During the sixties, says Morris Dickstein, America seemed to be at the gates of Eden--verging on a new way of experiencing life, art, and culture. In this provocative book, he discusses how we reached the gates and why, in the end, they remained closed. Beginning with Allen Ginsberg and the Beat poets of the late fifties, Dickstein traces the rise of a new sensibility in American thought, writing, and music through lively and incisive analyses of such sixties icons as Kurt Vonnegut, Jr., Bob Dylan, Norman Mailer, Ralph Ellison, Joseph Heller, Paul Goodman, Norman O. Brown, and the Rolling Stones. Now, on the twentieth anniversary of the book's original publication, Dickstein has written a new introduction, reassessing the period's achievements and failures, and providing a fresh perspective on the ways that the sixties continue to influence our politics and culture.
Widely admired as the definitive cultural history of the 1960s, this groundbreaking work finally reappears in a new edition. The turbulent 1960s, almost from its outset, produced a dizzying display of cultural images and ideas that were as colorful as the psychedelic T-shirts that became part of its iconography. It was not, however, until Morris Dickstein's landmark Gates of Eden, first published in 1977, that we could fully grasp the impact of this raucous decade in American history as a momentous cultural epoch in its own right, as much as Jazz Age America or Weimar Germany. From Ginsberg and Dylan to Vonnegut and Heller, this lasting work brilliantly re-creates not only the intellectual and political ferment of the decade but also its disillusionment. What results is an inestimable contribution to our understanding of twentieth-century American culture.
From the reviews of Nazi Germany "The best one-volume history of the Third Reich available.It fills a void which has existed for a long time and it will probably become the basic text for generations of students."-Walter Laqueur "An indispensable, compellingly readable political, military and social history of the Third Reich."-Publishers Weekly From the reviews of History of an Obsession "This is truly a significant work, for Fischer gives a balanced account of a complex subject, making it painfully clear just how Germany became capable of genocide." - Booklist "Fischer writes with a clear mastery of both primary and secondary sources. Synthesizing a wide spectrum of literature into a fine, scholarly work." - Library Journal No decade since the end of World War II has been as seminal in its historical significance as the 1960s. That stormy period unleashed a host of pent-up social and generational conflicts that had not been experienced since the Civil War: intense racial and ethnic strife, cold war terror, the Vietnam War, counter-cultural protests, controversial social engineering, and political rancor. Numerous studies on various aspects of these issues have been written over the past 35 years, but few have so successfully integrated the many-sided components into a coherent, synthetic, and reliable book that combines good storytelling with sound scholarly analysis. The main materials covered will be the Kennedy and Johnson presidencies; the Civil Rights movement; the Vietnam War and the protest it generated; the New Left, student radicals, and Black student militancy; and, finally, the counter-cultural side of the 60s: hippies, sex and Rock 'n' Roll.
This book charts the changing complexion of American culture in one of the most culturally vibrant of twentieth-century decades. It provides a vivid account of the major cultural forms of 1960s America - music and performance; film and television; fiction and poetry; art and photography - as well as influential texts, trends and figures of the decade: from Norman Mailer to Susan Sontag; from Muhammad Ali's anti-war protests to Tom Lehrer's stand-up comedy; from Bob Dylan to Rachel Carson; and from Pop Art to photojournalism. A chapter on new social movements demonstrates that a current of conservatism runs through even the most revolutionary movements of the 1960s and the book as a whole looks to the West and especially to the South in the making of the sixties as myth and as history.
The Spirit of the Sixties explains how and why the personal became political when Sixties activists confronted the institutions of American postwar culture. The Spirit of the Sixties uses political personalism to explain how and why the personal became political when Sixties activists confronted the institutions of American postwar culture. After establishing its origins in the Catholic Worker movement, the Beat generation, the civil rights movement, and Ban-the-Bomb protests, James Farrell demonstrates the impact of personalism on Sixties radicalism. Students, antiwar activists and counterculturalists all used personalist perspectives in the "here and now revolution" of the decade. These perspectives also persisted in American politics after the Sixties. Exploring the Sixties not just as history but as current affairs, Farrell revisits the perennial questions of human purpose and cultural practice contested in the decade.
