questions, key words, and concepts Reflections to give expanded thoughts on important issues The series features 56 contributors, who: Believe in the divine inspiration, complete trustworthiness, and full authority of the Bible Have demonstrated proficiency in the biblical book that is their specialty Are committed to the church and the pastoral dimension of biblical interpretation Represent geographical and denominational diversity Use a balanced and respectful approach toward marked differences of opinion Write from an evangelical viewpoint For insightful exposition, thoughtful discussion, and ease of use—look no further than The Expositor's Bible Commentary.
“Mesmerizing, magical, deeply moving.” —Elif Shafak Expanding on the popular podcast of the same name from On Being Studios, Poetry Unbound offers immersive reflections on fifty powerful poems. In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama’s appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem’s artistry and explores how its meaning can reach into our own lives. Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother’s body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience. For anyone who has wanted to try their hand at a conversation with poetry but doesn’t know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.
There are many opinions and subsequent interpretations on the Book of Genesis. What did the author of Genesis intend and how can we possibly know, or is the important thing only what the Bible “means to you”? In this book, Dr. Jason Lisle answers questions such as: What are the most common mistakes people make in trying to understand Genesis?What are the necessary rules of biblical interpretation, and what is the proper role of science in understanding the Bible?How does one identify the various types of biblical literature, and how do the rules of interpretation handle each type – poetic, prophetic, historical, etc.? Is there one correct interpretation of the Bible, or are there many? Discover why alternative positions are rationally impossible. Unlock a powerful understanding of God’s Word and equip yourself with a reasoned defense against those who distort the Word of God.
To read Genesis intelligently, we must consider the questions, the literature, and the times in which Genesis was written. In How to Read Genesis Tremper Longman III provides a welcome guide to reading, studying, understanding, and savoring this panorama of beginnings—of both the world and of Israel. And importantly for Christian readers, we gain insight into how Genesis points to Christ and can be read in light of the gospel.
Today's evangelical community faces a multitude of questions about the creation of the cosmos and the beginning of human history, and we look to the Bible for answers. But what do we do with the stories that the book of Genesis presents to us? Reading Genesis 1-2: An Evangelical Conversation brings together the voices of five prominent evangelical scholars who take on the difficult interpretive questions that arise from reading the Bible's first two chapters. Richard Averbeck, Todd Beall, John Collins, Tremper Longman, and John Walton offer their perspectives in a point-counterpoint style. Reviewing and responding to each other's work, they write to honor their fellow thinkers even while they note their differences. United by their dedication to the truth while diverse in their approaches to the text, these scholars present their arguments and address their disagreements with courtesy and sophistication. Drawing on a wealth of theological, linguistic, and historical expertise, this collection is characterized by a close attention to the biblical text and a mutual respect that are often sorely lacking in discussions of origins taking place throughout the evangelical world. Book jacket.
Most scholars studying the first five books of the Bible either attempt to dissect it into various pre-pentateuchal documents or, at the very least, analyze Genesis, Exodus, Leviticus, Numbers, and Deuteronomy as separate, self-contained documents. The Pentateuch As Narrative focuses on the narrative and literary continuity of the Pentateuch as a whole. It seeks to disclose how the original Jewish readers may have viewed this multivolume work of Moses. Its central thesis is that the Pentateuch was written from the perspective of one who had lived under the Law of the Covenant established at Mount Sinai and had seen its failure to produce genuine trust in the Lord God of Israel. In this context, the Pentateuch pointed the reader forward to the hope of the New Covenant, based on divine faithfulness. Throughout the commentary Dr. Sailhamer pays close attention to and interacts with a wide range of classical and contemporary literature on the Pentateuch, written by Jews, Catholics, and Protestants.
This volume examines the prevalence, function, and socio-political effects of slavery discourse in the major theological formulations of the late third to early fifth centuries AD, arguably the most formative period of early Christian doctrine. The question the book poses is this: in what way did the Christian theologians of the third, fourth, and early fifth centuries appropriate the discourse of slavery in their theological formulations, and what could the effect of this appropriation have been for actual physical slaves? This fascinating study is crucial reading for anyone with an interest in early Christianity or Late Antiquity, and slavery more generally.
This study explores the vestiges of primitive sacrificial rituals that emerge in a group of canonical modernist novels, including The Turn of the Screw, Heart of Darkness, The Good Soldier, The Great Gatsby, and To the Lighthouse. It argues that these novels reenact a process that achieved its seminal expression in the Genesis story of The Binding of Isaac, in which Abraham, having been prevented from sacrificing Isaac, offers up a ram in his place. Modernist reenactments of this pattern present narrators who, although vigorously protesting the victimization of certain characters, unfailingly seize upon others as their surrogates. Each novel is designed in such a way, however, as to resist the reconstruction of a sacrificial ritual to which its narrator is prone. The resulting tension between the binding and unbinding of ritual persecution dramatizes the paradox that we can neither believe convincingly in the guilt of our scapegoats nor imagine a society that has dispensed with them entirely. Thomas Cousineau is Professor of English at Washington College in Maryland.