The playful spirit grows in these beautifully photographed gardens, which delight with the unexpected and visual enchantment. The unusual presentation of unique landscapes bypasses ordinary horticultural know-how and conventional design principles to delve into garden wit, illusion, and trickery. ..".whimsical...This literate, imaginative work may not lead you to create a witty garden, but it will certainly cause you to know one when you see it."--"The New York Times."
André Le Nostre, the son and grandson of royal master gardeners, was the most influential landscape architect of his time. In this definitive study, Professor Hazlehurst shows how his style developed from a complex of influences: his family background, the classic tradition, French rationalism, and the theories of landscape design propounded by Jacques Boyceau and Claude Mollet. He also traces the impact of Père Niceron, Salomon de Caus, and Simon Vouet on Le Nostre's understanding of the principles of perspective and optical foreshortening. By careful analysis of the sites where Le Nostre is known to have worked, among them Vaux-le-Vicomte, Fontainebleau, the Tuileries, Saint-Germain-en-Laye, Versailles, Chantilly, Meudon, and Saint-Cloud, Professor Hazlehurst illustrates his skillful use of optical illusion to introduce vitality and surprise into otherwise coldly formal compositions. More than 370 photographs, plans, and elevation drawings, some in color, are included to show how these illusions were created. Garden of Illusion, the first book-length study of André Le Nostre to appear in almost twenty years, provides important new insights into the practice of landscape gardening not only in France but in the Western world. -- Jacket.
“Big ideas for your small garden.” —Garden Design When it comes to gardens, bigger isn’t always better, and The Less Is More Garden shows you how to take advantage of every square foot of space. Designer Susan Morrison offers savvy tips to match your landscape to your lifestyle, draws on years of experience to recommend smart plants with seasonal interest, and suggests hardscape materials to personalize your space. Inspiring photographs highlight a variety of inspiring small-space designs from around the country. With The Less Is More Garden, you’ll see how limited space can mean unlimited opportunities for gorgeous garden design.
In What Gardens Mean, Stephanie Ross draws on philosophy as well as the histories of art, gardens, culture, and ideas to explore the magical lure of gardens. Paying special attention to the amazing landscape gardens of eighteenth-century England, she situates gardening among the other fine arts, documenting the complex messages gardens can convey and tracing various connections between gardens and the art of painting. What Gardens Mean offers a distinctive blend of historical and contemporary material, ranging from extensive accounts of famous eighteenth-century gardens to incisive connections with present-day philosophical debates. And while Ross examines aesthetic writings from the seventeenth and eighteenth centuries, including Joseph Addison’s Spectator essays on the pleasures of imagination, the book’s opening chapter surveys more recent theories about the nature and boundaries of art. She also considers gardens on their own terms, following changes in garden style, analyzing the phenomenal experience of viewing or strolling through a garden, and challenging the claim that the art of gardening is now a dead one. (ed.)
- Enjoy beautiful views of the islanders' sanctuaries as well as fascinating stories and histories of the grounds where gardens now grow - Venture off the beaten track and follow this garden path throughout the island of Key West
Filled with tips and ideas from some of the world's top garden designers suchas Beth Chatto, Piet Oudolf, Isabelle Greene, and James Van Sweden, this bookwill inspire the reader to create their own garden oasis. Includes photos andgarden plans.
Great Gardens in Small Spaces features 44 wonderful and exquisitely photographed California gardens, specifically treating the small garden, its particular challenges and its abundant opportunities and rewards. 300 color illustrations.
Illusion, Disillusion, and Irony in Psychoanalysis explores and develops the role of illusion and daydream in everyday life, and in psychoanalysis. Using both clinical examples and literary works, idealised illusions and the inevitable disillusion that is met when reality makes an impact, are carefully explored. Idealised phantasies which involve a timeless universe inevitably lead to disillusion in the face of reality which introduces an awareness of time, ageing, and eventually death. If the illusions are recognised as phantasy rather than treated as fact, the ideal can be internalised as a symbol and serve as a measure of excellence. Steiner shows that the cruelty of truth needs to be recognised, as well as the deceptive nature of illusion, and that relinquishing omnipotence is a critical and difficult developmental task that is relived in analysis. Illusion, Disillusion, and Irony in Psychoanalysis will be of great use to the psychoanalyst or psychotherapist seeking to understand the patient’s withdrawal into a phantasy world, and the struggle to allow the impact of reality.
Presents an illustrated account of the creation of one of the world's most dazzling and extensive gardens, the gardens at the palace of Versailles, noting the unique four-decade friendship between Louis XIV, the creator of the garden, and Andre Le Ntre, the gardener.
A “lucid and convincingly argued” narrative of how ancient geometric principles continue to shape the contemporary world (Publishers Weekly). On a cloudy day in 1413, a balding young man stood at the entrance to the Cathedral of Florence, facing the ancient Baptistery across the piazza. As puzzled passers-by looked on, he raised a small painting to his face, then held a mirror in front of the painting. Few at the time understood what he was up to; even he barely had an inkling of what was at stake. But on that day, the master craftsman and engineer Filippo Brunelleschi would prove that the world and everything within it was governed by the ancient science of geometry. In Proof!, the award-winning historian Amir Alexander traces the path of the geometrical vision of the world as it coursed its way from the Renaissance to the present, shaping our societies, our politics, and our ideals. Geometry came to stand for a fixed and unchallengeable universal order, and kings, empire-builders, and even republican revolutionaries would rush to cast their rule as the apex of the geometrical universe. For who could doubt the right of a ruler or the legitimacy of a government that drew its power from the immutable principles of Euclidean geometry? From the elegant terraces of Versailles to the broad avenues of Washington, DC, and on to the boulevards of New Delhi and Manila, the geometrical vision was carved into the landscape of modernity. Euclid, Alexander shows, made the world as we know it possible.
