Garments of Light is a collection of seventy revealing essays that take you on a deeper journey through the Torah and Jewish holidays. How could Adam have lived 930 years? Was Joseph really sold by his own brothers? Why is Rosh Hashanah the New Year? When is Mashiach coming? How do we deal with apparent contradictions between Torah and science? Find the surprising answers to these and other enigmatic questions in the pages of this book. Unravel ancient mysteries and prophecies, and explore the Jewish perspective on reincarnation and the afterlife, astrology, the Messianic Era, and more.
Garments of Light is a collection of seventy revealing essays that take you on a deeper journey through the Torah and Jewish holidays. What does the Torah say about extraterrestrial life and quantum physics? Where is Mount Sinai? What is the significance of dreams? What does "Israel" really mean, and who exactly were the ancient "Hebrews"? Find the surprising answers to these and other enigmatic questions in the pages of this book. Unravel ancient mysteries and prophecies, and explore the Jewish perspective on reincarnation and the afterlife, astrology, the Messianic Era, and more.
A New York Times-bestselling author presents a provocative new interpretation of The Prince The Prince, a political treatise by the Florentine public servant and political theorist Niccolo Machiavelli, is widely regarded as the most important exploration of politics—and in particular the politics of power—ever written. In Garments of Court and Palace, Philip Bobbitt, a preeminent and original interpreter of modern statecraft, presents a vivid portrait of Machiavelli's Italy and demonstrates how The Prince articulates a new idea of government that emerged during the Renaissance. Bobbitt argues that when The Prince is read alongside the Discourses, modern readers can see clearly how Machiavelli prophesied the end of the feudal era and the birth of a recognizably modern polity. As this book shows, publication of The Prince in 1532 represents nothing less than a revolutionary moment in our understanding of the place of the law and war in the creation and maintenance of the modern state.
For more than a generation, Rabbi Michael L. Munk, as a sidelight to his busy schedule of educational and communal work, has fascinated audiences with his learned and provocative lectures on the Hebrew alphabet. In the process of opening eyes and raising eyebrows, he has convinced countless people that his contention is true: the Hebrew alphabet abounds in scholarly and mystical meaning. He has developed and proven a profound thesis. The alphabet -- if correctly understood -- is a primer for life. Ethical conduct, religious guidance, philosophical insights, all are nestled in the curls, crowns, and combinations of the Hebrew letters. This is one of those rare books that is both interesting and profound, learned and readable. The wisdom and compassion of the author is evident in those subtle ways that do not intrude on the reader, but give him the satisfaction of knowing that a rich, warm, productive lifetime of experience is flavoring the text.
Experienced sewing instructor and blogger Barbara Emodi shares her sewing wisdom to help readers get started, get started back up, or hone their existing garment-sewing skills. Not a sewing reference book as much as a book of experience, this is a book that will make a novice sewist say, “Oh, so that’s why you do that,” make a practiced sewist think, “Now that’s a neat trick,” and make a very experienced sewist smile and say, “That is sooo true!” Take advantage of her thoughts, tips, and tricks on the benefits of sewing, the importance of fit, basic techniques, available tools, patterns, and materials, and so much more. • Droll, well-informed, readable, interesting, and useful— the how-to book of sewing wisdom you always wanted • Get the inside scoop on sizing and alteration, patternless sewing, what to sew and what to buy, and many other topics, with mini lessons sprinkled throughout • Tips and ideas on choosing and using the best fabric, gear, and sewing machines
Everyone has a specific garment that God has prepared for them to wear. From the begining of time God has ordained that his people would wear a special item of clothing. It would be unlike anything else worn in the whole of God's creation and was only to adorn those who belonged to him. The prophets would write about this garment, the psalmist would sing about it, and the patriarchs would wear it. Every book of the Bible has something to say about the garment of God. The garment will be worn by those who are anointed and favoured by God. It clothes priests and kings, servants and leaders. Brides and warriors are to be wrapped up in its protection and power. Jesus expects his people to wear these clothes. It is time for everyone to put on the garment of God.
In much of modern fiction, it is the clothes that make the character. Garments embody personal and national histories. They convey wealth, status, aspiration, and morality (or a lack thereof). They suggest where characters have been and where they might be headed, as well as whether or not they are aware of their fate. At the Mercy of Their Clothes explores the agency of fashion in modern literature, its reflection of new relations between people and things, and its embodiment of a rapidly changing society confronted by war and cultural and economic upheaval. In some cases, people need garments to realize themselves. In other cases, the clothes control the person who wears them. Celia Marshik's study combines close readings of modernist and middlebrow works, a history of Britain in the early twentieth century, and the insights of thing theory. She focuses on four distinct categories of modern clothing: the evening gown, the mackintosh, the fancy dress costume, and secondhand attire. In their use of these clothes, we see authors negotiate shifting gender roles, weigh the value of individuality during national conflict, work through mortality, and depict changing class structures. Marshik's dynamic comparisons put Ulysses in conversation with Rebecca, Punch cartoons, articles in Vogue, and letters from consumers, illuminating opinions about specific garments and a widespread anxiety that people were no more than what they wore. Throughout her readings, Marshik emphasizes the persistent animation of clothing—and objectification of individuals—in early-twentieth-century literature and society. She argues that while artists and intellectuals celebrated the ability of modern individuals to remake themselves, a range of literary works and popular publications points to a lingering anxiety about how political, social, and economic conditions continued to constrain the individual.
Said to have been created before the foundations of the world, these relics given to Adam when banished from paradise were then given to Enoch, Methuselah, and Noah. They were separated when Ham stole the garments from the ark and passed them on to Cush who gave them to Nimrod. The rod of wonder was passed from Noah to Shem, Abraham, Isaac and then reunited with the garments following Esau's murder of Nimrod. The vestures and staff were reunited with Jacob and given to Joseph. after his death, they were deposited in Pharaoh's royal treasury before being taken by Reuel eastward. it is there that Moses claimed and used them during the Exodus. A fascinating tale this book chronicles the journey of these items from Adam to the Revelation 19:13 return of Messiah, clothed in the 'vestures dipped in blood and holding a rod of iron'.
