Gauguin’s Challenge
Gauguin’s Challenge

Author: Norma Broude

Publisher: Bloomsbury Publishing USA

Published: 2018-03-08

Total Pages: 337

ISBN-13: 1501342509

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Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as “the father of modernist primitivism.” In this volume, both long-established and more recent Gauguin scholars offer a provocative picture of the evolution of Gauguin scholarship in the recent postmodern era, as they confront and consider how the dismantling of the longstanding Gauguin myth positions us now in the 21st century to deal with and assess the life, work, and legacy of this still perennially popular artist. To reassess the challenges that Gauguin faced in his own day as well as those that he continues to present to current and future scholarship, they explore the multiple contexts that influenced Gauguin's thought and behavior as well as his art and incorporate a variety of interdisciplinary approaches, from anthropology, philosophy, and the history of science to gender studies and the study of Pacific cultural history. Dealing with a wide range of Gauguin's production, they challenge conventional art-historical thinking, highlight transnational perspectives, and offer clues to the direction of future scholarship, as audiences worldwide seek to make multicultural peace with Gauguin and his art. Broude has raised the bar of Gauguin scholarship ever higher in this groundbreaking volume, which will be necessary reading for students and scholars of art history, late 19th-century French and Pacific culture, gender studies, and beyond.

Gauguin’s Challenge
Gauguin’s Challenge

Author: Norma Broude

Publisher: Bloomsbury Publishing USA

Published: 2018-03-08

Total Pages: 328

ISBN-13: 1501325175

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Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as "the father of modernist primitivism.†? In this volume, both long-established and more recent Gauguin scholars offer a provocative picture of the evolution of Gauguin scholarship in the recent postmodern era, as they confront and consider how the dismantling of the longstanding Gauguin myth positions us now in the 21st century to deal with and assess the life, work, and legacy of this still perennially popular artist. To reassess the challenges that Gauguin faced in his own day as well as those that he continues to present to current and future scholarship, they explore the multiple contexts that influenced Gauguin's thought and behavior as well as his art and incorporate a variety of interdisciplinary approaches, from anthropology, philosophy, and the history of science to gender studies and the study of Pacific cultural history. Dealing with a wide range of Gauguin's production, they challenge conventional art-historical thinking, highlight transnational perspectives, and offer clues to the direction of future scholarship, as audiences worldwide seek to make multicultural peace with Gauguin and his art. Broude has raised the bar of Gauguin scholarship ever higher in this groundbreaking volume, which will be necessary reading for students and scholars of art history, late 19th-century French and Pacific culture, gender studies, and beyond.

Gauguin (Second) (World of Art)
Gauguin (Second) (World of Art)

Author: Belinda Thomson

Publisher: Thames & Hudson

Published: 2020-09-08

Total Pages: 345

ISBN-13: 0500775125

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This authoritative account of the life and work of Paul Gauguin, one of the most original artists of the late nineteenth century, is revised and updated with color illustrations throughout. Artist Paul Gauguin achieved a high public profile during his lifetime and was one of the first artists of his generation to achieve international recognition. But his prominence has always been tangled up with the dramatic and problematic events of his life—his self-imposed exile on a remote South Sea island and his turbulent relationships with his peers—as with the appeal of his art. In this revised and updated edition, art historian Belinda Thomson gives a comprehensive and accessible account of the life and work of one of the most complicated artists of the late nineteenth century. Gauguin’s painting, sculpture, prints, and ceramics are discussed in the light of his public persona, his relations with his contemporaries, his exhibitions, and their critical reception. His private world, beliefs, and aspirations emerge through his extensive cache of journals, letters, and other writings. Fully illustrated in color, and drawing on the new, more global conversation surrounding the artist, Gauguin is the definitive volume on this controversial and often contradictory figure.

Gauguin's Vision
Gauguin's Vision

Author: Belinda Thomson

Publisher:

Published: 2005

Total Pages: 148

ISBN-13:

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When Paul Gauguin (1848-1903) painted Vision After the Sermon in the summer of 1888 he was a mature artist who had travelled, exhibited and worked in a variety of media. Today the painting is considered a masterpiece, helping to assure Gauguin's fame the world over. Few paintings have given rise to more art historical analysis and critique, more speculation, admiration or recrimination. Accompanying the innovative painting-in-focus exhibition, 'Gauguin's Vision', this book illuminates one of the most intriguing and famous images in the history of western art. This re-examination of the painting, Vision After the Sermon: Jacob Wrestling with the Angel brings together works by Gauguin, his mentors such as Paul C, zanne and Edgar Degas, and younger contemporaries including Emile Bernard, Paul S, rusier, Maurice Denis and Henri van de Velde. It explores the biographical, pictorial and cultural circumstances that enabled Gauguin to make such a radical statement in paint in 1888. This beautifully illu

Paul Gauguin
Paul Gauguin

Author: David Sweetman

Publisher:

Published: 1995

Total Pages: 648

ISBN-13:

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This biography of the French artist describes his travels, lifestyle, love affairs, and the battle with syphilis that eventually took his life.

Gauguin by Himself
Gauguin by Himself

Author: Paul Gauguin

Publisher: Little Brown & Company

Published: 2000

Total Pages: 320

ISBN-13: 9780316855013

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GAUGUIN BY HIMSELF is the first publication to give equal weight to the full range of Gauguin's activities both as an artist and a writer. His letters, including many to fellow painters such as Pissarro and Van Gogh, comment freely on contemporaries such as Cezanne, Monet and Degas, and meet head-on the changing aesthetic concerns of avant-garde Paris in the last two decades of the nineteenth century. They also chart his increasingly hazardous travels around the globe in pursuit of his elusive idea of the 'primitive' from Paris and Copenhagen to Brittany, Provence, Panama, the West Indies and finally the South Pacific. Illustrated with over 200 of his most powerful and decorative works of art, GAUGUIN BY HIMSELF offers a fresh look at the diverse faces and talents of a man who chose to live outside the boundaries of society in order to fulfil his vocation as a 'great artist'.

A Dictionary of Art Titles
A Dictionary of Art Titles

Author: Adrian Room

Publisher: McFarland

Published: 2008-09-09

Total Pages: 300

ISBN-13:

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This dictionary of 3,000 works of art explains the meaning behind the titles. The titles, mostly of paintings and sculpture, but also of some less traditional media, are arranged alphabetically by original title or English title.

Savage Tales
Savage Tales

Author: Linda Goddard

Publisher: Yale University Press

Published: 2019-09-03

Total Pages: 210

ISBN-13: 0300240597

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"An original study of Gauguin's writings, unfolding their central role in his artistic practice and negotiation of colonial identity. As a French artist who lived in Polynesia, Paul Gauguin (1848-1903) occupies a crucial position in histories of European primitivism. This is the first book devoted to his wide-ranging literary output, which included journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics. It analyzes his original manuscripts, some of which are richly illustrated, reinstating them as an integral component of his art. The seemingly haphazard, collage-like structure of Gauguin's manuscripts enabled him to evoke the "primitive" culture that he celebrated, while rejecting the style of establishment critics. Gauguin's writing was also a strategy for articulating a position on the margins of both the colonial and the indigenous communities in Polynesia; he sought to protect Polynesian society from "civilization" but remained implicated in the imperialist culture that he denounced. This critical analysis of his writings significantly enriches our understanding of the complexities of artistic encounters in the French colonial context."--Publisher's description.