The 1960s continue to be the subject of passionate debate and political controversy, a touchstone in struggles over the meaning of the American past and the direction of the American future. Amid the polemics and the myths, making sense of the Sixties and its legacies presents a challenge. This book is for all those who want to take it on. Because there are so many facets to this unique and transformative era, this volume offers multiple approaches and perspectives. The first section gives a lively narrative overview of the decade's major policies, events, and cultural changes. The second presents ten original interpretative essays from prominent historians about significant and controversial issues from the Vietnam War to the sexual revolution, followed by a concise encyclopedia articles organized alphabetically. This section could stand as a reference work in itself and serves to supplement the narrative. Subsequent sections include short topical essays, special subjects, a brief chronology, and finally an extensive annotated bibliography with ample information on books, films, and electronic resources for further exploration. With interesting facts, statistics, and comparisons presented in almanac style as well as the expertise of prominent scholars, The Columbia Guide to America in the 1960s is the most complete guide to an enduringly fascinating era.
The half-century since the end of World War II has been crucial in defining America's image of itself and role in the world. A thorough survey of an era dominated by the cold war on the international front and conflicting social forces at home, this authoritative reference volume details every aspect of a turbulent age. It features: --Brief biographical vignettes of notable political and civil leaders, from Eleanor Roosevelt to Newt Gingrich --Insightful portraits of prominent cultural icons, from Allen Ginsburg and Elvis to Billy Graham and Jackie Robinson --Informative analyses of major political events, from the Yalta Conference and the Cuban Missile Crisis to Watergate --Brief histories of pivotal armed conflicts, from the Korean War and the invasion of Lebanon to the Persian Gulf War --Articles on social and cultural milestones, from Woodstock to suburban migration to the World Wide Web --Summaries of such crucial documents as the Civil Rights Act, the Voting Rights Act, and the Equal Rights Amendment --Descriptions of groundbreaking legal cases, such as Roe v. Wade, Miranda v. Arizona, and Brown v. Board of Education of Topeka, Kansas --Profiles of major civil rights movements, such as black nationalism and feminism --Explanations of political and social concepts, such as affirmative action, consumer culture, and McCarthyism --Authoritative accounts of momentous episodes spurred by social protest, such as the Montgomery bus boycott and the Kent State University shootings --Further reading lists and cross-references following each entry --A detailed chronology The issues that united and divided Americans during the second half of the century--the civil rights movement, the Vietnam war, the cold war--are discussed in lively, objective articles which breathe life into the events and people that have shaped our nation. More than 200 illustrations, including photographs, posters, and ephemera such as political campaign buttons, make Postwar America: A Student Companion an excellent introductory resource for students and all readers interested in modern history. Oxford's Student Companions to American History are state-of-the-art references for school and home, specifically designed and written for ages 12 and up. Each book is a concise but comprehensive A-to-Z guide to a major historical period or theme in U.S. history, with articles on key issues and prominent individuals. The authors--distinguished scholars well-known in their areas of expertise--ensure that the entries are accurate, up-to-date, and accessible. Special features include an introductory section on how to use the book, further reading lists, cross-references, chronology, and full index.
Few events during that whirlwind of movements, conflicts and upheaval known as "the sixties" took Americans more by surprise, or were more likely to inspire their rage, than the rebellion of those who were young, white, and college educated. Perhaps none have been more maligned or misunderstood since. In A Fiction of the Past, Dominick Cavallo pushes past the contemporary fog of myth, cold disdain and warm nostalgia that shrouds the radical youth culture of the '60s. He explores how the furiously chaotic sixties sprang from the comparatively placid forties and fifties. The book digs beyond the post-World War II decades and seeks the historical sources of the youth culture in the distant American past. Cavallo shows how the sixties' most radical ideas and values were deeply etched in the American soul.
First published in 1986, Too Much records the tumultuous period between 1960 and 1975 when, more than at any other time in history, the arts were a battleground for the conflicting forces of social change. With the new affluence of the Sixties the cultural conformism of the previous decade was rejected in favour of new forms of expression. Pop Art, pop music, fringe theatre and performance poetry helped to create the semi-mythological image of ‘Swinging London.’ The liberation ethic was feted as it masked the insecurities of a society in decline but, as a real political challenge to the status quo, it also led to conflict. The confrontation between official culture and the underground came in 1968, a year with its own mythical resonance. This book will be of interest to students of art, media studies and cultural studies.
