This is the first book to examine comprehensively the major systems of musical notation proposed during the past three centuries. Illustrating the many attempts to improve upon or replace the traditional system, this important work chronologically lists, describes, and critically analyzes the majority of the proposed reforms that have appeared over the years. No other book now available covers the subject in such depth or detail. It is not only a repository of suggested improvements in notation, but also a historical survey of the efforts made to simplify the standard practices.
Twentieth-century music has significantly advanced the role of rhythm. The many variants of rhythmic notation, standard and experimental alike, encountered in contemporary music frequently demand explanation and interpretation. This book catalogs and clarifies the numerous ways of notating syncopation and alternative standard rhythmic figures, new time signatures, irrational rhythmic groupings within regular and irregular meters, experimental metrical concepts and techniques, analogs, and, finally, polymeters. Read compares traditional and present-day methods of delineating the same musical expressions, from fairly simple combinations to extremely complicated patterns.
An important characteristic of contemporary art music has been the use of conventional instruments in unconventional ways, achieving effects undreamed of or thought impossible in the early twentieth century. This compendium codifies these techniques, explains their production and effects, cites representative scores, and provides numerous example from an international selection of composers. Part One considers techniques and procedures that apply to all instruments; Part Two takes up idiomatic techniques with specific instruments in all orchestral categories. This monumental survey is essential for any music library or serious musician. An important characteristic of contemporary art music has been the use of conventional instruments in unconventional ways, achieving effects undreamed of or thought impossible in the early twentieth century. Yet many of these techniques remain poorly understood with respect to both the physical procedures involved and the results in sound output. This compendium codifies these techniques, explains their production in terms of idiomatic peculiarity and limitations, and cites representative scores in which the new devices form an integral part of the composer's sonoric concepts. Citations and numerous printed examples are taken from an international selection of works by the most advanced and significant composers. Part One considers techniques and procedures that, with only slight modification, apply to all instruments: extended ranges, muting, glissandi, harmonics, percussive effects, microtones, amplification, and extramusical devices. Part Two is devoted to idiomatic techniques with specific instruments in the categories of woodwinds and brasses, percussion, harp and other plucked instruments, keyboard instruments, and strings. While demonstrating recent and radical innovations, references are made to historical beginnings of such devices in our classical music heritage. An earlier version of this volume, Contemporary Instrumental Techniques (1976), was widely acclaimed by musicians and educators, recognized as a significant achievement in cataloging and organization and as an invaluable reference tool. Now extensively expanded, with additional techniques, new and revised explanations, and hundreds of recent citations and examples, this monumental survey is essential for any music library or serious musician. An indispensable guide for composers and orchestrators, it will also be valuable as a sourcebook for performers and teachers and as a textbook for courses in composition.
This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic. "An extraordinary achievement."—New York Times The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."
The world is filled with shapes. A bird, a car, the stars in the sky - what shapes can you see? Children will love spotting familiar shapes on every page. With bright illustrations and a heartwarming message about the shape of something very special - love. Brilliantly read by Katy Ashworth. Please note that audio is not supported by all devices, please consult your user manual for confirmation.
Louis Passau is America’s greatest living orchestral conductor, a legendary, world-acclaimed artist whose ninetieth birthday will be marked by a glittering celebratory concert at New York’s Lincoln Center. But a double shadow hangs over the event: Passau has recently been accused of spying for Hitler and, worse, the British Secret Intelligence Service have now linked his name to KGB clandestine operations in the USA during the Cold War. The Maestro agrees to be interrogated, but only after the concert. British Intelligence call in Big Herbie Kruger to question the Maestro, and thanks to the once-famous agent-runner Passau survives an assassination attempt in his moment of glory. Still a target, he now insists on dealing only with Kruger, who desperately seeks a safe-house to conduct the debriefing. As he grapples with the elusive truth about the conductor – from the man’s first memories of his Bavarian village, to his adventures as a young immigrant in New York, his experiences in Capone’s Chicago and his ruthless rise to fame and fortune – Herbie Kruger finds himself ensnared in the Maestro’s dangerous secrets and deceits.
Warm, vibrant and amusing, this is a joyous picture-book exploration of the messy and marvellous world of art. It will give every child the courage and inspiration to express their creativity.
I love me from my mouth and chin all the way down to my knees and shins. This affirming picture book features a diversity of races and ethnicities, physical features, body types, abilities and disabilities. I Love Me teaches all kids they have many, many reasons to love themselves.
