Gautier and the Romantics
Author: John Garber Palache
Publisher:
Published: 1926
Total Pages: 214
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: John Garber Palache
Publisher:
Published: 1926
Total Pages: 214
ISBN-13:
DOWNLOAD EBOOKAuthor: John Garber Palache
Publisher:
Published: 1977
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: John G. Palache
Publisher:
Published: 1972-01-01
Total Pages:
ISBN-13: 9780849002120
DOWNLOAD EBOOKAuthor: THEOPHILE. GAUTIER
Publisher:
Published: 2018
Total Pages: 0
ISBN-13: 9781033694305
DOWNLOAD EBOOKAuthor: Karen L. Taylor
Publisher: Infobase Publishing
Published: 2006
Total Pages: 497
ISBN-13: 0816074992
DOWNLOAD EBOOKFrench novels such as "Madame Bovary" and "The Stranger" are staples of high school and college literature courses. This work provides coverage of the French novel since its origins in the 16th century, with an emphasis on novels most commonly studied in high school and college courses in world literature and in French culture and civilization.
Author: Théophile Gautier
Publisher:
Published: 1902
Total Pages: 360
ISBN-13:
DOWNLOAD EBOOKAuthor: Théophile Gautier
Publisher:
Published: 1900
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Théophile Gautier
Publisher:
Published: 1988
Total Pages: 380
ISBN-13:
DOWNLOAD EBOOKAuthor: Michael Pitwood
Publisher: Librairie Droz
Published: 1985
Total Pages: 348
ISBN-13: 9782600036153
DOWNLOAD EBOOKAuthor: Elena Anastasaki
Publisher: Taylor & Francis
Published: 2022-08-04
Total Pages: 206
ISBN-13: 1000627276
DOWNLOAD EBOOKThis study addresses the question of artistic identity and the myth of the artist as it has been shaped by the artists themselves. While the term artist is to be understood in a broad sense, the focus of this study is the literature of the Romantic tradition. Identity is largely perceived as a construct, and a central hypothesis of this book concerns its aesthetic value and the ways it creates dominant narratives of self-perception that produce powerful myths. The construction of the artist’s identity, be it collective or personal, rests on a series of aesthetic praxes. Caught between the mythic idealisation of poetic genius and its social devaluation, the Romantic artist seeks to create a place for himself, and in doing so, he engages in his own mythmaking. This process is studied in an interdisciplinary perspective, approaching texts and writers from different traditions. The study analyses various typologies of the artist, numerous mythmaking strategies as well as several postural techniques; all of which have sketched major direct or indirect fictional self-portraits in the European tradition.