Gender Hierarchy of Masculinity and Femininity during the Chinese Cultural Revolution
Gender Hierarchy of Masculinity and Femininity during the Chinese Cultural Revolution

Author: Zhuying Li

Publisher: Routledge

Published: 2020-11-25

Total Pages: 115

ISBN-13: 1000220958

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Focusing on the influence of Maoist ideology and masculinist power on the representations of women in revolutionary opera films made during the Cultural Revolution, this book considers the gendered hierarchy between masculinity and femininity in relation to the historic and cultural context in which they were made. Using feminist methodology and epistemology to locate women’s social identity, this book explores the sociological connections between the masculinisation of women and masculinist domination in the context of the Cultural Revolution. Through film analysis, the author examines whether women, rather than 'liberated', were in fact re-gendered and oppressed by masculinist power. By critically evaluating gender hierarchy during the Chinese Cultural Revolution, the book provides hitherto neglected insights into gender within its social and cultural context. This an interdisciplinary book which should appeal to students and scholars across a range of disciplines, including gender studies, Asian studies, China studies, cultural studies and film studies.

Gender Hierarchy of Masculinity and Femininity during the Chinese Cultural Revolution
Gender Hierarchy of Masculinity and Femininity during the Chinese Cultural Revolution

Author: Zhuying Li

Publisher: Routledge

Published: 2020-11-25

Total Pages: 112

ISBN-13: 1000220893

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Focusing on the influence of Maoist ideology and masculinist power on the representations of women in revolutionary opera films made during the Cultural Revolution, this book considers the gendered hierarchy between masculinity and femininity in relation to the historic and cultural context in which they were made. Using feminist methodology and epistemology to locate women’s social identity, this book explores the sociological connections between the masculinisation of women and masculinist domination in the context of the Cultural Revolution. Through film analysis, the author examines whether women, rather than 'liberated', were in fact re-gendered and oppressed by masculinist power. By critically evaluating gender hierarchy during the Chinese Cultural Revolution, the book provides hitherto neglected insights into gender within its social and cultural context. This an interdisciplinary book which should appeal to students and scholars across a range of disciplines, including gender studies, Asian studies, China studies, cultural studies and film studies.

Maoist Model Theatre
Maoist Model Theatre

Author: Rosemary A. Roberts

Publisher: BRILL

Published: 2010

Total Pages: 312

ISBN-13: 9004177442

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Here is a convincing reflection that changes our understanding of gender in Maoist culture, esp. for what critics from the 1990s onwards have termed its erasure of gender and sexuality. In particular the strong heroines of the yangbanxi, or model works which dominated the Cultural Revolution period, have been seen as genderless revolutionaries whose images were damaging to women. Drawing on contemporary theories ranging from literary and cultural studies to sociology, this book challenges that established view through detailed semiotic analysis of theatrical systems of the yangbanxi including costume, props, kinesics, and various audio and linguistic systems. Acknowledging the complex interplay of traditional, modern, Chinese and foreign gender ideologies as manifest in the 'model works', it fundamentally changes our insights into gender in Maoist culture.

Gender Politics in Modern China
Gender Politics in Modern China

Author: Tani E. Barlow

Publisher: Duke University Press

Published: 1993

Total Pages: 326

ISBN-13: 9780822313892

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Through the lens of modern Chinese literature, Gender Politics in Modern China explores the relationship between gender and modernity, notions of the feminine and masculine, and shifting arguments for gender equality in China. Ranging from interviews with contemporary writers, to historical accounts of gendered writing in Taiwan and semi-colonial China, to close feminist readings of individual authors, these essays confront the degree to which textual stategies construct notions of gender. Among the specific themes discussed are: how femininity is produced in texts by allocating women to domestic space; the extent to which textual production lies at the base of a changing, historically specific code of the feminine; the extent to which women in modern Chinese societies are products of literary canons; the ways in which the historical processes of gendering have operated in Chinese modernity vis à vis modernity in the West; the representation of feminists as avengers and as westernized women; and the meager recognition of feminism as a serious intellectual current and a large body of theory. Originally published as a special issue of Modern Chinese Literature (Spring & Fall 1988), this expanded book represents some of the most compelling new work in post-Mao feminist scholarship and will appeal to all those concerned with understanding a revitalized feminism in the Chinese context. Contributors. Carolyn Brown, Ching-kiu Stephen Chan, Sung-sheng Yvonne Chang, Yu-shih Chen, Rey Chow, Randy Kaplan, Richard King, Wolfgang Kubin, Wendy Larson, Lydia Liu, Seung-Yeun Daisy Ng, Jon Solomon, Meng Yue, Wang Zheng

