This is a political and economic struggle of the ants called Commoners, during their political evolution and fighting for survival in their Garden Green Hills, which is their home. The Garden Green Hills has been taken over by the Aliens, which led to the domination of the minority rich and powerful group called the Red ants. The Commoners and Wing ants have been living under their traditional leadership for years led by Fuzi, the chief. And suddenly foreigners came with laws and political dictatorship, which led to political and social upheavals and subsequently to revolutionary changes, which made the hills never to be the same again.
Using a rich assortment of illustrations and biographical sketches, Peter Martin relates the experiences of colonial gardeners who shaped the natural beauty of Virginia's wilderness into varied displays of elegance. He shows that ornamental gardening was a scientific, aesthetic, and cultural enterprise that thoroughly engaged some of the leading figures of the period, including the British governors at Williamsburg and the great plantation owners George Washington, Thomas Jefferson, William Byrd, and John Custis. In presenting accounts of their gardening efforts, Martin reveals the intricacies of colonial garden design, plant searches, experimentation, and the problems in adapting European landscaping ideas to local climate. These writings also bring to life the social and commercial interaction between Williamsburg and the plantations, together with early American ideas about cultured living. While placing Virginia's gardening in the larger context of the colonial South, Martin tells a very human story of how this art both influenced and reflected the quality of colonial life. As Virginia grew economically and culturally, the garden became a projection of the gardener's personal identity, as exemplified by the endeavors of Washington and Jefferson at Mount Vernon and Monticello. In order to recapture the gardens as they existed in colonial times, Martin brings together paintings, drawings, and the findings of modern archaeological excavations. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author Meaghan Morris asks how feminist culture critics can participate in political struggles about history. Questioning both contemporary cultural theory that imagines a world "beyond" history and feminist approaches to culture that minimize questions of economy, class, and nation, Morris argues that history created by popular culture is never truly "national" in scale or force. 11 photos.
Meg and her siblings have been sent to the English countryside for the summer to stay with elderly relatives. The children are looking forward to exploring the ancient mansion and perhaps discovering a musty old attic or two filled with treasure, but never in their wildest dreams did they expect to find themselves in the middle of a fairy war. When Rowan pledges to fight for the beautiful fairy queen, Meg is desperate to save her brother. But the Midsummer War is far more than a battle between mythic creatures: Everything that lives depends on it. How can Meg choose between family and the fate of the very land itself?
Marie-Luise Gothein's History of garden art was first published in German 1913. It was re-published in English in 1928, with two extra chapter. This edition (first published as a CD in 2002) has been edited and revised by Tom Turner. It is now supplied as a pdf.
The flowering of Far Eastern culture and philosophy as seen through the remarkable gardens they gave rise to. This classic work was one of the first to reveal the full meaning and symbolism of the gardens of China and Japan, and to treat them as serious works of art and material culture, rather than as quaint and pretty plantings. In spirit, the art of these gardens is akin to landscape painting; in form it is close to sculpture. Yet it is really quite different, a unique art based upon the choice and arrangement of natural materials in the creation of a scene that has the power to transform and inspire the viewer and gardener. Loraine E. Kuck begins her study with the naturalistic gardens of early China, progressing on to the gardens of Japan. She relates the development of gardens to the personalities who made them, to the historical background, to Eastern religion and philosophy, to the political events which shaped the culture of each period, to the arts in general and to painting, architecture and the tea ceremony in particular. Above all, her account brings alive a world in which mosses hold the warm promise of spring and hope in their velvet depths; in which the juxtaposition of pools and rocks invite meditation; where sunny slopes convey the calm of centuries and in which flowering cherry trees are viewed by moonlight, with tall lanterns throwing soft light on masses of flowers seen against the starry darkness of the sky. The work includes chapters on Heian gardens, the gardens of the Fujiwara period, the princely gardens of Tokugawa times and Zen landscapes, along with sixty-four pages of illustrations, including many rare photographs. Practical and inspirational, no other work so perfectly captures the spirituality, beauty and complex simplicity of these gardens that link heaven and earth.
