The richness of Chinese classical literature encompasses a range of forms, from poetry and rhymed prose, to essays and novels. Each period has its own unique style, and there are outstanding representative works for each: the pre-Qin Book of Songs, Songs of the South, Han fu, Yue fu songs, Tang poetry, Song ci, Yuan drama and more. Using illustrations and exposition of the various styles of classical Chinese literature, this book takes the reader on a tour of the Chinese literary world, while affording valuable insights into the themes of early Chinese civilizations.
Have you ever wonder about the significance of the various vibrant festivals celebrated by the Chinese people every year, or why the Chinese eat with Chopsticks? How did the intricate characters of their written language come to be? Ancient Chinese thinkers like Confucius and Sun-zi have left their mark on the Chinese Culture, but who were they? And with the Chinese cuisine that is available in Chinese restaurants all across the world, there's hardly any needs for introductions! Join us on a tour of the ancient and colourful Chinese culture in this part of this Montage Culture Series!
Have you ever wonder about the significance of the various vibrant festivals celebrated by the Chinese people every year, or why the Chinese eat with Chopsticks? How did the intricate characters of their written language come to be? Ancient Chinese thinkers like Confucius and Sun-zi have left their mark on the Chinese Culture, but who were they? And with the Chinese cuisine that is available in Chinese restaurants all across the world, there's hardly any needs for introductions! Join us on a tour of the ancient and colourful Chinese culture in this part of this Montage Culture Series!
In this pathbreaking study of three of the most familiar texts in the Chinese tradition--all concerning stones endowed with magical properties--Jing Wang develops a monumental reconstruction of ancient Chinese stone lore. Wang's thorough and systematic comparison of these classic works illuminates the various tellings of the stone story and provides new insight into major topics in traditional Chinese literature. Bringing together Chinese myth, religion, folklore, art, and literature, this book is the first in any language to amass the sources of stone myth and stone lore in Chinese culture. Uniting classical Chinese studies with contemporary Western theoretical concerns, Wang examines these stone narratives by analyzing intertextuality within Chinese traditions. She offers revelatory interpretations to long-standing critical issues, such as the paradoxical character of the monkey in The Journey to the West, the circularity of narrative logic in The Dream of the Red Chamber, and the structural necessity of the stone tablet in Water Margin. By both challenging and incorporating traditional sinological scholarship, Wang's The Story of Stone reveals the ideological ramifications of these three literary works on Chinese cultural history and makes the past relevant to contemporary intellectual discourse. Specialists in Chinese literature and culture, comparative literature, literary theory, and religious studies will find much of interest in this outstanding work, which is sure to become a standard reference on the subject.
Did you know that India is the birthplace of four religions--Hinduism, Sikhism, Jainism and Buddhism? The Indian culture is a spicy blend of customs, traditions, religions and languages, not just derived from its diverse states, but also from its Muslim and European rulers. The home of the Himalayas, the Taj Mahal and the birthplace of Mahatma Gandhi, this country has contributed to arts, science and world cuisine significantly. As part of the Asiapac Culture series, this book offers a glimpse at the origins of the Indian people and their religious and social customs. You can find out about the different gods that Hindus pray to, why Sikhs wear a turban and the reasons for celebrating Deepavali. This is the book to read if you would like a quick guide to Indian culture and many aspects of their lives.
Tracing the thread of “decreation” in Chinese thought, from constantly changing classical masterpieces to fake cell phones that are better than the original. Shanzhai is a Chinese neologism that means “fake,” originally coined to describe knock-off cell phones marketed under such names as Nokir and Samsing. These cell phones were not crude forgeries but multifunctional, stylish, and as good as or better than the originals. Shanzhai has since spread into other parts of Chinese life, with shanzhai books, shanzhai politicians, shanzhai stars. There is a shanzhai Harry Potter: Harry Potter and the Porcelain Doll, in which Harry takes on his nemesis Yandomort. In the West, this would be seen as piracy, or even desecration, but in Chinese culture, originals are continually transformed—deconstructed. In this volume in the Untimely Meditations series, Byung-Chul Han traces the thread of deconstruction, or “decreation,” in Chinese thought, from ancient masterpieces that invite inscription and transcription to Maoism—“a kind a shanzhai Marxism,” Han writes. Han discusses the Chinese concepts of quan, or law, which literally means the weight that slides back and forth on a scale, radically different from Western notions of absoluteness; zhen ji, or original, determined not by an act of creation but by unending process; xian zhan, or seals of leisure, affixed by collectors and part of the picture's composition; fuzhi, or copy, a replica of equal value to the original; and shanzhai. The Far East, Han writes, is not familiar with such “pre-deconstructive” factors as original or identity. Far Eastern thought begins with deconstruction.
""A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published."" --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.
From the early days, musical instruments in China were made from everyday items: hunting tools, trees, bamboo and even bones. During the Zhou dynasty, there were about 70 instruments. Today, there are hundreds. But have you ever wondered how these musical instruments in China came about? Well, in this book, the evolution of Chinese music over the centuries is examined, from prehistoric times, through the Qin, Han, Sui and Tang dynasties, all the way to our modern times. In addition, the origins and characteristics of specific musical instruments are explored, giving insight in one's understanding of these instruments. Legendary accounts related to historical personalities are also featured, including: * How two phoenixes helped Fuxi, the earliest ancestor of the Chinese, add music to the lives of the people. * How the musical talents of some individuals were so high they could sense evil elements in a piece of music. * How Wangzi Qiao became an immortal from playing the sheng. Indeed, this book holds a treasury of fascinating information and stories pertaining to Chinese musical instruments. This is definitely something any music lover should have in his collection.
Did you know that if your surname is Ji and Jiang, it would mean that you are actually a descendant of the legendary emperors? And interestingly, the predecessors who fled from the despotic King Zhou of the Shang Dynasty named themselves after the things that saved them: Li, which stood for the wild fruit muzi, and Lin, the forest which was a hide-out from the king! Find out more fascinating details about 100 Chinese family names: * Difference between surnames and clan names. * Stories related to the most common surnames: Li, Wang, Zhang, Liu, Chen, Yang, Huang, and more. * Naming traditions; names and fortune; manner of addressing. As the book covers the entire span of recorded Chinese history from the past to the present, you will find it an eye-opener as a reference manual and a delightful source of little-known facts.