The Gender Legacy of the Mao Era
The Gender Legacy of the Mao Era

Author: Xin Huang

Publisher: SUNY Press

Published: 2018-08-01

Total Pages: 306

ISBN-13: 1438470614

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Shows that the feminist interventions of the Mao era (1949–1976) continue to influence contemporary Chinese women. This book traces how the legacy of the Maoist gender project is experienced or contested by particular Chinese women, remembered or forgotten in their lives, and highlighted or buried in their narratives. Xin Huang examines four women’s life stories: an urban woman who lived through the Mao era (1949–1976), a rural migrant worker, a lesbian artist who has close connections with transnational queer networks, and an urban woman who has lived abroad. The individual narratives are paired with analysis of the historical and social contexts in which each woman lives. Huang focuses on the shifting relationship between gender and class, fashion and shame in the Mao and post-Mao eras, queer desire and artwork, and contemporary transnational encounters. By rethinking the historical significance and contemporary relevance of one of the twentieth century’s major feminist interventions—socialist and Marxist women’s liberation during the Mao years—The Gender Legacy of the Mao Era provides insight into current struggles over gender equality in China and around the world.

Gender and Chinese History
Gender and Chinese History

Author: Beverly Jo Bossler

Publisher: University of Washington Press

Published: 2015-06-01

Total Pages: 279

ISBN-13: 029580601X

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Until the 1980s, a common narrative about women in China had been one of victimization: women had dutifully endured a patriarchal civilization for thousands of years, living cloistered, uneducated lives separate from the larger social and cultural world, until they were liberated by political upheavals in the twentieth century. Rich scholarship on gender in China has since complicated the picture of women in Chinese society, revealing the roles women have played as active agents in their families, businesses, and artistic communities. The essays in this collection go further by assessing the ways in which the study of gender has changed our understanding of Chinese history and showing how the study of gender in China challenges our assumptions about China, the past, and gender itself.

Women and Gender in Twentieth-Century China
Women and Gender in Twentieth-Century China

Author: Paul J. Bailey

Publisher: Bloomsbury Publishing

Published: 2012-08-29

Total Pages: 208

ISBN-13: 1137029684

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Paul J. Bailey provides the first analytical study in English of Chinese women's experiences during China's turbulent twentieth century. Incorporating the very latest specialized research, and drawing upon Chinese cinema and autobiographical memoirs, this fascinating narrative account: - Explores the impact of political, social and cultural change on women's lives, and how Chinese women responded to such developments - Charts the evolution of gender discourses during this period - Illuminates both change and continuity in gender discourse and practice Approachable and authoritative, this is an essential overview for students, teachers and scholars of gender history, and anyone with an interest in modern Chinese history.

Some of Us
Some of Us

Author: Xueping Zhong

Publisher: Rutgers University Press

Published: 2001

Total Pages: 252

ISBN-13: 9780813529691

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Some of Us is a collection of memoirs by nine Chinese women who grew up during the Mao era. All hail from urban backgrounds and all have obtained their Ph.D.s in the United States; thus, their memories are informed by intellectual training and insights that only distance can allow. Each of the chapters--arranged by the age of the author--is crafted by a writer who reflects back to that time in a more nuanced manner than has been possible for Western observers. The authors attend to gender in a way that male writers have barely noticed and reflect on their lives in the United States.

Reconceiving Women's Equality in China
Reconceiving Women's Equality in China

Author: Lijun Yuan

Publisher: Lexington Books

Published: 2005

Total Pages: 162

ISBN-13: 9780739112281

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According to the author, the subordination of Chinese women continued under different models of sex equality in China in twentieth century. In Reconceiving Women's Equality in China Lijun Yuan discusses and assesses four models of womenOs equality: first, the traditional Confucian view of women which advocates that womenOs role is to follow and support men; second, the liberal feminist idea of formal equality for women introduced into China at the beginning of the twentieth century, which is anti-Confucian and advocates womenOs equal rights in education, law, and employment; third, MaoOs view of womenOs equality in production, calling for substantive equality between men and women; finally, the idea of equal opportunity in the economic transformation in the post-Mao period, the revival of Confucianism in this period and its convergence with the declining status of women. According to Yuan, each of these models has a variety of problems in dealing with womenOs equality. However, she sees one common thread running through all of them, namely, lack of emphasis on empowering women to develop their own visions of equality. Ideologies imposed from the top-down have rationalized the continuing subordination and exploitation of women, either blatantly (Confucianism) or more subtly (Maoism). After exposing the common feature in their failure to reach the social ideal of womenOs equality, the author proposes a more democratic conception of womenOs equality that will allow ideals to continue changing as material circumstances change in different stages of social development. This book is a seminal work of research on the status of women in China during and after Mao's cultural revolution. It is essential to studies of Chinese society, politics, and religion, as well as to women's studies and philosophy.